Doctor Who: Inferno

Part One



"I'm a sort of temporary civil servant?"

"Broadly speaking, yes. How do you like the idea?

"No comment."



Nice use of stock footage for the story title! We're now fully settled in to the new era; the sight of the Doctor driving along in Bessie whilst singing to the background of yet another industrial complex is already beginning to seem very traditional indeed.

We have a new writer for this story, Don Houghton, and an actor we've never seen before, Christopher Benjamin. I wonder whether he'll get to play any iconic characters in future?

The story certainly ticks all the appropriate boxes to belong in this season. Stahlman is an example of a character type we've come to know well both this season and in the still recent Troughton base-under-sieges. He and the Doctor quickly establish an adversarial relationship which is most enjoyable to watch.

The TARDIS console is looking rather tatty, mind. And it's green. Also- "megga volts"?

Part Two



"You, sir, are a nitwit!"



It's slowly dawned on me that some of these actors are rather familiar- Derek Newark, Za himself, is playing a different character as Greg Sutton. And we have Walter Randall back as well!

More good Doctor / Stahlman sparring this episode. Plus our first incidence of "Venusian karate"!




Part Three



"But I don't exist in your world."

"Then you won't feel the bullets when we shoot you."


Things start getting really good here as we start to explore this fascist alternate world. Our first sign that something is wrong is a rather Orwellian poster proclaiming that "Unity is Strength", but more shocking is the sight of Liz in a military uniform shopping the Doctor to the Brigade Leader, with his eyepatch and no moustache. This is extremely well done, and the different performances are especially good, although the apparent duelling scar over the Brigade Leader's eye is arguably one Nazi stereotype too far.

This is a very different world in lots of subtle ways- everyone's much more formally dressed (Greg Sutton particularly presents quite a contrast with his other self), and Sir Keith is killed. Although, if Britain has been a republic since the royals were all executed prior to this "Defence of the Republic Act 1943", how come he was ever "Sir" Keith?

This is a very hierarchical world, as demonstrated in the very different treatment Greg receives, and also a very sinister one. There are pictures of a dictator everywhere and the facility is a "scientific labour camp" making use of slave labour. Justice is harsh and arbitrary and those who make themselves unpopular can just disappear. Interestingly though, Petra, as "Dr Williams", has a higher status here.

The Doctor gets some outstanding dialogue here: "Can't shoot me until you've filled in all the forms. Is that it?"



Part Four



"What did he do? Park in a restricted zone?"



More very effective world building stuff here; as Sutton, an engineer rather than "a good party member" is outspoken his probable fate is to "disappear". And in the meantime he's subject to periods in the "punishment cells". Meanwhile the Doctor is interrogated, suspected of involvement with a "crackpot free speech group", and told that if he convinces the counterpart Liz that he's a harmless crank he can "get away with a few years in a labour camp".

Of course, we eventually switch the focus to Stahlman's drilling, and as this is a parallel universe no one's survival is assured...



Part Five


"It's marvellous, isn't it? The world's going up in flames and they're still playing at toy soldiers!"


This story essentially revolves around the idea of scientists meddling with forces they don't understand, but it's interesting that there's no explicitly environmental slant to this. In fact, in Greg Sutton we have an oil man who's presented unambiguously as a hero, which arguably would not happen today. Also notable is that, four stories into the new format, the writers are playing the alternate universe card. A sign that the Earhbound format is already proving a little restrictive.

Things are getting desperate here, and as doomsday approaches the fascist regime, established as a tyranny in previous episodes, is shown to be increasingly impotent in the face of the crisis, most notably by Sutton's increased outspokenness: "I'd like to know what your precious dictator can do for you now." On the other hand, the crisis, and the collapse of this society's rules, are bringing Greg and Petra together. Things look bleak, though; we finally see the full metamorphosis of the creatures, and even Benton is infected.

Meanwhile, in "our" reality, Sir Keith's car crashes...



Part Six



"What did you expect? Some kind of space rocket with Batman at the controls?"


We don't know what's happened to Sir Keith, of course. Is he definitely dead...?

In another reality, the apocalypse is here and Camfield shows it very well, with even the blatant use of stock footage of a volcano managing to look acceptable in context. This Brigade Leader is a nasty piece of work, and Courtney is excellent in playing his increased desperation and bullying as power gradually leaks away from him.



