"And Sometimes emotions shout larger than logic..."
We're slimmed down to two plot threads in this penultimate episode- perhaps Gaal will appearat the climax, or more likely next season- but both the Cleon subplot and the Salvor Hardin one are full of revelations.
Things all come to a head with Brother FDawn, with plot and counter-plot. The implied suspicions of BrotherDusk force him to flee, but it turns out Azura was only manipulating him all along, for the benefit of her boyfriend, a random Cleon clone plotting to replace Brother Dawn as the cuckoo in the nest to destroy the Dynastry. And yet... even they are being manipulated by Dusk, who's been manipulating everyone.Wow.
It's an extraordinary sequence of events, and we end with Dawn waiting for the return of the absent Day, who will rule on his fate. And yet... Day's recent religious experiences, however empty and tinged with realpolitik, may perhaps have opened his mind to the concept of even clones needing to evolve and grow? We shall see.
More straightforward, and more faithful to the books, sort of, is the thread of Salvor on Terminus, where the Vault is the centre of everyone- Anacreon, Thespis, Terminus- converging, with the Huntress being suddenly out of the sapirit of the times.
Those of us who know the novels will not be surprised by the ending, but Hari Seldon makes quite the entrance. I'm still suspicious: psychohistory is about broad historical forces, yet there is a lot of "great man" history here, with individuals changing fate. But I can't deny that this is good telly.
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