The War Between the Land and the Sea: The Witch of the Waterfall

 "You'll never swim alone!"

Hmm. I can see what they're trying to do, and even admire it. There's a racism and xenophobia subtext in this episode, especially given that the phrase "great replacement theory" gets bandied around at one point. Far right conspiracies, rich oligarchs, populism... these are, of course, terrible things. So Salt gets arrested, there's the deepfake image of her claiming responsibility, all so very topical. It's all very well done, but perhaps a little too obviously on the nose.

Then there's the weird romance between Salt and Barclay, now rebels together against both human and Sea Devil. Yes, we've seen their mutual attraction, but I'm not sure I buy this. Again, we have the racism angle, and this is supposed to show an interracial relationship as a contrast to all the MAGA-type racism. But the analogy doesn't hold. Barclay and salt aren't people of different ethnicities, they're literally a mammal and a reptile... "interracial" is a much bigger deal here.

And there's Kate, overworking and ploughing through her grief. Jemma Redgrave is superb here, but the character just isn't that deep, and this deep focus on her characterisation just doesn't really work as a consequence. And the stuff with the conspiracy, and the stressed prime minister in over his head... again, I like and appreciate what they're trying to do in theory. But the execution makes no sense. Why is a British PM being advised by American and French generals rather than the Cabinet? Why is an American general giving orders to the British army on London's streets? The whole thing doesn't quite come off, and I just don't buy the stand-off at the end.

Perhaps I'm being a little harsh. The whole thing looks superb, and the performances remain first rate. The dialogue is often impressive. But I'm not sure this is quite working in terms of the execution when it comes to both plot and subtext. I hope the finale makes me feel differently...

The War Between the Land and the Sea: The Deep

 "If you're trying to keep the peace, you've already failed."

The third episode maintains the quality by pushing the tension even further, daring to pace things slowly in a way that really works. There's so much superb characterisation here in both script and performances, but malevolent forces are lurking behind the scenes and the shock ending (if not that detail!) feels both earned and inevitable.

The scenes with Barbara and Kirby, with TikTok calling Barclay both a fool and a traitor, shows us just how much pressure he's under, as well as how awful humanity can be in this age of far right culture war. And I have to admire how the slow descent is dwelt on, with some superb and very real characterisation alongside the building up of tension. This takes up a huge chunk of the episode and, in pure plot terms, is technically padding. Yet it's utterly gripping, the atmospheric pressure of the deep an apposite metaphor for the pressure felt by Barclay.

Yet, on the surface, all is not well. Kate is overworking, to the concern of Colonel Ibrahim, while the prime minister tries to subtly exclude her, himself being manipulated by the dark forces of the military-industrial complex.

The home of the Sea Devils (and other races) is quite the sight. We, and Barclay, are fed a little more lore- the Sea Devils are nomadic, and seem to count dolphins amongst the many aquatic races! And Barclay and Salt have blatant sexual tension. A mammal and a reptile...!

The end comes as a huge shock, though. The assassination attempt on Kate, Ibrahim taking the bullet for her and dying, her anguish as her soulmate dies in her arms- Jemma Redgrave is extraordinary here. And then we see why Ted was so nervous all along... he was a suicide bomber, and we know who he's broadly working for.

Wow. It's all kicking off. This is gripping stuff, still.

The War Between the Land and the Sea: Plastic Apocalypse

 "This man is the most important person on the planet."

This episode may be Pete McTighe rather than RTD, but the quality continues. If it continues to do so, we could have something truly special here, a modern and deeply thoughtful updating of the Silurians' and Sea Devils' intrinsic subtexts. Here, though, there are two key differences. Firstly, the Sea Devils (still not having Homo Aqua, reptiles are not hominids!) are not opposed to humanity's existence, or ownership of the land; they merely object- strongly- to our pollution, and our possession of the oceans and waterways. Secondly, there's no Doctor... much as Kate may complain, when Barclay goes off script, that "This is like working with the Doctor"!

