Showing posts with label Shelley Con. Show all posts
Showing posts with label Shelley Con. Show all posts

Tuesday, 17 October 2023

Gen V: #ThinkBrink

 "Shall we talk about our intercourse situation?"

The quote isn't even the funniest thing about sex in this episode: that would be Jordan discussing Marie during sex, pausing briefly to climax, and then continuing. It just goes to show how very The Boys this is... like the last scene with Emma shrinking and, you know. Euurgh. Which reminds me of a certain parallel scene from The Boys. Yes, that one.

I'm so impressed by this. The balance between plot, character and world building is perfection. I love how Marie and Emma reconcile, hopefully the start of va beautiful friendship. They are alike in more than having powers that areb metaphors for self harm: both have low self-esteem. Both are made to be useful, Marie forced to parade at the Brink party for the university, having the kind of background that makes rebellion a luxury. Emma, meanwhile, eagerly siezes a chance to be a hero, to be really useful... and is out of her depth. It's sweet that Sam likes her though. Shame about her mum.

It's nice to see Marie open up, and reconcile a bit, with Cate and Jordan: she's not alone in having killed her parents in manifesting her powers: Cate did the same with her little brother. And she has a point. It's not their fault, but the parents who drugged them with Compound V. Jordan's parents, in a nice little metaphor (sometimes an obvious metaphor can work well) for transphobic parenting.

All this is unfolding at a perfect pace. The arcs advance yet the characters breathe. And Andre's dad knows about Sam and the dungeon beneath. Ouch. This is brilliant telly.

Monday, 7 August 2023

Good Omens: I Know Where I'm Going

 "So Elspeth here has all the opportunities because she's so poor."

"That's lunacy."

"No, that's ineffable."

The above quote says it all. Like last week's "minisode" (I've finally worked out what's going on with those: they're the historical flashbacks inserted into the episodes), Aziraphale learns a damn good lesson on moral ambiguity, and on the fact that seeing morality s something literally dictated from on high may not be the best idea. Here, he learns that lesson in 1820s Edinbugh, complete with bodysnatchers, laudanum, David Tennant getting to use his real accent and the anachronistic use of "Flower of Scotland".

It must be sais, fun though the episode is. Yes, Muriel's attempts and pretending to be a human police officer are hilartious, but the effect of her being there is to prevent the Maggie/Nina romance plot from having to move forward too quickly so other stuff can happen. Aziraphale discovers a few clues in Edinburgh, but it isn't much.

Whatever has been going on with Gabriel gets curiouser and curiouser, though. Plus Shax, and Beelxebub, have worked out where Gabriel is, and this means war. Still, fun though this episode genuinely is, with another sparkling script, I'll be glad if some more actual stuff can happen next time.