Showing posts with label William Lindsay. Show all posts
Showing posts with label William Lindsay. Show all posts

Tuesday, 30 August 2011

Blake's 7: Animals




“Why do I get all the dirty jobs?”

“Typecasting…?”

Another not-very-good episode, this, meaning the hit rate for Season Four has been fairly poor so far. It’s good to see a Dayna-focused episode, but Josette Simon’s performance is oddly stagey here.

Dayna teleports down to the planet Bucol Two to trace an old teacher of hers, Justin, although it soon becomes clear that their relationship had been rather more intimate than that. The planet’s surface, of course, looks like Hertfordshire as per tradition. Dayna soon encounters some men monster suits; horned, bearded, rice krispie-faced creatures which would probably have looked quite passable in 1981. It’s interesting comparing the unconvincing monsters in Blake’s 7 episodes which are new to me to similar monsters in Doctor Who at the same time; I suspect I tend to give old Doctor Who episodes a bit of a free pass because I’ve seen them so many times!

Dayna finally meets up with the odd but friendly Justin, but finds she’s unable to communicate with Scorpio. This is because Tarrant has had an unfortunate run-in with three Federation pursuit ships- once again, and ominously, noticeably faster and more dangerous than the last time- and has to return to base for repairs. Vila, naturally, has to do all the dirty work. I’m reminded of that sketch about social class from The Frost Report.

Justin, it seems, is performing dodgy genetic experiments on animals, and making a series of unconvincing excuses to Dayna. He clearly has feelings for her, but there’s an awkwardness which doesn’t seem to fit well with the idea that they were once lovers. Dayna gives him a clear description of what she and her friends are actually trying to do, something which has been lacking of late. They’re fighting the Federation, or intending to, and they’re looking for allies, equipment, experts, anything; it all sounds rather desperate. You get a real sense that they’re very much on the back foot, hiding away on their little base postponing the inevitable as the Federation grows ever stronger. The future does not look bright.

Servalan (or, as she’s still calling herself, Sleer) has spotted Scorpio after Tarrant’s unfortunate encounter. She doesn’t recognise it as Avon’s ship, but she certainly sees something odd about a planet hopper which can travel at time distort twelve. Intrigued also by the mysterious experiments said to be carried out there, she heads for Bucol Two.

She soon gets a major info-dump as to the nature of Justin’s experiments from “the man Arras”, played by Kevin Stoney, who’s oddly wasted in such a small and characterless role. He makes the foolish mistake of hinting that he’s aware of “Sleer” really being Servalan (“a non-person”), something which ends up drastically shortening his life expectancy. It seems we have the old Servalan back; from before the Intergalactic War and the presidency. It’s good to see her back where she’s best.

Meanwhile, back on Xenon, Avon has worked out that the Federation are likely to have spotted the speed at which the Scorpio was travelling, and are likely to investigate and capture Dayna. If that happens, the Federation will find their base and they’ll be finished. There’s no time to spare; they have to cut corners and get to Bucol Two. It’s here, I think, a few episodes into the season, that we’re suddenly made aware that Avon and co are in a fairly unenviable and increasingly desperate position. The Federation were weak for a while, but Avon failed to take advantage of this, and now they’re back and seem a bigger threat than ever. This situation places into sharp relief the contrast between Avon and Blake. Blake may have been a fanatic, but at least he got things done. Avon has just let things slide aimlessly. For all his tactical nous, he seems to have no long-term strategy or, indeed, goals. And it’s possible, I suppose, to look at his entire life- including his criminal career- as that of someone who’s intelligent and talented but with no real drive or ambition. And this seems likely to prove very costly. It’s a side of Avon’s character I hadn’t noticed before.          

Servalan captures Dayna easily enough and is soon interrogating her, and it’s surprising to see no reference to Dayna’s sworn vendetta against her. Has this been dropped? The interrogation is extremely totalitarian and sinister, as Dayna is brainwashed, through aversion therapy, to hate Justin and to betray him, Fortunately, and puzzlingly, she isn’t asked about where her friends are hiding.

The ending is sad, yes, but fails somewhat through the lack of conviction in Josette Simon’s performance. The aversion therapy isn’t quite reversed; she’s hypnotised into being in love with Justin. And yes, I know she said under interrogation that she loved him, but there are many kinds and degrees of love; this seems to be pretty much a full-on magic love potion. She is, of course, devastated by Justin’s death in the final; melee, but an increasingly cold and disturbed Avon (is he in denial of both his issues over Anna Grant and the direness of their situation?) is stony-faced and cold.

Sunday, 20 September 2009

Doctor Who: State of Decay


Part One
“I take it you don’t get any strangers here?”