Yet there's the human side too. Barclay feels real, a testament to Russell Tovey's acting but also to the characterisation. His relation to Barbara and Kirby further humanises him, with Kirby genuinely both idealistic and proud of her dad. But humans, of course, are not perfect, and those with wealth and power are plotting to undermine UNIT. This plot thread can only deepen.

It's interesting to see UNIT more closely. For the first time we see Kate and Colonel Ibrahim at home, very much a couple, contrasting with their professionalism at work. We see speculation about a kind of Sea Devil hive mind. And... it becomes more and more unclear what Shirley's job description actually is.

Yet the drama of the actual diplomatic negotiations is enormous. Even more so than the Sea Devils' dramatic act of returning all plastic etc in the oceans back to land (including, in an echo of Ghostbusters II, the Titanic finally reaching New York)!. Salt and Barclay see to have real chemistry, yet her (and their) anger is palpable. Their demands are seemingly impossible, the sacrifices seemingly too great. Yet, from the Sea Devils' perspective, they are modest and reasonable.

There's long to go, and I've no idea how this will end. But the subtext, the pacing, the characters... this is very, very good.

Moon Knight: The Friendly Type

 "To signal for an audience with the gods is to risk their wrath."

Wow.This episode switches everything around. This time we follow Marc Spector with Steven in the mirrors, pleading his hieroglyphical expertise; quite the reversal of roles. And it's fascinating to see the new dynamic, Marc as leading man, Steven in his old role, Layla's dynamic with nthem both.

But the scene now shifts to Egypt, a fascinatingly different setting and dynamic. And somehow Ethan Hawke as Arthur Harrow is even more exttraordinarily charismatic. He really does steal the show. And yetv Oscar Isaac is astrounding. The transition from Marc to Steven is an amazing bit of facial acting.

And so much happens in Egypt. The gods of said ancient land... get gaslit by Arthur Harrow. Wow. Thart's embarrassing. Poor Khonshu.

Yet the wider Marvel universe impinges for the first time. We meet the Egyptian pantheon, via their avatars. We get mention of Madripoor. We get Midnight Man. I suspect all of this will resonate later more than it does now. The Egyptian gods, gulls though they may be, shall recur.

As shall I. This programme enthrals me.

Moon Knight: Summon the Suit

 "She said I needed a suit."

"Yeah, the ceremonial armour from Khonshu's temple, not psycho Colonel Sanders."

This second episode is, like the first, absolutely bloody brilliant.

We learn, alongside Steven, a little more. It seems that Marc is the champion of Khonshun, an Egyptian god of justice who bis kind enough only to punish the guilty after they've committed theit crimes. Arthur Harrow, it seems, is his predecessor but has now turned to serving Ammit, a goddess who kills potential evildoers beforethey commit their crimes. It's an intriguing concept; as Arthur shows Steven, it can lead to a utopia without evil... exzcept for the evil of killing those who are as yet innocent. Including, as Steven points out, children.

We meet Layla, Marc Spector's wife... and she needs quite a while to realise that Steven is not just Marc putting an act. So Marc's wife, whom he seems to be divorcing, has no idea who Steven is. How long, I wonder, has the Steven persona existed?

Steven reacts as well as can be expected to having his consciousness taken over, resisting Marc angrily and consistently until he has no choice. But is Marc a murderer? What will now happen as we shift from London, Cairo?

I'm hooked. I'm REALLY loving this.

I May Destroy You: Someone Is Lying

 "I had a threesome once..."

This subtly devastating episode begins with Bella trying to convince people, not least herself, that she's all right. But this narrative slowly collapses as the lies of a defensive Simon and flashes of memory lead to the sense that something definitely happens. And Bella does what sexually assaulted people in TV drama don't do and goes to the police- something far too few women feel able to do. But, with the massive invasion of privacy (they take your phone for months, and a woman's sexual history is for some reason seen as relevant) and the low conviction rate, I can't say I blame them.

Coel is superb with her devastatingly understated performance of a woman in horrified denial, and the reactions of those around her, preoccupied with their own lives, are realistic too. Sadly, this includes Alissa's rant at Bella in a nicely awkward scene.

This is compelling, quietly upsetting, devastatatingly human television.