Dogma (1999)

 "Bethany, bless the sink!"

I watched, and enjoyed this film, many years ago but, as often happens as the decades pass- and I am not, you understand, in any way confessing to being middle aged- I remembered very litttle. Last night was pretty much a second first viewing.

And it's superb. As a comedy, it's bloody good, with a constant stream of laughs. Linda Fiorentino is perfect as the star. Chris Rock and Alan Rickman are both brilliant. George Carlin is perfect casting as a down-with-the-kids cardinal. Some dodgy angel wing CGI aside- and we can be forgiving, because it's 1999- there's not much wrong with this.

It is, of course, a very different beast from the very '90s slacker romantic comedies for which Kevin Smith had previously been known, although there's a fair bit of that sort of thing here. But the religious stuff is obviously going to come across as provocative, not least with Bethany working at an abortion clinic and (spoilers!) the plot requiring God's life support machine to be switched off. Casting Alanis Morissette as God is, of course, entirely uncontroversial.

And yet... I don't get this film to be mocking faith, or religion itself, in any way, but rather the reactionary and socially conservative structure that eventually inserts itself around every religion. I've never had any religious faith myself, I wasn't brought up with it and am simply unable to believe in something without empirical proof, but even I was moved by Bethany's drunken nostalgia for a time when she had a childlike, simple faith. But perhaps this film also hints at a deeper truth. Divine or not, this Jesus person seems to have been anything but conservative.

Men in Black (1997)

"No, Elvis is not dead. He just went back home."

Here's a heretical opinion for you: Men in Black is a bit pants.

Yep. You read that right. It's pants. The central idea is good but the story is meh, the script isn't funny and the only reason it sort of works as a film is because Woll Smith can always lift a poor script into acceptability by doing his usual schtick. And I must admit that, while he always plays the same character film after film, he plays that character well, with charm and charisma.

Oh, and it's always good to see Rip Torn. But these sorts of things do not a good film make. I mean, yes, the underground base and hordes of men and women in black are incredibly cool, but the humour is all very basic slapstick and there are far too many annoyingly cute CGI aliens for me. Sorry. This is just a forgettable Hollywood comedy that pretty much got away with it purely through Will Smith's charm.