Breaking Bad: Down

 "That was before my housing situation went totally testicular on me, ok?"

This is another cleverlt structured episode, with Walt and Jesse given perfectly contrasting parallel dilemmas in an episode which very much focuses on the drama as opposed to terrifying excitement. It's also an episode which shows even further what a superb double act Walt and Jesse have already become, to the credit of bot actors: we all know Bryan Cranston is extraordinary, but so is Aaron Paul.

After an artily shot beginning the two paallel narratives begin, reflecting cleverly upon each other. Walt is desperate to stay at home for a while to allay Skyler's suspicions, meaning no more cooking for a good while. Alas, it also means some bad lying from Walt- he comes across as far too desperate and secretive about the second phone thing, and Skyler isn't stupid. He's trapped, and his family life seems to be slipping away, as shown most subtly where e fails to connect with his son while trying to tach him to drive. I suspect, by the end of the season, Walt will no longer be with his family as for him to be a family man, while doing what he does, is simply not sustainable. Yet it's the very thing that gives his life meaning in the first place.

Jesse, meanwhile, is summarily evicted by his long-suffering parents, and is suddenly reduced to desperate sofa surfing. There's a nicely huanced scene of him in the house of an old man, now married with a young son, with the massive culture clash between them made awkwardly clear. Jesse needs to start cooking pretty damn quickly. And he needs Walt, as is made very clear indeed by the end.

I think I know where this is going- to the full transition from family life to one of criminal ambition. The scene between Jesse and his old mate illustrates how one cannot have both. But this is, again, a superb bit of telly.

Breaking Bad: Cancer Man

 "I'm thinking Albuqerque may have a new kingpin..."

The above line from Hank, near the beginning, is immediatley juxtaposed with a shot of Walt brushing his teeth and looking every bit the middle aged nerdish square. This sort of nice little touch- of which this episode has many- is key to what the episode is about, but we shall come to that.

The episode is about how Hank is, unwittingly, proceeding on Walter's trail. It's about the deepening of Jesse's character by showing us his parents and his privileged upbringing. It's about the reaction of Walt's family to finally being told about his cancer- from Skyler's irrational yet necessary optimism to the dickish yet understandable behaviour of Walter Jr, whose teenage mind proves incapable of processing this unacceptable news. It's about how school swots who play the piccolo can nevertheless smoke weed.

It's also about the grim reality of Walter's treatment, and the sheer expense of it all, with no guarantee of success and the certainly of massive debts either way. It can hardly, of course, avoid being a commentary of how unspeakable it is for a first world country to have no free-at-the-point-of-use health system. Yes, the wealthy can pay for quicker treatment elsewhere, but most Europeans have never known a time where being treated decently for cancer depended on one's ability to pay.

Yet this is Walter's dilemma. To die pointlessly, to bankrupt his family. Or...

At one level, Walter seemd to suppose that he can return to his old life as though the things he's done lately had never happened, as though there will be no consequences and he can leave all that behind. He certainly sends Jesse away with a flea in his ear when he offers to resume the partnership... for now. Yet it's clear he needs money, if only to save his family from crippling debt.

But the episode is, more even than this, about more than this: it's about what it is to be an alpha male, and how Walter needs to change and become one if he is to survive in this world. From Hank offering to support his family after Walter dies, to that yuppie wanker who gets his just desserts at the end, Walter's masculinity is under challenge. 

He has a decision to make.

And this remains superlatively good television.