"Perhaps you could tell them that. When you join them..."
This third episode may echo earlier stories, very much indicating that P.J. Hammond is a writer who ery much likes his favourite tropes. The old-fashioned rhymes made to feel creepy. The prospect of being trapped in an image. Yet it all feels fresh, and this episode adds a lot of tension in advance of the conclusion.
A surprising amount happens here. The faceless man has a civil but creepily threatening parley with Sapphire and Steel, toying with them as a cat toys with a spider. We learn that Liz's old landlord, as well as her friend Ruth, have been trapped in a photograph from the 1890s. And Liz finally gets to understand the true nature of those creepy children. We learn a bit more, if nothing concrete, about what is going on. And it'sll rather nostalgic to see scares that reflect the anxieties of pre-digital technology.
This is superb, and the cliffhanger- the faceless man sets fire to a photo with two people trapped in it, one of them conscious- is uniquely horrifying.
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