"Would you be into quickies at all?"
If this were to be made today, perhaps- and I haven't seen the American remake with Kevin Spacey- there wouldn't be so much attention on ho the sausage was made. We'd likely jump cut straight from his downfall being plotted at the end of last episode to the PM's downfall. But in 1990 telly could be slower paced, at least sometimes. This episode is an example of why that can be a good thing.
In contrast to the twisty-turny plotting of the first episode, we are concerned here pretty much exclusively with the workings of Urquhart's plot to bring down Henry Collingridge and very little else- but it's gripping. And we get the usual fourth wall breaking stuff, with an early monologue by Francis doing a bit of that pheasant shooting stuff that was an unremarked-upon pastime of upper class Tories back then. 1990 was a long time ago, when twentysomething political researchers could plausibly be called Kevin and, as per last episode, there's a fair bit of misogyny directed towards Penny. Urquhart does, at least, criticise Patrick Woolton for being boorish, lecherous, anti-Semitic and racist while manipulating him, although there's more than a whiff of snobbery directed at this north country foreign secretary.
Urquhart's manipulating ways work on everyone, culminating in the PM being cruelly ambushed on telly, yet everyone seems to think he's a "good man". Indeed, Mattie seems to think he's not only the ablest man (and men they all are) in the Cabinet but that he's attractive- and, as we see, he has permission from his wife to sleep with her. Shagging is inevitable at this point.
Like the potboiler on which it's based, this is unputdownable telly. And Ian Richardson is incredible.
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