“I am your father.”
Said texty bit confirms that not much has happened during what must be only months since the end of Star Wars. The rebels are still in retreat, at this point on the “ice world” of Hoth. This is our first blatant example of the tendency of the Star Wars universe for worlds to be characterised by just one type of terrain. It isn’t possible, it seems, for, say, tundra and rainforest to exist on the same planet.
We begin with an exciting set-piece concerning Luke Skywalker being attacked by a monster, escaping, and being rescued from exposure by Han Solo, saving his life for the second tome. This is good, fun, movie serial style entertainment, of course, but it’s also a crucial moment for Han. After all, the previous film established him as something of an ambiguous figure, a semi-criminal, self-interested type, albeit one with charm and a conscience, but he only really earned our trust at the very end. Here, we get an early emphasis on his loyalty and heroism, which earns the character our trust. Also, it sets up the tempestuous proto-romance between him and Leia. How appropriate that she should be quite the ice maiden at this point. She has great hair, by the way. Again.
But the main point of this sequence sequence (apart from explaining away Mark Hamill’s disfigurement) is, of course, Luke’s vision. Here we see Obi-Wan as a ghost for the first time, and he’s telling Luke to go to Dagobah, wherever that is, and to get himself taught by Yoda, whoever that is. And yes, you’re right; it is a little absurd of me to have phrased that as though I hadn’t seen this film a million times.
The rebels know they’ve been found, and we get a long, exciting sequence as they all try and evacuate while Darth Vader and his underlings relentlessly pursue them. Vader is even cooler here, from the first shot of him, in which we see the back of his heads from behind as he gazers out at the stars. Later on we get a glimpse of the back of his head for real, underneath his helmet. He gets to kill two senior underlings for failure in amusing ways, and one of them is Mr Bronson himself, Michael Sheard. Darth just can’t get any cooler.
The whole sequence with the AT-ATs kicks arse, except for the fact that it reminds me I never one as a kid, although I did have the Millennium Falcon. But the ultimate result is Luke and Artoo heading for Dagobah, while Han, Leia and Threepio are just trying to get away from their Imperial pursuers without a working hyperdrive. At this point, they’re completely on the back foot, with the Empire seemingly just mopping up the remaining bits of resistance. Only Luke’s mission offers anything aside from this bleak narrative, and this stage Dagobah offers little obvious hope.
Luke is amazingly lucky, though: with a whole planet to choose from, he manages to crash land right next to Yoda’s house. What are the chances of that, eh? Presumably we can ascribe it to the Force, or to the great script god Irvin Kirchner, who is producing a notably witter script than Lucas did last time. Yoda’s fantastic. He may look like a Muppet, but that’s because he is. And I’d take this Yoda over some CGI crap anytime.
Things are hotting up between Han and Leia, as they have a bit of a snog until Threepio comes along and ruins it all. Speaking of Threepio and sexual stuff, I seem to recall Simon Pegg casually remarking in an interview that Threepio was gay. And he blatantly is, isn’t he? Although what the significance of this may be I have no idea. And what does this imply about his “relationship”, if we can use the word, with Artoo?
Meanwhile, Yoda is taking some persuading to take on Luke as a pupil. Luke is a dreamer, with his head in the clouds, apparently. Well, yes; that’s sort of his entire personality. The subtext here is that he’s going to have to give that up. The lessons begin, and Luke really doesn’t seem to learn very much.
The bit with the Millennium Falcon being inside the creature’s mouth is great, but they’re in trouble. Especially as Vader is sending bounty hunters after them. With the exception of Boba Fett they’re onscreen for no more than a few seconds but, naturally, this didn’t stop Kenner from making toys of them all. Bossk, Zuckuss and IG-88 are the ones I remember. Incidentally, what’s a droid doing as a bounty hunter? Are there “free” droids?
Han, Leia, Chewie and Threepio are off to a mining colony on Bespin to find an old acquaintance of his called Lando Calrissian. I think Bespin is supposed to be a gas giant, so keeping “Cloud City” going must be an incredible drain on apparently limited resources, as this is not exactly a habitable place. Still, best not to think about it too much.
We meet Lando, and he’s a con man, albeit a charming one. Come to think of it, he’s basically Han from the beginning of Star Wars, except that he’s successful. Success has given him responsibility, and responsibilities have given him dependants. This has consequences, as we’ll see. It looks ominous. It certainly does to Luke, who foresees bad things and rushes off against the advice of both Yoda and Obi-Wan. Yoda gets an interesting line, though: “There is another”.
Lando sells them out, of course. And it’s all a trap for Luke, of course. Vader has it all planned; indeed, we see him discussing this with no less a figure than the Emperor himself. He’s very much in control and throwing his weight around, changing the details of his agreement with Lando wherever he sees fit. Han is to be tortured, purely so as to bring Luke running after him, and then Fett is to take him onward to Jabba the Hutt.
There’s a massive set-piece swordfight between Luke and Vader, of course, in which Luke loses both the fight and his right hand, and gets a certain devastating revelation. And Lando helps Leia, Chewie and the droids to escape. But this is no happy ending, and the stirring musical coda leaves us in no doubt that this is to be continued…
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