It’s so good to see Terrance Dicks’ name again. This is the first story to be written by a member of the old guard since, er, Terry Nation last season. And instantly we know this story is going to be splendidly retro- a mood which is gothic and Hinchcliffe-ish in every sense, dialogue which is rather more engaging that recent stories have shown, and an alien planet that looks uncannily like the South of England. We’re in safe hands.

There’s a village, a tower… and nothing else apparently. The mysterious lords exploit the peasants not only by means of their labour but by actually drinking their blood. Er, slight left-wing subtext, anyone?
Actually, that’s not true at all- the lords aren’t exploiting the peasants at all; they’re protecting them from “The Wasting”, so everything’s fine. It’s often said of this story that it’s never explained what the Wasting actually is, but that’s an outrageous slur. It’s clearly stated that “The Wasting is… The Wasting”.
This whole episode is a delight, from the sparkling dialogue between the Doctor and Romana, whose chemistry with each other never seems to suffer from whatever was going on behind the scenes, to that splendid fade from Autloc to some bats.

Adric’s scenes with the peasants consist mainly of him being an utter git, but at least these scenes perform a function in terms of exposition. It seems that all knowledge is forbidden, a theme returned to as the Doctor and Romana encounter the “Three Who Rule”. This is perfect not only as a nostalgic nod towards the gothic tone of a few years previously but also entirely in keeping with Bidmead’s Entropy Agenda. (Incidentally, the whole Entropy Agenda thing was first pointed out by Philip MacDonald in a splendid article he wrote for DWM many moons ago, which I heartily recommend).

Part Two
“If you need anything, there are guards outside the doors. Many guards.”

More greatness in the same vein here, even more atmospheric than the last episode, if that’s possible, but nicely leavened with humour. In short, just what Doctor Who used to be like, not that I have any problem with the last few series!

One of the best things about this story is Emrys James as Autloc, one of those splendid Welsh actors, like Philip Madoc, who make such great villains. He delivers his lines full-on, just the right side of that dividing line between hamminess and utter genius. He’s the best villain since Julian Glover.
There’s a nice pace of revelations too- the tower is the Hydrax, there’s blood in the fuel tanks…

Part Three
“I’ve never been a great one for swarming.”

No surprise that it’s Autloc’s intervention that resolves the cliffhanger, but I like the way his subsequent unsuccessful attempts to tempt the Doctor and Romana contrasts with his apparently successful attempt with Adric earlier. It’s also interesting to see the power dynamics of the three who rule- Camilla and Zargo may dress as the king and queen but it’s clearly Autloc who’s in charge. In fact, Zargo, the “king”, is shown to be the weakest of the three, asking at one point “Why am I still afraid?”
Watching these in context, it’s an absolutely massive bolt of nostalgia to hear the Doctor speaking once again of the hermit from South Gallifrey (ie K’Anpo), just as he used to do when he was Jon Pertwee. A very effective reminder that both Barry Letts and Terrance Dicks were involved in this story. This scene is great for other reasons, though; it’s very funny, and the relationship between the Doctor and Romana is much more like it used to be.

We get lots of nice continuity porn what with the references to Rassilon and stuff, too. I had to smile at the Doctor’s “No, thank you, not Dracula”- I suspect a reference to this story’s somewhat tortuous production history as a result of a certain BBC classic adaptation! Even the fact the TARDIS seems to have a punch card computer thingy is only the second funniest thing in the episode after this…

Part Four
“It looks as though this is one time the goodies don’t win, after all.”

Once more we see an example of a disturbing trend which others have pointed out in this season’s threads (can’t remember who offhand, sorry!) where Romana effectively becomes the lead, doing all the heroic stuff, while the Doctor is sidelined finding stuff out. I like Romana a lot, and I thing that, being an equal to the Doctor, she works far better as a companion than the stereotypical ankle-twisting, question-asking rescue magnet. But the Doctor is supposed to be the hero of this show!
Interesting and, er, convenient that short hops are much easier in E-Space. Still, this is a satisfying ending, with the use of the tower as a bowship given just the right amount of foreshadowing. The villains get suitable exits- Autloc is allowed a great line (“Then die- that is the purpose of guards”) before the Three Who Rule proceed to go the way of Julian Glover in Indiana Jones and the Last Crusade. It’s not badly done, at all.

Insufferable git though Adric is, at least his apparent betrayal seems to have been a bluff. But I can’t say I’m disappointed to hear the Doctor insist he’s taking Adric straight home! That, the last we’ll be seeing of him, right…?

Fantastic, a very high 5/5, just outside my top ten. This one makes me feel all nostalgic for the fairly recent past. And that’s two 5/5s in a row for the E-Space trilogy- surely we can’t expect a third?