What If... 1872?

 "In this universe, Ultron was actually programmed for show tunes..." 

Here we reach the wilder shores of What If?, where we move veyond a simple point of divergence from an event we know to the truly wild and wonderful... which, rather nicely, includes a nice little cameo from Frog Thor from the Walt Simonson days. So we go back in time to the OldWest, to the 1872 of the Marvel Universe. I'm not really au fait with much that happened in the comics after about 1993, but perhaps I was expecting at least some reference to the Two Gun Kid or Rawhide Kid or, indeed, the original Ghost Rider.

Instead we get a decent little tale of Shang-Chi and Kate Bishop looking int the mass kidnapping of Chinese immigrant rail workers by the mysterious "Hood". I appreciate the political subtext here, especially as we await the swearing in of Trump, that doddering old fool, and his many moronic policies including mass deportations.

But... well, the climax with the twist and emotional twists and turns with Xialing doesn't quite do it for me, although once again it's fascinating to see such a Shang-Chi heavy episode. But I was entertained, there were some nice ideas, Easter eggs despite a relatively small cast, some fun with Western tropes, and a nice little cameo from John Walker.

It's all about the ending though, as the Watcher is finally in trouble for interfering. About bloody time...

What If... the Hulk Fought the Mech Avengers?

 "Of course, issues left unresolved rarely stay buried for long."

One episode a day over the Christmas period, is it? With Mark Gatiss dropping a new Ghost Story for Christmas tomorrow and Doctor Who the day after? I'm so going to fall behind with this...

It's a fun way to start, though. Mechs and "Gamma Beasts" that owe a lot to Japanese tropes that I suspect I'd understand more if I was more deeply into Manga and the like as opposed to just the retro Godzilla films and of course Transformers with its Japanese roots. But we all know what mechs are and this is a fun take on the tropes from the MCU, exactly the sort of thing that What If? should be doing. I rather enjoyed this.

And yes, there's a very obvious subtext- the whole thing is a giant metaphor, a macrocosm, for what's going on inside Bruce Banner's head.

But there's something else going on too, I think. I've long seen the constant talk of the MCU's decline as overblown, but that's not to say there's nothing to the criticisms. Individual films and series have usually been good, but there's no denying that there's less of a feelof a cohesive gang of heroes as used to be the case, with the MCU spread much more thinly.

So is this episode trying to push a viable team of new "main" protagonists, including Sam Wilson's Cap, Monica Rambeau, Shang-Chi, Bucky and Moon Knight? If so, this could be interesting...

Shang-Chi and the Legend of the Ten Rings (2021)

 "What is your name change logic...?"

Shang-Chi, particularly the Doug Moench incarnation, is a distint and fond memory I have from the '80s reprinting, here in the UK, in the pages of Action Force, the tales of the '70s... from which creator Steve Englehart had ejected himself in protest of the racism.

And here we have the problem. Because the '70s comics were based quite heavily and unironically on the works of Sax Rohmer (look him up), with its heavily racist tropes of the "yellow peril" and Fu Manchu, a characte whom... well, if you know the character, and don't cringe, you're being racist, however much you might try not to be.

I must admit, if anything has happened in the comics with Shang-Chi since 1983, this middle aged man knows nothing of it, except to hope it's not bloody racist shite.

Fortunately, this rather entertaining blockbuster film ignores all that. Shang-Chi's father is not Fu Machu(!) but, er, the Mandarin, complete with rings, and Shang-Chi himself has a rather awesome love interest in intelligent waster Katy, not to mention a rather awesome sister.

Disregarding cameos from Wong, the Abomination(!), Captain Marvel and Bruce Banner, and of course the ever- steady post-snap reality, this rather enjoyable film feels, at the momentt, as semi-detached from the wider Marvel universe as one could imagine right now. Yet it's excellent, essentially a Marvel-approved, strictly non-racist,  highly enjoyable Hollywood version of Crouching Tiger, Hidden Dragon and films of that ilk. Not massively deep, but superior blockbuster fodder.