" We are the Martians."
Hmm. Quatermass and the Pit used to be my favourite of the three serials but, while still seminal and extraordinary, on this reviewing I felt it was less good that Quatermass 2 in spite of having more interesting ideas. And that's largely because of how it ends.
This final episode is one of human chaos, caused indirectly by Martian meddling in the past. This meddling causes people to be riotous and, in particular, racist as per last episode's "wild hunt" (although I still don't see how anyone could draw such specific conclusions from that footage!). It's literally gothic; an evil from the dawn of time. It's tense. It's fast paced. It manages to avoid excusing human evil on the grounds of "the devil made me do it" by being an obvious metaphor. And yet...
Well, there's no physical threat, no baddie, just the legacy of some barely seen aliens from five million years ago. The evil has no face, not even a possessed but intelligent human, to give some immediate sense of a physical enemy. That, I think, is what's lacking. And yet what we have is nevertheless yet another televisual triumph. Although one has to raise an eyebrow at poor Miss Judd having no personality traits other than "hysterical female" and being patronised yet again. Roney's death has meaning and Quatermass' speech is sadly relevant today.
I can't just leave this there without talking about this serial's huge influence over the following two decades at least of British sci-fi, though, especially as a Doctor Who fan. Obviously both The Daemons and Image of the Fendahl are pretty blatant tributes, but there are elements too within the human perfidy of The Ambassadors of Death and the whole '70s trope of intractable military stupidity. And that's before we even get to Erich Von Daniken, Graham Hancock and assorted other idiots...
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