Marvel's Agents of S.H.I.E.L.D: Purpose in the Machine

"To the plane! Am I allowed to say that?"

I love this episode in so many ways. Not only do we get a delightfully unexpected return from Randolph, everybody's favourite Asgardian, but we get Simmons unexpectedly back and, most brilliantly, Fitz- a geek if ever there was one- gets to be the hero and get the girl. I love it.

We begin, though, at a castle in Gloucestershire in 1839, establishing not only what is to come in the episode but that the obelisk is an artifact of great age and power. Much of the rest of the episode consists of Fitz proving that it's an interstellar portal and the team deciding, as one, that now they have proof they will save their friend. And they do, and it's triumphant and wonderful.

But we also establish that Hunter has been tasked with killing Ward, and is setting about the job with enthusiasm. Less enthusiastic is May, still sulking, who refuses Hunter's request to help him. Ward himself, meanwhile, is busy taking over HYDRA with the help of young Werner Von Strucker, who definitely has daddy issues. Brett Dalton is a bloody excellent baddie.

Another superb and brilliant episode, then. I suspect this season's going to be good. But what was that alien world? I'm still wondering if it was Hala.

Marvel's Agents of S.H.I.E.L.D: S.O.S, Part 1

"I am capable of finishing my own..."

"Sentences."

Here we go, then. War. It's all very confused at the start, not least because Jiaying compounds her "provoked" killing of Gonzalez by instigating what looks like a SHIELD attack against her own people.  Oh, and you know that eternal youth thing? That's from killing and absorbing people. Just so we know.

Jiaying is thus, after weeks of ambiguity, firmly defined here as a baddie. That's good plot structure, but it's also, perhaps, a little troubling that the only character to advance the pro-civil liberties point of view about the compulsory cataloging of those who are different is now firmly defined as a villain. Could the programme be defining itself as in favour of authoritarian policies? Hmm. We'll see. And either way it doesn't detract from the quality.

Skye is the piggy in the middle here, but it is she who discovers what is going on and she, with naturally conflicting motives and, indeed, definitions of family, is both the hero and the emotional heart of the episode. 

Bobbi, it turns out, is alive, but she's in the nasty, torturing clutches of Ward and Kara and, noble though her defiance may be, there's little apparent hope for her, much as May and (of course) Hunter set off to save her. Her fellow one time turncoat Mack, it seems, is sticking around for a bit, but only for the duration of the current crisis. 

With SHIELD's various agents' positioning on the chessboard established, Jiaying further cements her villainous credentials by killing Raina; the precognitive, as the cliche goes, simply knows too much. The Inhumans are on the warpath, aided by a rather cool Inhuman lady who can make loads of copies of herself. Jiaying's lot clearly have the upper hand.

This doesn't mean that Jiaying is winning in the fight for Skye's allegiance, though; her daughter realises that Raina was murdered, and works out pretty much everything that her mother has done.  But things look bleak at the end; Bobbi is used as a fatal trap for Hunter, and Inhumans overrun the helicarrier as Mr Hyde takes a load of those serums and suddenly starts looking exactly as he did in the comics. 

Looks like a splendid season finale, then. Much of this episode, as ever for a part one, is set-up, but it had me riveted. What next,

Marvel's Agents of S.H.I.E.L.D: Scars

"I was expecting a raised eyebrow, but ok..."

I trust you've all seen Avengers: Age of Ultron in between blog posts?

We begin with a recap, retcon even, concerning what Coulson has really been up to over the past year. It begins well (Patton Oswalt! Yay!) and proceeds to drop the bombshell that the Theta Protocol was in fact Nick Fury's secret helicarrier as seen in said film, now the property of a more-or-less united, and now rather well-resources SHIELD.

The fallout from last episode proceeds, as Agent 33/Kara is un-brainwashed and Skye keeps watch at Lincoln's bedside. Lincoln, however, is a little dubious about his "rescuers", pointing out (correctly) that their wish to categorise him is more than a little dodgy on civil liberties grounds; this will run and run way past the episode's explosive ending and, I suspect, on to our cinema screens with Captain America: Civil War.

Cal and, indeed, the narrative, implored us not to trust Raina's claims about what she foresees, a clever bit of misdirection as Jiaying apparently learns of the mysterious Kree artifact hidden deep within the helicarrier- a stone that can liquefy itself in true modern CGI fashion. The narrative puts our sympathies with Jiayibg, particularly if the viewer happens to be a civil libertarian like myself, and we are full of foreboding when Hunter announces that he has located Afterlife; SHIELD are coming. 

