True Blood: Thank You

"I wouldn't let you go down on me for a billion dollars!"

So we reach the final episode, and the main story between Sookie and Bill finishes predictably, with no surprises, but beautifully written and shot, as over a large proportion of screen time they come to an understanding and Sookie ends up lovingly killing him- although not, in the end, giving up her fairy powers. This leaves limited room for everyone else, yes, and some very important characters (Lafayette, Sam) are reduced to cameos, but it's the right decision.

Bill also gets to give Jessica away in a hurriedly arranged marriage to Hoyt, a beautiful extended sequence even if there is the niggling sense of an awful lot of unchallenged patriarchal assumptions going on there. Also, Eric kills Gus, and he and Pam end up as the billionaire owners of New Blood and the King and queen of vampiredom, which is nice. And Sarah ends up with a miserable but more-or-less deserved fate, pretty much as the prostitute Pam always intended her to be.

It's also nice to see Sookie advising Jason to actually sleep with Bridgette and get together with her, and the slow rekindling of the friendship between Jason and Hoyt. And it's especially lovely that Andy, who will inherit Bill's estate, agrees to perpetually rent the house to Jessica and Hoyt for a peppercorn rent.

We fast forward at the end to a few years later, and a happy community. Jason and Bridgette have children and Sookie is pregnant by a man whose face we don't see- that's the point; he isn't special. It's the perfect ending to an unexpectedly perfect final season.

Suicide Squad (2016)

"We're bad guys. It's what we do."

Well, I don't care what the critics say. Oh, this film may not be right up there with the greatest- sorry, DC, Deadpool was better- but it was stylish, cool and great fun. Here's your warning: this is a positive review.

I never read the Suicide Squad comics; Batman aside (I certainly read a lot of that) I was more of a Marvel kid and tended to read specific DC titles for the writers- Alan Moore, Neil Gaiman and the like- rather than following titles religiously as I did with Marvel. So I'm not writing this as an uber fanboy and can't comment on how the film compares to the comic.

Also... I'm aware that this is the third film of the DC Universe and I haven't seen the others yet. I'll be approaching the DC films as I did the Marvels- obviously I won't watch any Batman II film before a Batman film or anything like that, but I won't be necessarily watching and blogging DC Universe films in strict order, within reason. Anyway...

This is an awesome film with awesome characters, most notably Deadshot and Harley Quinn, and both Will Smith and Margot Robbie are awesome. Jared Leto, too, was a nicely old-fashioned psychopathic Joker, rubbish though his emo band may be. I'm not sure, yet, about the brief glimpses I've had of Ben Affleck as Batman but, well, we'll see about that. 

This was a stylishly directed film, fast-paced and with plot beats perfectly laid out for maximum entertainment value as a blockbuster should. The use of its mainly rock soundtrack was awesome. And I'm genuinely puzzled at the critics' insistence on the supposedly uneven tone- I found no such thing.

Yes, perhaps this is a case of relatively low expectations making me like a film (It has that in common with Citizen Kane...) but I had a good night at the pictures tonight and I'm curious about the previous two DC Universe films. Bring it on.

True Blood: Love Is to Die

"I'm choosing the true death."

Bill is choosing to die because Sookie will never be able to move on while he's alive, as she could never quite manage to with Alcide. Hmm. Not sure I buy that either from the character or as a plausible motivation from a more diegetic point of view, but it's written well enough that you can't see the joins so I'll let it pass. Development of this takes up much of the episode.

Elsewhere Sam leaves for a new life in Chicago with Nicole and the bump, and Jessica starts to properly reconnect with Hoyt, telling him "the story of us" while Jason seems to be getting on rather well with Brigette, who's just dumped Hoyt. He's resisting the temptation to shag her, though... and this is Jason.

This is fascinating to watch, knowing as we do from our privileged position outside the text that this is the penultimate episode of True Blood ever. Big things happen, such as Bill releasing Jessica and Eric finally giving Ginger the fucking of her life after fifteen odd years of frustrated celibacy for her. But the Yakuza are after Sookie, which will provide a bit of conflict for the final episode.

