“Chop, Chop! Blood everywhere!
Proud to be Queen!”
It’s both odd and refreshing to
watch such a straight adaptation after Tim Burton’s Whimsical and action packed version. It’s such a wonderfully
straight adaptation, even though this means it’s rather long. The whole look of
the production has an ineffable late ‘90’sness that recalls many television
films from the period. It has a gloss and a picture quality which, though they
have dated slightly, look gorgeous.
The cast are as glittering as can
be, so much so, in fact, that it was an agonising task narrowing down those
cast members who would appear in the tags. Nevertheless, the stand out performance
is from the young Tina Majorino, who
gives us a likable and realistic Alice while maintaining a flawless British RP
accent throughout. The other stand-out performances are from Miranda Richardson as the Queen of
Hearts and Martin Short as the Mad
Hatter. This Queen of Hearts is
gloriously eccentric and wonderfully homicidal, and perfectly cast, given her
performance as Queen Elizabeth I in Blackadder II fourteen years
previously. This Mad Hatter is arguably the best version I have ever seen, at
the same time utterly mad yet unthreatening and child friendly.
The special effects, courtesy of
sparing use of CGI and the muppetry skills of the late Jim Henson’s Workshop, are superb and a huge contribution to the
success of the film. Some of the choices made are intriguing. The caterpillar
is made to look very SGT Pepper, while the Queen of Hearts, as my girlfriend
noticed, is carrying what can only be described as “The Holy Hand Grenade of Antioch”. It must be said, however, that
the Griffin looks uncannily like a raggedy Big Bird.
Perhaps this could be said equally
of the book, but, well, this is in no way druggie, is it? I know this is hardly
the most original observation, but, well, a hookah smoking caterpillar (in no
way a reference to opium); mushrooms that make you grow or shrink; and the
general sense that the logic of stoned conversations applies here…Well!
The ending, with Alice having
gained confidence from her experiences, is mainly fun because of the chance to
see all the same actors out of character, per se. It has to be said, that the
film is bloody long, but there is certainly value in a thorough version. The
only moment where the film flags is the sequence with the Griffin and the Mock
Turtle, where Gene Wilder somehow
fails to capture his usual charisma. I admit, I’ve only seen two, but this is
my favourite version of the story.
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