Coulson and Gonzalez debate what to do. Ever the dove, Coulson gives some ground to the hawkish Gonzalez by accepting that he, not Coulson, should handle the diplomatic niceties with Jiaying. Revelations tumble after one another, with Skye admitting to Coulson that Jiaying is her mother while May tells him what really happened in Bahrain. But there is much foreboding: Raina foresees the coming of SHIELD, and Afterlife in flames.

This eventful episode also sees Mack's resignation, his differences with Coulson teaching breaking point, while Coulson realises that he, Fitz and Hunter have become a little too much of a clique. 

Things get dramatic as May, travelling with Bobbi, turns out to be Kara, still in league with Ward. Ward shoots Bobbi, and it really seems that she's dead, especially as Ward apparently shoots her again, several times, at the end of the episode. 

The negotiations between Jiaying and Gonzalez seem to start well, albeit with a certain veiled prickliness, with Cal being released to SHIELD as a sign of good faith. But it soon becomes apparent that Gonzalez wants all Inhumans to be catalogued- tyranny in Jiaying's boom. And mine. Despite what happens next, I'm with her on the principles.

But what she does next- murdering Gonzales and manufacturing a fake casus belli for a war with SHIELD- is both shocking and framed to make us side with SHIELD. But what is and is not justified in the pursuit of liberty...?

Marvel's Agents of S.H.I.E.L.D: The Dirty Half Dozen

"I thought her gift was spinning really fast to collect gold rings..."

Things speed up for the finale as the opening moments strongly suggest that Raina's Inhuman "gift" is precognitive dreams, people overhear Jiaying saying that Skye is her daughter, and Lincoln is in HYDRA's clutches with Mike Peterson, both  at the mercy of their Dr Mengeles. 

(Incidentally, we get a reference to all previous experiments ending up with fatalities aside from "the twins" from Avengers: Age of Ultron!!!)

But much of this episode consists of negotiations for a merger between the SHIELDs of Coulson and Gonzalez, Cavalier and Roundhead respectively, as Coulson attempts to persuade a sceptical audience of his audacious scheme to send in s small squad to rescue the two captured "specials" from HYDRA. A squad that happens to include both Ward and Agent 33! Brilliantly, the casting vote goes to May, increasingly suspicious of Coulson in recent episodes, and this brings out all of her suspicions as he tries to persuade her. That's good character advancement.

Jiaying, meanwhile, is much less dynamic, deciding to abandon Lincoln to HYDRA's torturous clutches because HYDRA can trace Gordon's movements and a rescue would therefore be too dangerous for the majority. She is very protective of her charges, but cautious and definitely a Roundhead. Skye isn't; she's going on a rescue mission, behind her mother's back and per the advice of Raina, despite her suspicious behaviour. Cal, in particular, distrusts her deeply.

Heartwarmingly, Fitz and Simmons are connecting again; looks like the shipping is back on. Mack and Hunter make up and are friends again. But, now that the set-up is compete, the episode speeds up into the excitement of the mission itself, during which we just know that Skye and Coukson's squad are going to turn up at exactly the same time and bump into each other.

They do. It all gets very exciting. Skye uses her powers to save Lincoln, just as Raiba had foretold. Bakshi is killed. Ward escapes, leaving Kara to SHIELD. Gonzalez is still a dick. But the mission is a success and, in an obvious sign that this episode runs into a certain current movie, Coulson reveals that Nick Fury is alive...

More please. This season has gone lightning fast.

Marvel's Agents of S.H.I.E.L.D: The Frenemy of My Enemy

"Daisy Johnson. Huh."

Oh, such a complex web of allegiances: we have two competing visions of what SHIELD should be, Skye's loyalties to both SHIELD and her fellow Inhumans- and her complex relations with her loving yet Machiavellian mother Jiaying and her unstable yet honest father Cal, whom her mother plans to betray, and Skye knows it. Skye has a complicated lifestyle these days.

Fitz, meanwhile, at last joins up with Coulson and Hunter, still in possession of that prime MacGuffin, Nick Fury's toolbox. Coulson is doing a deal with the devil, working with Ward and Agent 33 in order to further his plans.

 Bobbi, in Gonzalez' rogue SHIELD, is beginning to worry that they may be somewhat neglecting the still operating HYDRA, which by the laws of television drama must mean that said baddies are about to do something nefarious.

But the heart of the episode lies in Skye learning to connect with her Dad in a Milwaukee that has changed, even though she realises she must betray him. There is much pathos in Cal's disappointment that so many of the things he wanted to show his daughter are no longer there as a sad metaphor of how time disappears. But we end the episode in a flurry of unexpected developments: HYDRA are tracking Gordon's teleports, and are able to arrive just as Coulson turns up to arrest Cal. Both Lincoln and Mike Peterson are captured, and Skye and Coulson fleetingly meet before Gordon takes her away.