Part Seven



"Nothing like a nice happy ending, is there?"



Back in our universe, the project is not so far advanced, and Sir Keith is alive. Apparently, this means that "Free will is not an illusion after all". This seems to mean that alternate realities infer different decisions being made, resulting in divergences. But surely that's pretty much implicit in the concept anyway, given the differences between the two realities?

A good ending, nicely parallel to events we've already seen. Plus we get more Venusian karate. I'm not sure about the ending though- the Doctor's being just a little too rude to the Brigadier here.

We finish with Liz laughing. No doubt she'll be back next series...



That was great, 5/5. good characters, good concepts, good directing and performances, and a story that genuinely felt it needed seven episodes. A strong ending to a strong season, which at exactly 4/5 holds joint first place with Season Five.

Doctor Who: The Invasion

Part One



"England in Summer, I should say. Do you see the rainclouds?"


At last I'm seeing the famous Cosgrove Hall animations for the first time. Magnificent indeed, a triumph. Although, er, surely Zoe is wearing the wrong clothes?

I love the bit with the cow on the scanner! And watching the series in sequence, with all these recent fluid links issues, I'm glad to hear Jamie saying the TARDIS "keeps going wrong all the time."

This is an excellent first episode, the device of the hitchhiker-friendly bloke in the lorry really helping to portrat International Electromatics as Sinister Big Corporate Baddies and setting up some asmosphere before the story starts to pull back with next episode. it's quite a powerful moment when he's killed. Again, this is a bit Quatermass II.

Isobel's fantastic, scribbling on the walls indeed! And the Doctor's diatribe against the automatic answering device has such a contemporary resonance! The Doctor's dislike of computers harks back to The Ice Warriors and seems to stem from the same impulse as his hatred of mind control, odd though the link may seem today.




Part Two


"They may look like amateurs, but that man has the knack of being one jump ahead of everyone."


The Doctor and Jamie are being followed by two sinister men in a car! And the fact that one of them is played by John Levene and was named in the credits to last episode as "Benton" in no way reveals who they may be. Oh no.

Once again we get to meet the man I can now finally refer to as the Brig! It's been four years, and he's now part of what he's apparently happy to hear described as a "world secret police". Um, okay.

The Doctor and Jamie are known from "Planet 14". What's all this then? Of course, the different voice doesn't mean anyone has any doubt over what that thing in Vaughn's wall happens to be!

I love Zoe's "Algol" antics. So, apparently does Vaughn. More technological amusement comes as the Brig hands the Doctor an enormous mobile phone in the most dated scene for a while.

It's just struck me- this story sees the first credit for one Terrance Dicks!



Part Three


"Yes, Parker. Our clever Doctor has outwitted you. Oh, that wouldn't be too difficult, would it?""



Not that it's surprising or anything, but Kevin Stoney's great, isn't he? And Vaughn gets a most revealing line: "That's the secret of my success, you see- uniformity, duplication". Not only is he thematically linked with what we know full well to be this story's monster but both he and them are partly representative of the conformist side of corporate mass culture. Diametrically opposed to this we have the Doctor, what with his "I hate computers and refuse to be bullied by them."

It's great to see the Doctor's recorder again, this time being used as a telescope!

This Vaughn / Packer double act is shaping up to be great. Especially as it's a reason for Kevin Stoney to keep saying dastardly things in that great voice of his. And now he wants the TARDIS! Still great stuff.


Part Four


"Don't worry, Packer. You've blundered again. But fortunately it won't really matter."


Animation again, looking superb, and Klieg Vaughn's plan comes into focus- to use Professor Watkins' machine to betray his, er, anonymous allies, and to escape in the TARDIS if it fails. Yes, that'll work.
I love the stuff with the helicopter and canoe. It's almost as though the Doctor's due to turn into a lover of all things vehicular...

We get the big reveal at the end. But of course, we were pretty much told it was the Cybermen at the start of this episode. It's suspense, not surprise, that gives the cliffhanger its point and its impact.

Part Five


"Is that all gibberish or do you really know what you're talking about?"


These new look chunky Cybermen should look great but there's something lacking. They look very tough but a little less human in their shape, a little too tough, a little less prone to remind you what they once were. Still, this continues to be great. I love Isobel's attitude to finding out the Earth is under attack from aliens, and the battle of wills between Vaughn and the Cyber Planner. In fact, I care not a jot that this episode is entirely filler as it's full of entertaining characters doing entertaining things.

