Wow. What a gloriously cynical concept- a giant Rubik's cube, with 17,526 cubes, some with deadly traps, into which people are placed from time to time for reasons seemingly lost in the mists of time. It's a superb concept and, as it happens, a brilliant film. Not bad for a film requiring so few sets.
Indeed, it's not just the superb concept, neat plot and gruesome deaths that make this film work, but the carefully orchestrated mix of characters. The limited sets makes this feel something like a stage play (not often said of films like this) which emphasises this.
We have, firstly, the contrast between the reactionary Quentin and the left-wing conspiracy theorist Holloway, alongside the cynical Worth, mathematical prodigy Leaven and autistic savant Kazan, the only survivor. The relationship between Quentin and Holloway, and their inevitable clash, is handled superbly. Quentin, of course, turns out to hide a murderous anger beneath his UKIP-friendly views, making him the definite villain. Holloway is too strident, so she dies. Worth is morally compromised, so he cannot be allowed to live. And Leaven must die because she's too clever by half. The only survivor is Kazan, seemingly the least equipped to survive.
Oh, and we get the big twist; their best chance of survival would have been to stay in the room they started in. It's a satisfying end to a well plotted and characterised film with a kick ass concept. Cube is brilliant. And that's another reference in The Cabin in the Woods that I now get.
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