Tetsuo: The Iron Man (1989)

 "We can mutate the whole world to metal. We can rust the world to the dust of the universe.”

This is a very weird film indeed. You knew that. It makes no real narrative sense and has only the barest plot- a “metal fetishist”, fond of grafting random bits of metal into his flesh, is run over by a typical salaryman, who then finds himself being haunted and mutated as revenge. But the plot isn’t really the point. Well, except when it is.

We have so many utterly bizarre and disturbing set pieces. Thd maggots. The weirdest and most unnerving sex scene I may ever have witnessed. The most erotic use of a fork in all cinema.  All to a highly fitting industrial soundtrack which is brilliant in its own right. This is pure body horror, yet the use of metal suggests industry. There can be all sorts of potential metaphors here for what technological civilisation has done and is doing to humanity.

This is really just a series of loosely linked set pieces, and I suppose it has something in common with Un Chien Andalou and its ilk, despite the very different mood which owes as much to alternative culture as it does to the traditional models of ary. As that, it is superb, largely because of the excellence of the cinematography and soundtrack… and the fact that grainy black and white makes it so much less challenging to be convincingly surreal. Yet, beneath all that, there seems to be a subtext. The Industrial revolution, agriculture, all that... is it leading us only to twisted horrors?

Audition (1999)

“All words are lies. Pain doesn't lie."

This is a famously disturbing horror film that it’s taken me twenty years to see (1999 being twenty years ago is wrong on all sorts of levels) and it’s well worth it. A sweet if gently misogynistic drama for most of its length, the film suddenly piles on the torture towards the end as all the unthinking misogyny of the earlier scenes gets its extremely painful comeuppance. This is an interesting film to see in the wake of #MeToo.

The plot is simple; lonely widower Aoyama wants a new wife, the subtext being that he wants her to do all the traditional feminine jobs of looking after him and leaving him just to work, while needing to be accomplished herself. At a friend’s suggestion he takes part in a series of auditions for a part in a film which never happens, at which the women are asked a series of bizarre and impertinent questions by their male interlocutors.

Aside from the auditions themselves, though, the misogyny is constant but subtle as Aoyama settles on Asami, a mysterious woman whose true past and true proclivities and abused past are hidden behind an exterior that seems to be quite passive and traditionally feminine. And then she disappears, things are not quite right, the direction turns very unnerving and adopts the grammar of the horror film, and the torture begins. A haunting and highly effective film with a serious point, and the harsh revenge of the abused and objectified woman. Superb, and Eihi Shiina is magnificently disturbing.