If that wasn't brilliant enough for this fast-moving piece of television, we end with Coulson unexpectedly surrendering to Bobbi and Mack. What next? I, for one, am becoming obsessed.

Marvel's Agents of S.H.I.E.L.D: What They Become

"I'm her father, not you!"

And they end it there?

Wow. What a half season. Trip is dead. Mack may not be. Whitehall is dead. Ward has been shot, by Skye. And that's just the start. It isn't just crammed full of incident because it's the end of the half-season, though; all episodes are like this at the moment.

Let's just say it: Cal (Skye's Dad) is Mr Hyde, and Skye ("Daisy") is Quake as well as an Inhuman. Exactly who Raina is, besides an Inhuman, is unclear, and the same is true of that mysterious bloke at the end, with another Obelisk and no eyeholes. A lot gets explained to Skye by her father, much of which we have already have worked out; it's hard to hide spoilers when there's a pre-existing Marvel mythos.

Regarding the regulars, it's clear that Slye has come on leaps and bounds as an agent, and Fitz continues to recover slowly from the brain damage. May is a genius pilot, while it seems Ward's whole agenda was to take Skye to her father and her destiny, for which she shoots him. The scenes where Skye receives much exposition from her father are the fulcrum of the episode and, indeed, the season so far. We've been waiting for this.

I'm still stunned from watching that. What will happen next? How long will we have to wait? Will any UK channel be showing Agent Carter? So many questions. Agents of SHIELD is on fire. I keep saying it because it's true.

Marvel's Agents of S.H.I.E.L.D: Ye Who Enters Here

"One crisis at a time!"

Oh my God, they killed Mack! The bastards. On the one hand he's a minor character from the comics who, I believed, never got killed on that medium but, on the other hand, Henry Simmons happens to be black and, as the trope goes, the black guy dies first. Hmm. Is that a little uncomfortable? I suppose sometimes character deaths are racially neutral in intent, but it looks awkward.

Still, great episode, even if we spend ages on the edge of the newly-found alien city and never really see it. But there are still exciting revelations- Raina even uses the word "Kree" to Skye, revelling in how in-demand she's become for her knowledge. Skye is also told that she, like Raina (Inhumans both?) can touch the Obelisk without harm. Bet she does so at some point.

I love the jokes about how many Koenig brothers there are, and Coulson's quick statement that SHIELD found out all about the Bermuda Triangle back in the '80s. I also love the continued use by HYDRA of Agent 33 with May's face. And it's intriguing to see Mack (before he dies, obviously) referring to a secret that Bobbi is hiding from Hunter even though they're shagging again.

Before we go to the city, though, HYDRA arrive, led by Ward, seizing Raina and (against Whitehall's wishes) Skye. Ward also declined to blast the team out of the sky. What is his agenda?

Never have I been so impatient to see the next episode, even with Christmas Day (and Doctor Who!) coming before then!

Marvel's Agents of S.H.I.E.L.D: The Things We Bury

"Paddington and Time Lord are closing in!"

Well then. It's all coming out now. Daniel Whitehall is a hundred year old Nazi war criminal who seized eternal youth from Skye's (Inhuman?) mother, a timeless Chinese peasant who looks uncannily like Sierra from Dollhouse. And, much more importantly, Hunter and Bobbie finally shag. As my wife said, there was far too much sexual tension.

Things are looking much bigger in terms of the Marvel Cinematic Universe- we have many flashbacks featuring Hayley Atwell, preparing the way for her imminent spin-off and references to the Red Skull. We are told of "blue angels" in the distant past who wish to erase humanity- and, incidentally, I may not have read the comics for years but I know my Marvel comics continuity up to 1994-ish. I'm certain that this is a reference to the Kree genetically engineering the Inhumans. It looks as though Skye may be an Inhuman through both parents, although her father's notices become ever more interesting. We almost get told Skye's real name, and there's a strong hint that her father's true hatred is for Whitehall.

On the characterisation front, Fitz is coming along nicely, entrusted by Coulson with an important task and acquitting himself well. It's clear that his brain damage won't be a permanent thing. Bakshi, well, dies. And there's a fascinating scene between Grant and Christian Ward in which Christian finally confesses that it was he who nearly killed the youngest brother. And yet, by the end, Christian and their parents are dead in an apparent "murder-suicide" and Ward is getting pally with Whitehall. That's another person with a rather opaque agenda.

