The Batman (2022)

 "It's all connected."

While the later films didn't quite manage to maintain the excellence, one would perhaps naturally assume that Christopher Nolan had perfected the Batman film back in 2005 with Batman Begins. Yet it would seem not. We have a new contender.

So why is this film so good? Wisely, it skips the origin story and, notably, focuses on a very realistic portrayal of Gotham, with zero supernatural or sci-fi elements. The film is superbly and stylistically shot. Robert Pattinson is perfect as Bruce Wayne, while Zoe Kravitz and Jeffrey Wright also excel.

The use of villains is also excellent. This is a brilliant way of using the Riddler, while Penguin is toned down to become a mere mob boss, no doubt to appear again. The character of Selina Kyle is very well written indeed.

Yet this is at root a crime film very much reminiscent of the Saw franchise and not only in its visual style. Not necessarily in terms of the tiresomely excessive gore but the elements of those films that were actually good- the dark, almost hopeless feeling that violent, corruption and despair are ever-present, and the complex, multi-layered mystery, something which works supremely well here and makes everything feel very fresh indeed.

Yet what works even better is the way the Riddler is reinvented in the vein of Jigsaw, as a crusader for truth. Even better, there's a thread of Gotham having dark secrets in its past, which is used to comment wryly on the extremely harmful conspiracy theory online culture that exists today. It makes the point, rightly, that conspiracy theories are not mere harmless fun.

I hope this film is the first of several. It certainly seems to be setting things up for the future. Overall, though, this film is a triumph..

Fantastic Beasts: The Crimes of Grindelwald (2018)

“You never met a monster you couldn’t love.”

Well, this is a very different beast to its nice little understated predecessor. No more do we get a nice little New York adventure with a small, likeable cast; no, this is a big, world-building epic more the style if the Harry Potter movies. Indeed, not only do we have a couple of scenes in Hogwarts (Jude Law’s youthful Dumbledore is already headmaster), we even get a younger Maggie Smith, presumably cut and pasted from The Prime of Miss Jean Brodie. Mostly, though, we get the awesome spectacle of 1920s Paris, and lots of cool CGI monsters.

The big bad is Grindelwald, played by Johnny Depp... and I wish I could make head or tail of the claims and counter-claims between him and Amber Heard. Which one of them is the abuser? Which one of them is it ok to like? It’s weird seeing either of in films at the moment although J.K. Rowling is clearly very much on his side for insisting on casting him despite a great deal of criticism. Anyway, he’s rather good as a persuasive demagogue between the wars, a type of character which has certain associations. Interestingly, his rally near the end doesn’t make it clear that he’s a baddie. But we shall see.

Tina, Jacob and Queenie are back although, in a powerful scene, Queenie’s allegiance is changed, while Zoe Kravitz impresses with a powerful, tragic performance as Leta Lestrange. But the focus, and the mystery, is on Credence, clearly a powerful pure-blood ripped from his true family, and only at the end do we discover who he truly is. It’s a mystery used to splendid dramatic effect.

This is a fast-moving, eventful epic, and feels more like a chapter than a film in itself. All the same, I much prefer it to the Harry Potter films in similar style and am enjoying the world building in spite of not being any kind of Harry Potter fanboy. I’m greatly looking forward to the next one.

X-Men: First Class (2011)

"I've been at the mercy of men just following orders all my life. Never again!"

Wow. Best X-Men film ever, or at least so far. Thank you, Matthew Vaughn.

Of course, this is the Fox continuity, in spite of only a cameo appearance by Wolverine linking it to its predecessors, and rather divergent from the comics; Banshee seems like he's going to die, for example, and doesn't. And there's the silly fact that Chares Xavier has a British accent and has done since childhood, in spite of having grown up in that mansion in Westchester County. And why is Moira MacTaggart now an American CIA agent, having previously been shown as English and never Scottish?

But we'll ignore all that because this is a brilliant and exciting tale of a deep friendship unable to withstand ideological differences; you really believe in the friendship between Charles and Erik. James McAvoy is good, but Michael Fassbender is exceptional.

It's interesting that Mystique is Charles' step-sister, and to see her gradually being drawn towards Magneto. Her connection to Hank McCoy is well-handled, too, as is the question of whether mutants ho look unusual should visually conform or not. The Beast's fate is cruel but poetically appropriate, especially given the allusions to Jekyll and Hyde.

The Hellfire Club gives us two impressive villains in January Jones as Emma Frost and the ubiquitous Kevin Bacon as the mercurial Sebastian Shaw- perhaps he's Joseph Dashwood in this continuity? But there are striking similarities between Shaw and what Magneto becomes although, of course, he killed Magneto's mother and must die.

The plot is superb- using the Cuban Missile Crisis is inspired- but ultimately the film works because of its successful focus on Erik and Charles as characters. Superb,