But this episode, quite rightly, is fairly short on incident and long on letting all the characters be themselves for one last time. I've no idea where all the pieces will land in the finale- will Bill die? Will Sookie use that exploding ball power and lose her specialness? Will Jessica and Hout get back together? I have no idea; im sure there are some twists and turns to come. But I'm also sure the finale will be fast and furious, so it's wonderful to have a slow episode like this. Sublime, again.

True Blood: Almost Home

"Even as the cure you're still the fucking problem!"

We begin with Eric seemingly about to kill Sarah, until he unexpectedly is cured by her. Could there be hope for both of them? And eventually for Bill? Apparently not; after spending much of the episode building up to the moment, the episode ends with our friends all surrounding Sarah in her cell and Bill able to drink his cure... and, after putting everyone to so much trouble to get him cured, he refuses. Well then.

In other plot threads, Lettie Mae and Lafayette finally convince the Rev to join them in their V trip to find Tara's spirit. It seems she wants closure, and peace with her mother; it seems Lettie Mae was a good mum until she was abandoned by her abusive husband, and it's nice to see that acknowledged as a mother and her departed daughter finally reconcile. It's still shocking how little Tara is in this season, though. She's always been my favourite character.

(Incidentally, Tara's dad is played by Malcolm Goidwin, Clive from iZombie...)

Hoyt argues with his girlfriend Brigette about having kids, as Jason realises that Adilyn and Wade must be with Violet. Indeed they are, and about to be tortured to death, until they (and Jessica, and Jason, the only man who ever rejected her) are finally rescued, and Violet suddenly killed, by... Hoyt. There's a surprise. And things seem to be moving towards him and Jessica getting back together, amnesia or no amnesia. But wouldn't they just split up again for similar reasons?

Superb. As is every single episode at the moment. True Blood seems set to end on a real high.

True Blood: Bad Blood

"Pam, I'm in no mood for lesbian weirdness!"

Again we continue straight on from the dramatic season finale, with Bill missing, Eggs just having been shot dead by Jason and Sam looking for his birth family. Not much is resolved, per se, but much is set up and, as it leaves you wanting more, this is a bloody good season opener.

Bill, it seems, has been kidnapped by a bunch of blokes who want to feed on his blood. Tara is distraught, and in no mood for Arlene's horribly racist comments- but I suppose a character like her, a working class white woman in the Deep South, would hold all sorts of horrible views. At least Eric is duty-bound as to help look for Bill; the police were distinctly unhelpful. Crime against vampires, it seems, is taken as seriously as black-on-black crime.

Sam, meanwhile, is up in Arkansas following up leads and, er, having awkwardly erotic dreams about Bill after ingesting his blood. Arlene is pregnant! And the Magister is getting suspicious about Eric and Queen Sophie-Anne dealing V. The Queen, in particular, is so cool that she gets her own directorial flourishes.

Sookie's on the case, but over in Mississippi Bill has werewolf trouble- are they the season's big bad? And what's with their tatto, the same one seen in Seadon 5 of Grimm? There's so much going on. I love it.

True Blood: Escape from Dragon House

"I got gout of the dick!"

Dawn being dead isn't good for Jason: it seems that the last two women he's slept with have been murdered. Oops. Understandably the local constabulary are raising the odd eyebrow and there is much gossip in Bon Temps, particularly from a rather unpleasantly nosey aunt. Worse, Jason has to swallow all the V-Juice in the back of the police car for fear of being caught with it, and much of the rest of the episode consists of the delightful details of what this does to his cock. Still, at least he and the lovely Tara get to bond a little over his intense genital  pain. Still wouldn't want to be him though, although for the first time in my life I have to praise some wanking acting.

Still, Sookie and Bill are having "fun" at the vampire bar Fangtasia (groan), where we first meet the old any mysterious boss's vampire Eric and his strangely sexy underlying, Pam. There's also an interesting chat between Sookie and Sam which makes explicit the thematic parallels between vampires and black people on this, the Deep South. Race is foregrounded as a theme as Sookie points out that Sam is supporting "separate but equal". Meanwhile, Bill is pulled over in his car by a cop because of his race. We've got plenty of time to see if this theme develops much. We have vampires, black and white characters, the complex legacy of the 1861-65 War of Secession and so many apologists for the slaveholders, like Sookie's grandmother.