There's a big cliffhanger at the end, though... has this mysterious city been found? Whatever. Agents of SHIELD. On fire at the moment. You know the drill.

Marvel's Agents of S.H.I.E.L.D: The Writing on the Wall

"I have to know!!!"

So, it seems that in Atlanta, Georgia, in 2014, it is still acceptable to name young boys "Graham". Oh dear...

On a more positive note, Agents of SHIELD continues to be on fire as we finally learn that the alien script is in face the skyline of an inhuman (or, indeed, Inhuman- I've seen the clues; that alien is probably a Kree, and we're told it's been dead for millennia) city. Oh, and Ward casually mentions that the boss of HYDRA is one "Von Strucker"- last seen, I believe, at the end of The Avengers.

We learn a lot about the Tahiti project, and the team finally learn what their Director has been up to. Coulson, it seems, is cured of his compulsion. Is the Tahiti stuff all wrapped up and replaced by a quest for this city? We shall see.

Meanwhile, Ward has indeed escaped and is being both good at what he does (he immediately spots Bobbi as an agent) and a bit dodgy (bordering suicide bombing). He shows he's not entirely bad by neatly delivering Bakshi to Coulson, but his last scene is nicely ambiguous. What's he up to?

Oh, and there's a good scene between Fitz and his new mate Mack, metaphorically indicating that Fitz may eventually recover. We will see. There's only so much story mileage that can be wrought from his condition. Personally, I think Whedon will have him start to recover and then kill him. It's what he does.

So, this season. On fire.

Marvel's Agents of S.H.I.E.L.D: A Fractured House

"I'm telling you I have your brother in a basement!"

Another gripping episode, in which SHIELD goes smoothly from Public Enemy Number One to seemingly in the clear. But a lot of other stuff happens too; both the season arc stuff and the character development are on fire this season. 

The big new character is Senator Christian Ward, a man whose apparent duplicity is shown to parallel that of his brother, especially given the juxtaposition of Christian Ward trying to convince Coulson while Grant Ward tries to convince Skye. The whole effect is undercut by the revelation that Coulson and Skye were both planning to sell out Grant to his brother anyway, but we're left not quite trusting Christian, a Machiavellian type if ever there was one.

(Oh,and is that Grant escaping at the end? We still don't know the truth about who exactly tortured the younger brother either.)

There's also a hint of sexual chemistry between formerly married couple Bobbi and Hunter. Are they going to get back together or is that too obvious? I like them both; Hunter has the best lines while Bobbi had the best moves. We end with Hunter about to leave, maybe. Somehow I doubt it.

May, it seems, has been married before. And she still doesn't like Hunter. After what he did, I'm not surprised. 

Meanwhile, there is much awkwardness between Fitz and the returned Simmons, culminating in a simple revelation during a chat between Simmons and Mack: she left because she knew she was "bad for him". She's right. 

I think our heroes learn at this point that HYDRA has the Obelisk, which is something of a problem. Oh, and Belgium is HYDRA territory. But who's surprised?

Oh, and that HYDRA assassin Scarlotti- is he Blacklash?

Marvel's Agents of S.H.I.E.L.D: A Hen in the Wolf House

"I prefer you blonde!"

Right. You know how last week I gushed about how brilliant last episode was? Well, this episode knocks it into a cocked hat. Awesome stuff keeps happening. We find out stuff about Skye's father. And Mockingbird!!! And she is Hunter's much discussed ex-wife is a well-earned reveal that had me laughing out loud.

But we're getting ahead of ourselves. This is a big arc episode full of bombshells. We get a closer look at Skye's dad, an unstable, self-loathing "monster" with superhuman strength and a medical degree who ends up giving the Obelisk to HYDRA at the end, which is not good news. We get an end to the secrecy between Skye and Coulson and, interestingly, we get it confirmed that out of the three who were injected with the GH formula, only Skye has not been doing the weird writing. Could she be a bit alien to start with? The alien was blue-Kree? I seem to recall from my comics reading days that it was the Kree who genetically engineered the Inhumans...

It's startling to see Raina so desperate; who is she? It seems she was pretty much raised by Skye's father. It's cool to see the previously intimidating Bobbi Morse kicking arse while rescuing Simmons, and I can't wait to see the dynamic between her and ex-husband Hunter.

The heart of the episode, though, is Simmons' awkward reunion with Fitz, which made my lovely wife cry a bit with the understated and very British emotion. Bring on next week. I'm loving this series. It's a proper Joss Whedon show and no mistake.

Marvel's Agents of S.H.I.E.L.D: Making Friends and Influencing People

"How is everyone?"