It's true, though: the plot treads water pretty much through this whole episode. UNIT's need to prove to their superiors in Geneva that what the organisation was apparently set up for is finally happening, while Vaughn and the Cyber Planner do nothing but talk. But we get some of the best stuff yet in this episode, from the charmingly dated feminist bit ("Oh you... you man!") to the chilling revelation that Vaughn has been partly Cybernised. And arguably Vaughn's hubris officially pushes him over the point of no return with the line "Nothing has been overlooked."

More good stuff includes a bit more of this Benton chap- wonder if we'll ever see him again?- and the comedy sixties policemen with his chinstrap and silly moustache. Who gets killed, naturally. Although I couldn't help noticing that his death is essentially Isobel and Zoe's fault.



Part Six


"The invasion could come at any moment."


More good stuff this episode, plus some actual plot. It's a nice twist that Isobel's photos look like fakes- there goes the last vestige of plot relevance for last episode then! But who cares when it's this much fun? Professor Watkin's speech to Vaughn, and his bullet bouncing off Vaughn's chest, is another great scene. Kevin Stoney here is surely putting in the best performance for an actor playing a baddie we've had yet.

After getting two people killed, Isobel's making the tea to make amends! An interesting stance on sexual politics there...

The last few minutes with the transmissions starting and Cybermen emerging from the sewers are truly iconic and show just how great a director Douglas Camfield was.



Part Seven


"Well, don't look so worried. Fancy a cup of tea?"


By my calculations, if The Abominable Snowmen took place in 1935, The Web of Fear was forty years after that, and this is four years after that, it must be 1979, give or take a year or so either side. So this takes place before The Tenth Planet in 1986. This being the case, these Cybermen can't be from Mondas, which is at present heading towards Earth with an ETA of about seven years. So what's the story behind these "Planet 14" Cybermen? It's all very mysterious.

Meanwhile, in the actual episode, we get stuff happening in Russia, giving the story a globetrotting element, although of course we don't actually get to see any scenes happening there. But there's loads of good stuff pointing us toards the climax- his conversation with the Doctor sees Vaughn's hubris finally explode, just before the Cybermen casually swat him aside. And Zoe's calculating the rocket's trajectory is great.



Part Eight



"They destroyed my dream!"


Oddly enough for such a fantastic story with such a real sense of threat, not much of it comes from the actual physical presence of the Cybermen, whose fight here with Packer, killing him, is the first real physical threat they pose. And they don't say much either. Which is odd, because in a non-physical sense they pose a very real threat indeed with the threat of Cybernisation being a significant part of the danger until they switch to destroying all life on Earth with a bomb. I suppose it's the Cyber Planner and loads of stuff in the sky that provides the threat, with the individual Cybermen, who obey Vaughn until this episode, oddly irrelevant.

There's lots of energy and excitement now, and we constantly know action type stuff's about to happen because so much of this is on film. It's a great finale, and a great showpiece for UNIT. It's a shame the Doctor's not more involved though. And Jamie's hardly in this episode at all. It's a great ending though, as Isobel and Captain Turner see the TARDISeers leave. I think this is the first time we've seen this type of ending, in which the last thing we see is the reaction of some guest characters to the TARDIS vanishing.



Well, that was an action-packed and exciting bit of fun and no mistake. 5/5 again. Suddenly Doctor Who feels like a very different programme.

Doctor Who: The Daleks' Master Plan

The Nightmare Begins

"Well now! It's brain or brawn, or rather versus brain..."


It's great to see and hear the familiar Kembel sights and soundtrack, but even more great to see Nick Courtney. He's great, they should certainly think of using him again.

The scenes on Earth with the couple discussing the television news, sort of like a Greek chorus, are extraordinarily self-referential for Doctor Who at this time.

The short piece of footage we see, of Kert Gantry being exterminated by a Dalek, is quite magnificently directed. The camera angle, the "sting" in the soundtrack- have the Daleks ever seemed so scary?

It's a fascinating and new situation for Bret Vyon to get himself aboard the TARDIS with the Doctor apparently locked outside- it gives the sense of an unspoken rule of the narrative having been broken. If some recent stories may have seemed safe and cosy, it's clear this one won't.

