This Above All (1942)

 "A man ,must have integrity..."

This is another British war film, reasonably obscure despite starring Joan Fontaine, and a fascinating snapshot of the age.

It is, I suppose, a wartime romance on the surface. And the performances and characterisation are excellent. Yet at its core it's far more philosophical- about the ethics of war, of duty, of what's being fought for- in a way which could only have emerged in the middle of the Second World War.

Prue is a young, aristocratic lady who scandalises her rich family by joining the WAAF... as a private, despite her upbringing, wanting to do her part, frustrated by the stuffy life of privilege she sees around her by those who see the War as an inconvenient intrusion on their comforts. Clive, meanwhile, is a brave soldier, Dunkirk hero, mentioned in dispatches... yet AWOL and on the brink of desertion not from cowardice but disillusion with the privileged nonentoities whom he percieves to be in charge.

The narrative plays out as the well-done melodrama that it is, with a happy ending after many twists and turns. Yet what lingers most about this film, aside from the very contemporary attitude towards pre-marital sex, is that yes, the message is one of patriotism, of duty, of honour. But it is also a film, pointing forwards to the 1945 election, that Britain has come together for the war and so must never again go back to the old ways of privilege, poverty and a nation divided.

This film is no more than quite good, I suppose. But it's a fascinating snapshot of the age.

Witness for the Prosecution (1957)

 "I am constantly sutprised that women's hats do not provoke more murders..."

This, like Agatha Christie's other play Mousetrap, is known for its twist ending: indeed, there is a voiceover at the end of the film begging us not to spoil it. I'm not necessarily always so fastidious, but on this occasion Christie's secret it safe with me, seven decades later.

I haven't seen the play, but I read a number of Agatha Christie novels in my youth. I recall her ingenious plots, but also her poor characterisation and unfortunate snobbery- good, but no Margery Allingham. That is not in evidence here, and the dialogue (deliciously delivered by the magnificent Charles Laughton and the sublime Marlene Dietrich) is rather witty. Am I misremembering Christie, or has the script had a bit of a polish?

Nevertheless, this is a triumphant film, and certainly the finest courtroom drama I have ever seen: I can see why Christie herself was so happy with Billy Winder's film. The cast (Tyrone Power is a bit of a weak link, but the two stars are magnificent, and there's a fine comic turn from Elsa Lanchester. It's also fascinating to see the workings of a Crown Court in the 1950s, at least via the medium of Hollywood.

The twists and turns are, of course, sublime, and to say that the ending packs a huge punch is a real understatement. This is quite up there with the great twist endings. Yet beyond this we have a triumph of writing, direction and performance. Sublime.