"Fitz is ok. He's hanging in there."

Three episodes in and we have loads of exciting season plot threads simmering nicely; it's going so much better than this time last season. It feels like a proper Joss Whedon show.

The plot is essentially that both SHIELD and HYDRA are after Donnie Gill (Blizzard) from last season, but so much is woven around this. The first big reveal is that Simmons is working for HYDRA; the second (rather less surprising) revelation is that she's a double agent, reporting directly to Coulson. But this is rather cleverly handled, having Simmons be HYDRA's negotiator with the proud Blizzard, in competition with SHIELD. Her cover is blown with her old mates, but not her supposed new ones; in fact, she ends up promoted. She's far from safe, though. As Skye says, she's a terrible liar.

We learn more about HYDRA's brainwashing techniques- the episode is bookended with a certain Agent 33 (a character we know from the comics?) starting her brainwashing and having completed it. HYDRA are certainly terrifying, and once again it's emphasised that the stand for fascism and oppose liberty.

Fitz is making progress; he shows self-awareness, realising that Simmons is just a figment of his imagination and that things are being hidden from him. His confrontation with Ward is both cathartic and a means for him to help the team. Coulson seems to show him greater respect afterwards.

No one trusts Hunter, unsurprisingly, although he seems to show early signs of incipient bonding with Skye, who still has no time for Ward. We end with a bombshell, though; Skye's father is alive, and Ward knows where he is. 

This was brilliant, and Agents of SHIELD is on fire with a first rate script and a superb cast. Long may this continue.

Marvel's Agents of S.H.I.E.L.D: Heavy is the Head

"HYDRA has one thing on their minds; world domination, which is so 1945."

Hartley and Idaho are both dead, but this episode introduces us properly to Hunter as a full member of the team, a man with depths which are hinted at, mainly during a chat with Skye, and whose de facto initiation consists of actually betraying the whole te to General Talbot. This isn't exactly going to endear this wide boy to the team, and he has a lot to do, but this soldier-turned-mercenary seems to be an interesting character. 

There's also Coulson, whose responsibilities in building a fugitive SHIELD and leading the fight against HDDRA are leading him to become stressed, secretive, and not quite his usual affable self. On top of this, every fortnight or so he has "episodes", known only to May, in which he draws those bizarre diagrams that we have seen before, not least from the changed Garrett towards the end.

The revived SHIELD is slowly growing, with two Quinjets and those cool virtual screens as seen in all Marvel films featuring Tony Stark, but it is wounded by the absence of Simmons and the slow recovery of the tragic Fitz, who is still sidelined but, perhaps, a little less so. May and Skye are their usual selves, and Trip once again shows himself to be superbly confident, the consummate SHIELD agent.

Interestingly, Crusher Creel (the Absorbing Man!) may have a HYDRA handler, but it turns out that Raina, our old friend the girl in the flower dress, while interested in what's going on, is not working for HYDRA but has an unknown agenda, and not necessarily a hostile one. Interesting.

This is looking to be a very strong start to the new season which seems set, like many Whedon shows, to transcend it's somewhat rubbish first season.

Marvel's Agents of S.H.I.E.L.D: Shadows

"Do not abort. Proceed as planned!"

It's back! And what an opening episode. This confidently retools the show to be about a small, under-the-radar outfit led by Coulson gradually rebuilding, expanding and, after the end, even pootling about in their very own Quinjet. All this, and the Absorbing Man too. And I love the visual effects in play with "Crusher" Creel.

We begin with a flashback, from 1945, guest starring Hayley Atwell as Agent Carter, in scenes both reminding us of HYDRA's Nazi roots and introducing us to what seems to be a significant and ongoing MacGuffin, the first ever 0-8-4. This is also, of course, a teaser to a certain sister series we can expect later. Oh, and there's Dum Dum.

Let's do a tour of the characters, shall we? Coulson is calm, controlled, organised, brilliant and in his agent, but May is there to remind him that he has issues- and to do little else. Fitz is genuinely tragic, like an elderly person with dementia. His damaged brain has made him forgetful, with words forever on the tip of his tongue; as my wife says, it's as though he has a stammer inside his head. Yet he retains his intelligence, and he knows exactly what's happening to him. Worse, he's isolated; at the end we learn that, far from talking with Simmons all the time as we thought, she is all in his head. Simmons left a few months ago.

And that's the point, I suppose; months have passed since the end of the season. Trip, for example, is clearly a fully integrated member of the team by now, and pretty awesome. I hope we get to know him a little better.