Mavic Chen's speech comes across as very Blairesque to my modern eyes. He's slippery from the start, so although his treachery would no doubt have surprised the unspoiled viewer, it should not be shocking. Bret, on the other hand, may be a bit terse and ruthless but basically a decent chap, as he shows by giving Katarina tablets for Steven. Katarina's reactions to what she sees are fascinating.

Day of Armageddon

"Traitor? An archaic word for so advanced a... man as yourself."


Footage! Hooray! Doesn't this look great? Lots of nice touches abound, such as Mavic Chen's very odd way of holding his pen. Kevin Stoney is great, although the make-up used to alter his ethnic appearance certainly raises an eyebrow.

Naturally, the Daleks are eventually planning to kill all the delegates. Who, incidentally, look nothing like they did in Mission to the Unknown. And there are more than six of them to boot.

I love the scene where Bret Vyon and the Doctor tell each other to shut up, well played by both Hartnell and Courtney. You can see the growing respect between the two of them though; Vyon says to Hartnell as he goes in disguise to the conference that he's "a very brave man". And he is. The ambiguity stops here: the Doctor is behaving heroically and altruistically for entirely selfless reasons, showing little concern even for staying within reach of the TARDIS while the Daleks' plans are afoot. Long may this sort of thing continue!

So, the Dalek invasion of Earth started in 2157, seven years before the TARDISeers arrived?

This story is really quite superbly directed. In fact the entire production is slick and glossy looking with apparently high production values. Never before has a sci-fi story, if not any story, looked so great. The Daleks are beautifully shot here; they're so much more effective than ever before.

The plot thickens with the Doctor, in the action hero role for perhaps the first time, exploits the chaos caused by Bret and Steven to steal the Taranium Core before it can be placed into the Time Destructor. And once more Katarina shows a seemingly religious understanding of the Doctor. Nice cliffhanger, too. So far, this is great. Could we at last have a sci-fi story that can stand toe to toe with the historicals?

Devil Planet

"We have the Taranium so for the moment we do nothing. And by doing nothing we do everything. Do I make myself clear?"


It's a predicable resolution to the cliffhanger, but there's no let up in the pace as our heroes take off from Kembel. I'm really getting intrigued by Katarina (can't you just smell that dramatic irony?) and how much she understands of her surroundings. Of course, her reactions are far from realistic; you can't realistically portray the reactions of an ancient Trojan woman to all this space opera without constantly and tediously interrupting the narrative. But within the conventions of the genre her reactions are well thought through. Naturally, she assumes Kembel was Earth. Conveniently, she doesn't ask questions.

It's most amusing to see magnetic tape in use in the year 4000.

We're introduced to a planet called Desperus (!), a penal policy which is... interesting, some actual footage, and most notably the Doctor continuing to be heroic in a way he's never quite been before. This is another watershed story for the Hartnell Doctor's characterisation.

The Traitors

"I hope she's reached her Place of Perfection."

"Yes, but... not that way."


Katarina's death is utterly shocking, and fittingly followed by a long silence. Both the Doctor and Steven are shocked and upset; the scene is extremely effective, and with hindsight long foreshadowed.

The Daleks continue to impress; the Dalek Supreme's voice is among the finest I've ever heard and perhaps the ultimate Dalek voice, full of character, actually interesting to listen to, but unmistakably a Dalek. This Dalek Supreme is no fool, understanding Mavic Chen's motives perfectly. Never before have the Daleks seemed so manipulative and in control.

There are lots of nice little bits of world building in the scenes on Earth, dull though the actual sets undoubtedly would have been. Earth, it seems, abounds with traitors, even Bret's mate Daxtar. It's a nice juxtaposition of events where Bret, to the Doctor's outrage, shoots Daxtar, only to be himself shot soon afterwards by Sara Kingdom. The Doctor and Steven are in real trouble; stuck on a hostile Earth light years from the TARDIS.

Counter Plot

"An alien device. There are small white creatures inside. They may be hostile."


Some footage, and although unfortunately given that footage is so rationed this episode is not all that visual we get some groovy special effects at the start. So good in fact that they went some way to distracting me from the sheer convenience of our heroes being somehow teleported halfway across the galaxy by means unknown last episode. The ultimate cliffhanger cop-out, but as it's all rather fun so far I'll overlook that.

