“DADDY...!”
I’m blogging rather more series than I usually would as the wife and I have started y and Good Omens while I’m also blogging The Prisoner and Inhumans. Time to finish at least one series off.
So, this is the final episode, if we ignore the sequel and, indeed, the American remake which I haven’t seen. It concludes, interestingly, very differently from the novel, with Urquhart successfully reaching the top of the greasiest pole in politics, and we have the fun of seeing him first take out his minor rivals for the leadership and then Woolton (a cassette tape of his affair with Penny- easy) and Samuels (lefty positions in his university day, including, shock horror, “pro-gay sentiments”) in quick succession.
There’s a lot more to it that that, of course. Urquhart’s announcement that he’s standing is swiftly followed by a tastefully shot sex scene in which Mattie shouts “Daddy!”, and he continues to manipulate her throughout, making her all contrite as he tells her off for apparently endangering herself with her investigations. This sort of thing could look like harmless kink in snatcher context but it isn’t- this is disturbing manipulation and gaslighting of a woman with real feelings to exploit, and Urquhart’s monologue to camera on father’s and daughters (I note he has no kids) is incredibly disturbing.
Also dealt on, rightly, is his cunning murder of Roger, full of deft manipulation, and I’m glad Roger’s moving Death is dwelt upon. He was a man of promise, once. Then cocaine happened. And his death leaves poor a Penny absolutely devastated, especially as she’s just dumped him.
But what lingers is his cold-blooded murder of Mattie, mere seconds as she’s told him “I love you, Daddy”. These four episodes are a perfect portrait of a psychopath, one with all the charm such people tend to possess. And Westminster is, I suspect, full of such personalities to this day.
No comments:
Post a Comment