Thursday, 5 February 2015
Grimm: Octopus Head
"I just saw Burkhart. He's not the Grimm."
The first season of Grimm was, in hindsight, a bit blah, all story of the week episodes. The second series was better, with more continuing season arc stuff, but after a brilliant opening triptych it settled down into a largely story-of-the-week format. Here's hoping this third season, as with Buffy, breaks that habit and ends up a classic.
This episode is awesome, mainly because it's packed with status quo changing events; no reset button here. Good. I'm not going to list all of the big things that happen, partly because a blog like this shouldn't be a synopsis but mainly because it would be rather tiresome to do.
Instead I shall just opine at random things.
I love the Captain's resurrection at the hands of his mother (Louise Lombard from The House of Elliot...!) and a giant CGI dissolving snake. It's clear she's to be an important character; Sean goes to the trouble of summarising the first two seasons for her. And any passing casual viewers. See what they did there?
Viktor has never been quite as much as a bastard as he is to Adalind here. That partly makes up for the moustache and beard, I suppose. But it makes my wife fancy him all the more, the bastard.
Interesting that Juliette is in no hurry for Nick to become a Grimm again for the sake of their relationship; I think this is genuinely going to be at least a medium term thing. Trubel is clearly Portland's Grimm-in-training, with this two parter being both a baptism of fire for her and a dry run for the new format of her as a Grimm helping detectives Nick and Hank with Wesen-related crime. Good. She's a much more interesting character than Nick. And she gets quite the cliffhanger, being kidnapped by that mysterious Wesen FBI woman. What's she up to?
Woo at last seems about to discover the truth. About time. We've reached the point, at the start of the third season, beyond which the character can no longer be credible if he doesn't find out soon. And yet... the whole thing is delayed again at the end with that weirdness between Nick and Adalind. Have they swapped bodies? Is Nick in a female body in a rat-filled cell in Vienna? Who was that bloke in the next cell with the Frank Gorshin laugh? We must be told!
The big question, though, is why does the "Octopus Head" have only six tentacles?