The Haunting (1963)

 "It was an evil house from the beginning- a house that was born bad!"

This may be the quintessential, the perfect haunted house movie. It's also a serious contender for the best and most terrifying horror movie ever made.

It won't satisfy fans of gore, of course. The fear is abstract and unseen, just sound and subtle but terrifying hints of something malevolent in this house with a long, evil past. The horror is conveyed by the performances and, especially, by the extraordinary direction of Robert Wise: few things in this world are more terrifying than the use of the camera in this film. And there's a nicely metatextual touch in that part of what makes the house so unnerving is the unnatural angles, a nice little nod to German Expressionism.

Yet, as with many such horror films, the focus is on one tragic young woman, Eleanor- naive, of limited horizons, spending her whole adulthood caring for her controlling mother in a dysfunctional family. No wonder she's attracted to the calm, urbane Dr Markway. He, on the other hand, seems to represent the veneer that is civilisation, which likes to think it is in control of the forces that truly shape everything... 

There's a lot going on here, thematically, behind the horror. Eleanor's background is complex, tragic and shown to us without didacticism. Yet it seems to me that, ultimately, the film is about the cycle of abuse, a truly terrible thing. This is a truly great film.

A couple of interesting points, mind. I was surprised to see the diminutive "Nell" for "Eleanor" used as late as 1963; it feels much more archaic than that, being a contraction of "Mine Eleanor". And then there's the dialogue about creepy statues moving when one isn't looking at them.. don't blink!

The Day the Earth Stood Still (1951)

"Holy mackerel!”

This is the second time I've seen this film; twenty years ago it blew me away and I'd still say it's superb and a uniquely thoughtful '50s flying saucer movie with a lot to say. But perhaps this time my eyebrow as a little more raised. I still love the film, but I can see its flaws.

It's still a very serious moral fable, with flaws that I'll get to later, which comes across as thoughtful and is superbly directed, with oe of the most effective flying saucers in all of cinema. But the characterisation... well, Klaatu is a bit of an arrogant dick (I'll get to that later too) but otherwise we have a bunch of characters who are essentially just ciphers, along with the most "gee whiz" kid in the history of cinema. And, well, let's just look at the plot, shall we?

Klaatu is from 250-odd miles away, so within the Solar System, if a little further than the suggested Mars or Venus, both plausibly inhabited by what was known in 1951. That being the case, you can sort of see how the fact that Earth has nukes and is starting to explore space travel might be seen as a threat. But expecting humanity to entirely expunge all aggression or face genocide? I mean, come on. I'm as big a wishy-washy liberal as they come but aggression will never be removed from human nature, nor is it necessarily always a negative or violent thing. And in threatening to destroy us Klaatu is not exactly occupying the moral high ground. That would be collective punishment, as blatant a war crime as there could possibly be.

Oh yes, and then he is killed by violent humans and resurrected by Gort in an obvious Christ parallel, something that has to be done thoughtfully to avoid being pretentious and, while I'm certainly not religious, I have to observe that nowhere in the Gospels, or so I believe, does Christ threaten to destroy the human race if they refuse to follow his teachings.

That aside, though, I genuinely enjoyed the film, honest! it's extremely well made, watchable, and while its message doesn't quite work it is at least about something. It also gave us the names for no fewer than three denizens of Jabba the Hutt's sail barge...