Coulson has been busy recruiting and plotting. He hints at "allies" in London who, no doubt, will be revealed later in the season (dare I hope for Captain Britain and MI-13?), but right now we see him recruit ex-SHIELD mercenary, the soon-to-be-one-handed Hartley, with her two mercenary mates: Cockney wide boy Hunter and Idaho, of whom we know little for now. Wonder which state he hails from?

Ward, still held prisoner, has become bearded, philosophical and perhaps even stoical. He seems quietly determined to redeem himself, and to prove himself to a still-disgusted Skye. (And he seems to know of her father.) This seems an interesting character trajectory for what already looks to be a splendid season.

If all that isn't enough, who is the mysterious character at the end who is important enough to be played by Reed Diamond? I can't wait to find out.

Marvel's Agents of S.H.I.E.L.D: Beginning of the End

"Reminds me of the old days."

"You were never on top!"

That`s it, then. The first season is over and, in the end, the season as a whole has overcome a poor start to become a genuinely exciting show with compelling characters and a gripping arc plot that leads compellingly to this episode`s finale. The charismatic presence of Bill Paxton has helped too, although the appearance of Samuel L. Jackson here shows us that he is possibly the most charismatic actor out there. His scenes with Clark Gregg are an absolute highlight of the episode, and the ending is perfect: Nick Fury charging the new Director Coulson with rebuilding SHIELD from the ground up, complete with a brand spanking new base and a new and Agent Koenig.

There are loads of cool and showoffy action sequences, but the heart of the episode is the interaction between an apparently doomed Fitz and Simmons. First they are philosophical, with Jemma getting a lovely speech about how, in death, their atoms will re-form into new life, new structures, new supernovae. Then, once our ever-resourceful scientist pair realise that they ain't necessarily doomed, there`s an added complication; only one of them can survive. And it has to be Simmons, because Fitz is in love with her. This is where he implicitly declares his love to the woman who sees him only as a "best friend", and its all very moving. So much so that Elizabeth Hestridge lets slip some decidedly non-RP vowels which seem to originate from well north of the Watford Gap. (Non-Brits, feel free to ignore that last bit.) Ultimately, they both live, although Fitz`s ultimate fate is left uncertain. Still, it`s Simmons who first gets to meet a decidedly not-dead Nick Fury...

It is the tracker provided by Fitz and Simmons that enables the team to go after the baddies, led by a superhuman and increasingly unhinged Garrett, who seems extremely obsssed and confident about his place in the evolutionary process. It`s entertaining to watch him being rude to various military top brass, but he`s clearly a liability to HYDRA at this point.

The dialogue sparkles in this episode, which should come as no surprise as Joss Whedon himself has co-written the script. But the whole thing is fundamentally about heart, character and pathos; scenes like Mike Peterson, his own man again, being ashamed to let his son see what he has become as he goes off to be a tragic hero. Still, there are nicely Whedonesque pieces of wit; Garrett's demise evokes Buffy, while it's appropriate that it should be May who duffs up Ward after his flangeing about with her earlier in the season.






It's a satisfying ending, although not for Ward, and hopefully the excellent Trip can now be considered a regular. Just when it all looks to be wrapped up, though, we get a shadowy glimpse of Skye's father...

Marvel`s Agents of S.H.I.E.L.D: Ragtag

"What are you feeling?"

''The universe...''

If you`ll indulge me for a sentence, we`ve just (finally!) got our Sky viewing card today (after switching way back on 28th April...), and for the first time we saw M.A.S. in glorious HD. Wow.

Throughout this episode are flashbacks relating to the relationship between Ward and his father figure, Garrett, which nicely inform the scenes between them in the present. We begin fifteen years ago, as Garrett springs the teenage Ward from juvie, slowly toughening him up and brainwashing him to become the perfect Hydra tool. Ward's relationship with his own family, it is hinted, is unspeakably horrible; he is easy prey for the cynical and charismatic Garrett. There is a slight indication that Ward may not be entirely beyond redemption- he doesn't shoot the dog- but the episode still ends with him dropping Fitz and Simmons, locked in a box, into the waters of the Caribbean. We have to wait a week to see whether they survive.

At the other end of the episode, Coulson annd his team, now permanently augmented by Howling Commmando descendant Trip, face the fact that they are now just a bunch of vigilantes with no status and no support. They are resourceful, however; Coulson has worked out that Cybertek is behind everything and, armed with some of Tripp`s family heirloom James Bond gadgets and the hilarious sight of Couson and May trying to be scientists, they set out to investigate its HQ.