Kevin Stoney is great, and so much is added by actually seeing his performance. It's eye-opening seeing how Karlton behaves towards Chen though- he's clearly a powerful chap, and very well played by Maurice Browning. There's a great sequence where Chen begins to rant like a madman, Karlton subtly shows signs of noticing, and Chen suddenly becomes self-conscious and changes tack. How many other such visual moments are we missing?

Coolness abounds: invisible creatures (These beings appear to be invisible!"),Chen playing with his pen again, that Dalek with the compass thingy again (yay!) and, best of all, the epic battle between the Daleks and the mice. And lots of nice directorial touches- the studio floor is cunningly hidden in the jungle scenes.

The scenes where Sara Kingdom is finally convinced to trust the Doctor and Steven is well done, and well played by Jean Marsh.

Coronas of the Sun

"You make your incompetence sound like an achievement!"


Our first episode written by Dennis Spooner!

The scene between Chen and the Daleks in which they debate who is to blame for the failure to capture the TARDISeers is nicely handled; Chen starts out on the back foot, in seeming danger of being exterminated for his incompetence, only for the scene to end with an embarrassed Dalek Supreme blustering that "It is not an emergency". The voice artist for the Dalek Supreme is doing a superlative job.

So Steven's from "hundreds of years" before 4000, which would place him in the 4th millennium?

There's a rather interesting row between the Doctor and Steven at the end about Steven's antigrav experiment. They've never seemed that close compared to the Doctor's other companions- I suspect we'll be seeing more of this sort of thing.


All good stuff so far.

The Feast of Steven

"Well, I suppose you might say I'm a citizen of the universe. And a gentleman to boot."


Well, that was... different.

The scenes in the Liverpool police stations are good fun, although the Scouse accents are variable, to say the least. Some interesting dialogue: Aye, I think you know all of the queer people!"

The Hollywood section is... bewildering, especially without footage! Within two minutes I'd given up all pretence of understanding what was happening in favour of just going with the flow. Even the excellent Loose Cannon recon doesn't clarify things too much here. Great line from Sara: "I don't know, but a strange man kept telling me to take my clothes off".

Oh, and there's also that line!

This is all very silly, but it's harmless fun, and I won't be so churlish as to pay this any attention when reviewing the story as a whole.

Volcano

"Their greed for power is so great that they can be trusted."


Back to the story, and the tone's still a bit light-hearted, a bit The Chase even. It's good to see Daleks again, finally realising the Taranium Core they have is a fake. Things are so serious a time machine has to be summoned from Skaro- time machines are clearly rare.

Surely Trantis' shocking death would cause the other delegates to have second thoughts, but apparently not...

It's the Monk! Yay! And he's still in his robes for some reason. It's great to see him again, not least because Steven gets the chance to say "I'll explain later" to Sara.

The Doctor's ring gets curiouser and curiouser. Apparently "it has, er, certain properties", my precious.


Golden Death

"Dalek extermination will not be questioned!"


Egypt! More pseudo-historical goodness from Dennis Spooner! Things are getting good again, in spite of the frog in the Doctor's throat at the start. There are lots of cool things her; the Doctor's hat, the Monk's shades, and best of all an epic battle between Daleks and Ancient Egyptians. The tone's a bit odd, what with the Doctor and the Monk playing their practical jokes on each other amongst the real menace of the Daleks, but somehow it works.

It's nice to "see" Walter Randall again too.

Escape Switch

"I also include that Monk fellow, although I don't know why I should bother with him."


At last, some more footage! The Monk as a mummy is very cool indeed. As is Chen's shoving the Dalek's eyestalk aside. Once again I'm led to wonder how much of this sort of clever visual storytelling we're missing out on most of the time.

At last the plot is moving full throttle though, with the Daleks finally seizing the Taranium Core.


The Abandoned Planet

"Do we deal with Mavic Chen now?"

"No. His arrogance and greed have a further use for us."


There's a delicious irony to Chen's coup on his fellow delegates, given his own inevitable betrayal by the Daleks. Chen seems to cross a line in his desperation; he's no longer acting rationally. Of course, the other delegates are all surprised by their own blatantly obvious betrayal by the Daleks.

I love the way this episode gives us a "greatest hits" of the Dalek sound effects and music, some of which I don't remember hearing since the first Dalek story.

The Destruction of Time

"Such a waste. A terrible cost."


