"Bruce smashes buildings. I smash fourth walls and bad endings. And sometimes Matt Murdock."
Those who dislike postmodernism, self-referentialism, Jacques Derrida, Police Squad, The Life and Opinions of Tristram Shandy, and other jolly japes with the fourth wall, will not like this finale. Many, but by no means all, of said critics, will not be aware that violence to the fourth wall have been a fixture of the character of She-Hulk ever since those dim and distant days when John Byrne was on speaking terms with Marvel.
This finale, a splendid, sparkling, first class conclusion to a series which has generally been good but not necessarily great, is a masterpiece. It takes that absolutely traditional She-Hulk style and applies it to a different medium. Yes, it makes no sense that Jen would be in so much trouble for property damage. Yes, the online toxic baddies make no sense- although, to be fair, nor do real life right wing virgin keyboard warrior bros, many of whom have genitals almost as tiny as Andrew Tate's.
And then the contrived attempt at a climax- Abomination, Titania, Hulk, Todd Hulk... yeah, I love how Jen takes control and gives the creative team a piece of here mind. I love K.E.V.I.N. (a tribute to H.E.R.B.I.E. is probably in the mix) and the metatextual riffing on MCU storylines. This is unique television gold.
Also, the opening tribute to the '70s TV show is enough in itself to elevate this episode to greatness.
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