This whole sequence is hilarious, from Coulson and May channelling Fitz and Simmons via their earpieces (complete with Coulson`s accidental lapse into Caledonian vowels!) to Skye and Trip, hacking equipment at the ready, being told to "Get ready for a large file transfer", only for a file cabinet to crash out of  window, followed by our two infiltrators.

It seems that Garrett was the first Deathlok, back in 1990, and he remains a bionic man. There`a a twist, though; he`s dying, and stands to die within a month or two unless the GH-25 serum works and, after an attack by an outraged Fitz, Raina is forced to use all of her synthesised forum to save his life. What has he become...?

If that wasn`t enough cliffhangers already, we get another; Raina has discovered something big about Skye`s past, something that involves her parents being monsters...! I can hardly wait for the finale.

Marvel's Agents of S.H.I.E.L.D: Nothing Personal

"Who or what is a Man-Thing?"

Episode 20 of 22; not far from the finishing line now and, while it`s all very exciting what with Ward and HYDRA and no SHIELD, I have no idea what things are going to look like when the music stops.

We start with Maria Hill on the phone to Pepper Potts; there is no SHIELD any more so she intends to work in the private sector for Tony Stark, an initial hint that this episode may feature her selling out. She just has time for a quick chat with the recently AWOL Agent May before she is arrested as part of a crackdown against those associated with SHIELD. This does not bode well for Coulson and Co.

 Still, Coulson and his team are no fools, soon realising that Ward is a baddie, Skye is with him, Garrett must still be at large and Hand must be dead. Fitz`s reaction is one of absolute denial, and his later insistence on Simmons telling him outright that she isn`t HYDRA. He loves her, and yet he`s such a big kid that one can`t help but think of this as just a crush. Things seem to get very pear-shaped as sellout Hill arrives with a load of US soldiers, but Coulson ultimtely persuades her to see sense.

 Skye, doing the decoding for Ward and knowing he`s HYDRA, has a plan to get him arrested.  It`s a good plan and nearly succeds but for Deathlok. Mike Peterson is a truly tragic character, a good man forced against his will to do bad things, although it`s fun to see him stop Ward`s heart for a bit. Nothing personal. The highlight of this whol sub-plot, though, is the conversation between Skye and Ward; he still likes her; she despises him as a Nazi and a traitor. What he did was "nothing personal", apparently. And yet... my wife has a theory. Could Ward in fact be a double agent?

We end with an exciting sequence with a flying Lola and some crap CGI. As Hill says to Coulson, there is no back-up, no SHIELD. They are alone and homeless.

And then, just when we think it`s over, May returns with a bombshell; the person ultimately running the TAHITI project was none other than Coulson himself...

Marvel`s Agents of S.H.I.E.L.D: The Only Light in the Darkness

"I`m not a good man, Skye."

This is a tense moment in the season, partly because we`re in spitting distance of the finale and partly because we now know that the team has a killer within. But first let`s do something we haven`t done for a while; geek out at all the Marvel (mainly) references. We have an appearance (uncostumed, of course) by the supervillain Blackout. We have a mention of the fact that Trip is a descendent of one of the Howling Commandos. The big supervillain breakout from the Fridge reminds me, an old Marvel reader of a certain age, of Acts of Vengeance. And Jemma Simmons mentions the TARDIS.

 More pertinently, though, stuff happens. Most pertinent, probably, is Blackout`s intended victim, Audrey; we know that anyone played by Amy Acker, an actress much favoured, justly, by Joss Whedon, must be important. She ends the episode alive and well and still thinking that her hil is dead, but the whole team (well, minus Skye and Evil Ward) now know that she`s Coulson`s, er, widow. She`ll be back.

Relations between the team are in flux; Coulson is stil far from his old laid-back swlf and the team, while loyal, are questioning his decisions. And relations betwen him and May have completely broken down. This is significant; they are the two senior members of the team. Coulson eventualy leans, perhaps a little too neatly, that if ever Audrey can forgive him for making her think him dead (even though he was), he can at least forgive May. ut it may be too late: May has buggered off with her mysterious mother to make cryptic comments about Maria Hill.

The lie detector scenes are nice; we learn that Skye`s "real" name is Mary Poot, and it`s a ncely subtle way to deepen everyone`s characterisations ad backstory a little. Ward is obviously bricking himself, but just abut manages to sneak through. This later turns out to be a very poor decision by the unfortunate Eric Koenig.

No one has a clue about Ward, in spite of the obvious differences in the excellent Brett Dalton`s performance. Fitz even confides in him over the intense jealousy he feels for Trip over Jemma. But at the end, with Koenig seemingly dead, Skye is forced to petend she still has feelings for him to make sure he doesn`t clock that she now knows he`s HYDRA. The scene where the penny drops comes either side of two romantic scenes between the two of them involving kisses, the second of which is much more awkward...

