“He’s more machine now than man- twisted and evil.”
A new, bigger Death Star is… les than entirely original. But at least it provides us with a suitable sense of threat. And the first few minutes gives as a real sense of the pomp and might of the Empire. We’re also made to anticipate meeting the mysterious Emperor himself.
Anyway… it’s nostalgic, but at the same time worrying, to see C-3PO and R2 D2 once again traipsing the hills of Tunisia… er, Tattoooine. Still, it’s not long before we get to the glorious monster mash that is Jabba’s palace. And Threepio’s reactions are perfect in honing our reactions to it. It’s clear that so much more effort has been put into this than the comparable scenes at Mos Eisley. The proof is in the vastly greater number of Kenner action figures that arose from this.
The tension is increased by the revelation that both Lando and Chewbacca have not been heard of since they disappeared within the environs of Jabba’s palace, although of course the impact of this is bathetically diminished by the fact that it comes from the highly-strung Threepio. Anthony Daniels’ performance at the point where the door opens is fantastic. In fact, I have to take this opportunity to praise his wonderfully camp yet perfectly pitched performance throughout the three films.
Incidentally, Bib Fortuna was the first action figure I owned. In 1983, he cost me £1.50. I never owned the Gammorean Guards, alas.
Threepio delivers a message from Luke Skywalker, which is conciliatory while at the same time exuding a sense of threat which foreshadows the magnificent action sequences which await us. And yet… continuing my theme of droids=slavery, isn’t the sight of Luke (And yes, I’m aware it’s all part of the plan, but…) offering to swell these two droids, in whose personalities we, the audience, have invested so much, well, incredibly disturbing? I mean, there are pretty graphic scenes of droids being tortured here which would never be accepted if they were done to flesh-and-blood beings. I’m sot sure what sort of ‘ism that is, but it leaves a nasty taste in the mouth. The hero of the trilogy, more than anywhere else, is complicit in the worst excesses of slavery.
Anyway… a plucky bounty hunter, who delivers Jabba’s respect by delivering Chewbacca and earning his, er, respect, turns out to be Leia, and sneaks into Han Solo’s room to rescue him. This is rather tear-inducing, as she tells the blind and vulnerable Han that she loves him. I would do anything for a woman like that. There would be tongues.
There’s also a trap door, beneath which is a monster, the Rancor. So far, so Bond villain, although Jabba seems to be this galaxy’s Dinsdale Piranha. Leia rescues Han, introducing herself as “someone who loves you”. Oh, if I was Han, my tongue would slowly flick for hours…
Luke’s attempted bargain, through his message from R2, is respectful yet essentially threatening. Actually, shall we just skip to the sail barge stuff? Except, we should point out that there’s implied sexual abuse of Leia (Threepio “can’t bear to watch”), by Jabba, who is of course a slug, both slimy and an absurdly massive phallic symbol. I suspect we can assume the worst here, and it’s clearly implied. Rather strong for a family film. I’m glad she strangles the bastard to death.
Anyway… Leia, appropriately, strangles Jabba .Luke survives the Rancor (which looks fantastic). He, Han, Leia and Chewbacca are sentenced to an agonising death by Sarlacc. Lots of Jabba’s pawns, and Boba Fett, suffer this horrible fate. All our heroes survive, under less-than-plausible circumstances- how, for instance, did Luke know that R2 , randomly appointed a waiter, would be in position to throw him his lightsabre? Signs of George Lucas scripting again …
Anyway, they all get away, and Luke makes a side trip to Dagobah. Yoda is dying, but Luke conveniently arrives just in time for Yoda to make an inspiring deathbed speech. It must be the Force. In spite of what we’ve been told, Luke will be a fully-fledged Jedi Knight as soon as he faces Vader. Hmm.
We have an interesting contrast, in alternated scenes, between the dying Yoda and the vigorous and powerful Emperor, played magnificently by Ian McDiarmid, who is clearly strong in the Dark Side of magic- er, the Force. Luke must face Vader, apparently, even though it was such a no-no last time and bugger all has happened since.
The rebels make some rather dull speeches. Apparently, Han hasn’t finalised his command crew for Endor (a “forest” moon, and again a world characterised by just one kind of terrain), purely for dramatic effect, again instructing us that George Lucas (oh dear) is co-scripting this. Oh dear. It’s all rather forced. Luke arrives at the most convenient moment possible. Plus, Luke and Vader sense each other on the hijacked shuttle’s approach. Yes, it’s a trap, of course, but these scenes have a very uncomfortable sense of character being sublimated to plot convenience.
Isn’t it odd that there are also many kinds of Imperial stormtroopers, for example forest scouts? It’s almost… heaven forbid… merchandise orientated. Still, it’s visually stimulating set piece, and oddly foreshadows a million computer games.
There’s an interesting cameo from Alec Guinness as Obi-Wan, trying to circumlocute himself around certain claims he made in Star Wars. But it’s now explicit that, not only is Vader Luke’s dad, but Leia is his sister. This means she’s fostered. Presumably, then, she’s not actually a princess.
The fast, exciting speeder bike stuff looks great: very well shot, and very movie serial. In fact, it foreshadows a million computer games. But… this is the point where we meet Wicket, our first Ewoks. They’re cute teddy bears, with even cuter babies. And yet, right, excuse me, for being pretentious and interpolating a postcolonial reading, but aren’t the Ewoks, Stone Age civilisation that they are, ripe for exploitation by the Rebel Alliance?
I think the plot wants us to forget this sort of stuff, though; Threepio is a god, they’re impressed by magic, and therefore they wish to help their new mates-cum-eventual-conquerors with a bit of asymmetrical warfare. Er, ok.
Oh, and aren’t these speeder bikes a bit blatantly dangerous for a place with lots of trees? Health and safety, that’s all I’m saying.
Anyway, it’s all a trap by the Emperor. A rather reckless one as he’s buggered in the end but, still, there is much tension between him and the Emperor.
C-3PO may be a god, but he has a “really bad feeling about this.” I think this is the point where the phrase becomes a dully-fledged Star Wars cliché. Still, his stories are well amusing.
The main focus is on the Death Star, where Luke has surrendered to confront his father. These scenes do rather drag somewhat; after McDiarmid and Jones, Hamill is the third best actor here, and actually, he’s not bad. His disfigurement really has buggered his career. Don’t drink and drive, kids.
So, Luke gets tempted, but ultimately convinces Darth to throw the Emperor down a conveniently placed shaft. Honestly, health and safety in the Empire is absolutely dreadful. We see Darth’s face as he dies,. It’s nice, but is one of those inevitable anti-climaxes.
We get a happy ending. The Emperor is dead. Er, what happens now? Are remnants of the Empire still around? Even if that’s not so, who will fill the power vacuum, as the galaxy is no longer under a single, authoritarian, ruler? Luke? Might there be a bloody civil war, or several? It could get rather complicated, and I bet the Ewoks get colonially exploited whatewver happens. Nice to see the the ghosts, though…
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