We also get flashbacks to Tara's childhood and her abusive, alcoholic mother. Poor Tara. It's a compliment to all involved that I'm getting so attached to these characters.

This is one addictive series; I'm actually on episode nine as I write...

True Blood: Mine

"If we can't kill people, what's the point of being a vampire?"

We begin to meet more vampires, and it's definitely seeming as though Bill is the exception in not being evil and highly menacing: is this what we're intended to think? So far it's far from clear cut that vampires should indeed be treated as a minority deserving of rights, but we'll see how things progress. Bill explains that vampires become evil from living in nests, but that hardly lets them off the hook.

We're told of Hepatitis D, a vampire disease which weakens them and which, by the law of Raymond Chandler's revolver, will eventually threaten Bill's life, I strongly suspect. Sam and Tara (I love her) chat about their respective unattainables, Sookie and Jason and, in a refreshingly honest and unpuritanical scene, end up having some no-strings sex to deal with their mutual drought. Good.

Sookie is still yet to be deflowered, much as her libido is clearly getting intense by now, but she shags Bill only in her dreams. We learn more of Tara's mother issues- she now has to stay with Lafayette which, given the wine and ganja there, seems not to be a bad choice. The episode ends on a pop cultural note as Sam wishes for "Buffy or Blade" to come to Bon Temps. The gripping plot and characters continue to unwind in this already-excellent series.

We finish, again, on a cliffhanger: Sookie's found another body...

True Blood: The First Taste

"Do doctors know that V-Juice can do this?"

"No. We wanna keep it that way."

This series is addictive: I may only be blogging the second episode but I'm up to the fifth, much as I will spend the rest of this blog post behaving as though I hadn't. Suffice to say that it continues to be awesome. I appreciate the way that this is one continuing story; there may be themes for individual episodes but there are no stories of the week.

After the expected rescue, much of this episode consists of Sookie and Bill chatting and getting to know each other; he's just saved her life (so they're even) and given her some mildly superhuman abilities (including increased libido for this virgin!) in the process. We also get to realise just how, er, unintelligent Jazon is as it turns out he couldn't possibly have committed the mirder of which he's accused: it was that bald, tattooed vampire, right?

Bill later chats with Sookie, her Gran, Tara and Jason about how he fought, in the 1861-5 war of secession, for the rights of wealthy white people to "own" other people and, indeed, that his own parents owned slaves. Tara is, unsurprisingly, unimpressed. It's quite shocking to see, as a foreigner, how rural Louisiana can seem so racially integrated and yet so many seem invested in deeply unsavoury causes and symbols. And I can't understand why other Americans don't see this sort of thing as treason. Oh well.

We end with yet another cliffhanger and several huge incentives to keep watching this splendid series.

True Blood: Strange Love

"I know every man, whether straight, gay or George motherfucking Bush is terrified of the pussy."

I'm in the middle of several TV series, some in uncomfortable hiatuses (I will finish them all, but Agents of SHIELD and Grimm are delayed because of Sky Plus being crap- don't use Sky), so why not start another series? 81 episodes: how long can that take?

So far I'm impressed; first episodes are usually awkward and lacking because of how exposition-heavy they have to be and all the different jobs they have to do. This isn't. The premise- vampires going public and facing the prospect of citizenship following the Japanese invention of synthetic blood, while vampire blood is are relational narcotic for ne'er-do-wells - is nearly imparted via screens within the screen within the first few minutes, the Louisiana setting is gorgeous and atmospheric, and the characters are both well-written and hugely likeable, a huge credit to both the cast and the writing. So far I love Tara to bits and Lafayette is awesome too.

The characters are not just likeable but all well-rounded from the start, particularly Sookie and Tara. And then we have Sookie's brooding, Byronic vampire love interest Bill, Angel to her sort-of Buffy and hints of a dynamic which is an obvious influence on Twighlight, but pleasingly with much more sex and much less Mormonism; this is HBO, after all. Speaking of sex... yes, Jason. 

A cliffhanger ending, an atmospheric setting, great characters already, a fantastic theme tune... this promises to be good.