Not long to go know. I`m sure there are some big reveals to come. Or not.

Marvel's Agents of S.H.I.E.L.D: Providence

"You don't seem like her type."

"I'm everyone's type."

This should be a great episode: evil Ward, more Bill Paxton goodness.. sorry, evilness, and Coulson going off the rails a bit. Yet it never quite catches fire. The arc stuff is good, but as an episode it feels a bit like a link in a chain.

We begin with the team on the run, with all traces of their existence erased. Suddenly, there is no SHIELD any more, something which hits Coulson hard in particular. Suddenly there's just the team, plus Trip, and he's only there at Jemma Simmons' insistence. The wife, incidentally, is predicting some Simmons-Trip action in the fullness of time, and she was right about Skye and Ward.

Meanwhile, Ward's mannerisms look suddenly evil as he hobnobs with the delightfully dastardly Garrett, springing Rayna and equipping her both with a new flower dress and a new Centipede project, complete with the "Jesus juice" that revived Coulson. Not only that, but at the end they unveil Ian Quinn and Gravitonium. The countdown to the season finale starts here.

The gang, meanwhile, are being led on what may be a wild goose chase to a piece of Canadian tundra by Coulson, who insists that the coordinates he's been sent are from Nick Fury. Everyone has some level of doubt, especially May, and they only tag along out of loyalty. There's a touching interaction here between Fitz and Simmons: he's besotted with her, but to her he's just a friend. Unlike Trip...

When they reach the spot there seems to be nothing, and it's quite a powerful moment to see Coulson desperately come close to breaking down: "We are not agents of nothing. We are agents of SHIELD!" But fortunately there is a base there. And Coulson (but only Coulson) is told that Fury is alive...

 We end with Wards return to the base, and only we know he's a baddie. This is a charges situation, especially given the sparks between him and Skye which can now develop into actual dating. Skye was obviously a little besotted by their phone call earlier in the episode. Her heart is going to get broken...

Marvel's Agents of S.H.I.E.L.D: Turn, Turn, Turn

"Don't trust anyone..."

Well, well, well... what a gripping and twisty-turny episode this is. A lot happens and the status quo is overturned, but not without some good character stuff.

Before we talk about that, though, we ought to talk about episodes tying in with Marvel movies that have just been at the pictures; having not seen Thor: The Dark World I was extremely put out by the fact that it seemed to be required viewing. This time around, however, I just so happened to have seen Captain America: The Winter Soldier on my honeymoon a few weeks ago and, for some strange reason, I don't mind so much. Odd, that.

Anyway, let's get back to the episode, as we ended on a cliffhanger; not only is Agent May ratting on the team via a secure line, but Agent Hand suddenly wants them dead. Could she be HYDRA?

After a bit of Blue Oyster Cult's "Don't Fear the Reaper", Someone is after Garrett's plane, too. But first we have to sort out the sudden tension between sort-of traitor May and the rest of the team: apparently she was reporting to Fury all this time, and it was her who, seemingly via currently fashionable "nudge" techniques, put together the team with the aim of keeping an eye on the resurrected but possibly damaged Coulson. Understandably, Coulson is a little put out by this, and their relationship will take a while to repair. But when May tries to contact Fury again, this time with Coulson present, they learn that Fury is supposedly dead. Oh dear. This is something of an "everything you think you know us wrong" moment, and not the last one the episode has to offer.

Joined by Garrett, the team piece together the clues to discover that HYDRA has taken over the upper echelons of SHIELD, and their plane is forcibly headed to the Hub, now HYDRA central. Worse, both Simmons and sometime red herring Triplett are ar the centre of the web.

The second big reveal is that Victoria Hand is not, in fact, HYDRA (and I have to praise Saffron Burrows here, in hindsight, for her performances from the beginning), and Garrett is, which would explain why he's being played by an actor of Bill Paxton's stature.

But perhaps even bigger than this is that Ward, just before he may be about to die on a mission, asks Skye out on a date, and she accepts, thereby fully vindicating the predictions of my good lady wife from way back when. Amusingly, Skye knew about Ward and May because it was "obvious" in the small world of the plane. And, as he's about to risk his life, she even kisses him. Aaah!

So it turns out to be something of a surprise when, with HYDRA seemingly defeated by Captain America and Coulson and the rest of the team off to clean up the organisation, Ward should turn out to be a traitor, killing Hand and working with the splendidly charismatic Garrett. And they bloody go and end it there...!

Wow. How did Marvel's Agents of S.H.I.E.L.D get so good?