At last Chen is showing himself to be openly insane. This may not give him a motivation or make him any more than a cipher, but given his role in the story this doesn't really matter. Kevin Stoney has been brilliant since the start, and he's particularly good here as an increasingly desperate and deluded Chen gradually unravels. The scene of his extermination, with the long, ominous silences from the Daleks, is very effective.

This is an appropriately tense and gripping conclusion to the epic- the constant ticking of the Time Destructor is very effective in showing the relentlessness of the horror. Sara's fate is horrifying, and the ending is very bleak indeed.


Overall, utterly superb. Of course, it never pretended to be anything more than an epic adventure story and there was never any subtext to speak of, but there's certainly nothing wrong with that. This is the first science fiction story that I'd rank up with the best historicals. Aside from a slight dip in the middle it was constantly gripping. 5/5.

Doctor Who: The Aztecs

Temple of Evil

"What you are trying to do is completely impossible. I know. Believe me, I know."

Very nice opening shot of Yetaxa's tomb. John Crockett does a very good job throughout the episode, making the sets look expansive despite the tininess of Lime Grove. The initial dialogue between Barbara and Susan rather cleverly drops in a lot of educational titbits without feeling forced.

Oh, what a surprise, the TARDISeers are separated from the Ship. It's noticeable how Hartnell congratulates Barbara on engineering the perfect situation- the women are safe in the temple so the men can go out and explore!

The scene between the Doctor and Barbara about changing history is a delight. Both Jacqueline Hill and William Hartnell play it utterly convincingly.

Once again, a crowd appears off screen.

I can understand Barbara's moral revulsion at human sacrifice, but for a historian some of her assumptions are a little naive- I hardly think that ending human sacrifice in Tenochtitlan would in any way mitigate Spanish imperialism!

Great ending, with the suicide of the sacrifice: "You have denied me honour!" Tlotoxl's final speech is chilling. John Ringham is a fine Richard III.

The Warriors of Death

"What better way to destroy your enemies than to let them destroy themselves?"


Great scene between the Doctor and Barbara, superbly acted by Hartnell and Hill as usual. As the Doctor points out, Barbaras actions have now put them all in danger. The scene in which Ian calmly dispatches Ixta with his thumb also oozes coolness. I'm really liking this so far; well-paced, well plotted and well characterised with excellent dialogue and set pieces. John Crockett's direction is also impressive.

The Bride of Sacrifice

"For once the high priest of knowledge shall be in ignorance."


Autloc's words are awfully pregnant with tragedy: "In all humility, I beg you- do not deceive me or prove false to me". Like Marco Polo, he is a good man but weak. Jacqueline Hill is excellent here. As also is Ixta's hair, and pronunciation of "Ian". I love his genial, back-slapping threats to Ian's life.

The Doctor's romantic interlude with Cameca here is fascinating, as I suspect we shan't be seeing its like again, or at least not without the involvement of fireplaces. Another interesting relationship is the one between Ian and Barbara who are getting noticeably closer over time. Significantly it's Ian in this episode, not the Doctor, who finally convinces Barbara of the futility of trying to change history. He's right that it's Tlotoxl, not Autloc, who is the conventional one.

The scene where Barbara confesses to Tlotoxl that she is not Yetaxa shows just how outstanding Jacqueline Hill has been ever since the series started. She really has been fantastic, and stands out even from Hartnell and Russell.

Heh: "Yes, I made some cocoa and got engaged". Ian's reaction is priceless- after spending the whole time on Marinus acting the generic action hero, he now has the constantly raised eyebrow again. I like him much better with his tongue in his cheek.

The Day of Darkness

"As the gods appear, may they not also disappear as suddenly?"


This is the first story where I've noticed the incidental music- it's really quite effective. This is the most impressively produced story so far, not counting Marco Polo for obvious reasons.

Autloc's disillusionment is genuinely tragic- the priest who loses his faith and his place in his society and the collateral damage from Barbara's actions. Cameca's tale ends unhappily too- we can sympathise with the Doctor's motives, but he has deceived her The TARDISeers may make their escape in the end, but there's no happy ending here: Tlotoxl wins.


Overall, this was pretty much flawless, and my favourite so far. The script, the direction, the main performances- all were first rate. I'm ranking this above Marco Polo as the story seems more satisfying as a whole, but it's a close run thing. More John Lucarotti please!