Showing posts with label Philip Martin. Show all posts
Showing posts with label Philip Martin. Show all posts

Monday, 16 November 2009

Doctor Who: The Trial of a Time Lord Parts Five to Eight: Mindwarp

Part Five

“Then where will you be? Dead! No, worse than that. Poor!”

It’s all presented as the next episode, not a new story, but there’s no reprise, and Robert Holmes gives way to Philip Martin. It’s the planet Thoros Beta, the year 2379 and we’re about to see what was happening before the Doctor was taken out of time, or so we’re told. Certainly we see some highly impressive special effects and the most brilliantly realised alien planet yet seen. The pink sea and the ringed planet in the sky are completely unlike anything we’ve ever seen before and somehow manage to give this story a very different feel to usual from the beginning.

Of course, this being Philip Martin, we get a bit of metatextual stuff- the early trial scenes are essentially about directors’ choices of shots and decisions made in the editing! Still, seeing as I got a lot of enjoyment from this sort of thing in Vengeance on Varos I'm a bit disappointed by the relative lack of it in this story.

The Doctor and Peri are here to investigate a bit of naughty arms dealing, while Brian Blessed- in what is surprisingly his first appearance on Doctor Who- lies elsewhere on a table. This planet is ruled by the Mentors, led by a barely recognisable Christopher Ryan as Kiv, and the story is essentially based around mad scientist Crozier as he does loads of unethical experiments in a quest to cure Kiv’s headaches. Frankly, I’m not sure the people who design the headache pills I use are showing quite the same level of commitment.
Oh, and Sil’s back. Yay! I preferred the original costume, mind.

Part Six

“I have a special death reserved for him. He is a traitor known as the Doctor.”

The Doctor can’t seem to remember anything after Sil uses the machine on his brain, which makes the trial somewhat unfair from this point on. And it’s quite surprising that we only get one episode of the Doctor being unambiguously himself- I didn’t recall the stuff about unreliable narration starting so soon.

Brian Blessed, in a surprising departure from his usual type of part, plays Yrcanos as a shouty barbarian king. It’s good to see that his previous work in The Black Adder, Flash Gordon and Blake’s Seven hasn’t typecast him as quiet, nervous types. The character’s just a bit of comic relief, really, but in spite of being a bit of a prat he’s a nice chap really.

The Doctor’s initial betrayal of everyone, and his later betrayal of Peri, comes as a bit of a shock. In the wider context of the show, with the axe hanging over it and the earlier examples of The Twin Dilemma and Attack of the Cybermen, this probably isn’t a great idea. But in the context of this particular story it actually works quite well; with the framing device of the trial it’s allowed to be portrayed in a metatextual way with the reliability of the footage from the Matrix being open to question in spite of the Valeyard’s protestations that the Matrix cannot lie. And it could of course be, partially or wholly, just a clever plan by the Doctor, or a result of what Sil did to his brain earlier.

Be that as it may, the scenes with the Doctor interrogating Peri arguably cross a line. I hope this is the Matrix lying.

Towards the cliffhanger the Inquisitor appears to voice Philip Martin’s own frustrations with the trial scenes as she states that “I do grow tired of these continual interruptions…”

Part Seven

“Today, prudence shall be our watchword. Tomorrow, I shall soak the land in blood.”

Oddly, the Doctor is given a chance to pause the trial but insists on its continuing in spite of the blatant unfairness of the circumstances. By now there is a definite sense of doom surrounding the fate of Peri.

Kiv orders the death of all those who fail to save his life, causing Sil to become quite splendidly panicked. He calms down after the operation’s success, though, claiming that “I endeavour to maintain a certain continuity”, something with which the story is about to start having problems very soon. Still, there’s some good stuff. The scene in which the Doctor uses his knowledge of the future to help Sil make money is a nice touch, but it’s odd this is not immediately seized upon by the Valeyard.

Part Eight

“I thought it was somewhat gratuitous.”

There’s a great scene in which Peri explains love to Yrcanos while he explains his conception of the afterlife, where his destiny is “Why, to fight! What else!” Yrcanos is bonkers, of course, but he’s basically a decent and even innocent fellow underneath all the shouting, and Peri clearly likes him.

Things get even more confused as the Doctor seems to become one of the goodies again, rescuing Yrcanos and endeavouring to save Peri. Yrcanos soon stirs up some real trouble for the Mentors, and Kiv is eventually forced to abandon his business meeting with a pink Terileptil so that he can have his brain transferred into Peri’s body. The operation begins, while elsewhere Yrcanos’ rebellion gets under way- and it’s at this point that the Doctor is taken out of time and we rejoin the first episode of the season.

As a coda we get to see the horrifyingly effective sight of Kiv occupying the body of a bald Peri. Crozier has discovered a way to transplant any mind into any body; practically a form of immortality. To this the Time Lords have to intervene. Presumably if the Doctor hadn’t intervened, Crozier would have failed to save Kiv and been executed by the bodyguards. As it is, the Time Lords now use Yrcanos as an assassin to kill everyone.

So, Peri’s dead. And it’s the most shocking and affecting companion death yet. I certainly hope they don’t retcon it. That would be bad.

So, surprisingly given its reputation, I liked this one. There wasn’t quite as much humour in the metatextual stuff as there was in Martin’s previous effort, but he still managed to use the format of the trial to play some rather enjoyable games with the different layers of narrative, once again giving us a piece of television drama which is fundamentally about the fact that it’s television. I think the broad sweep of what was happening is more or less implied (the Matrix showed the Doctor being a little nastier during his time as a “turncoat” than he was in reality, but broadly speaking it was all his plan) and anyway, I’m sure it’ll all be explained away perfectly satisfactorily at the end of the season. 4/5.

Saturday, 31 October 2009

Doctor Who: Vengeance on Varos

Part One


“When did they last show anything worth watching anyway?”

Now that’s much more like it!

I’m intrigued about watching Philip Martin’s other work after seeing this again. Anyway, we begin with a topless Jason Connery chained to a wall in a nod to the ladies, and as he dodges a laser beam we see that he’s on camera. 8.28 in the Big Brother House and Jondar is dodging laser beams. How prophetic.

We cut to our fantastic Greek chorus of Arak and Etta, whose lines are all brilliant. The first words spoken are “Not him again”! I love this kind of postmodern stuff, especially when done with wit as it is here. They have the right to vote, but this is democracy without liberty, including freedom of speech as Etta makes very clear, much more akin to voting for a reality show than a government. This is grippingly contemporary and already feels like satirical science fiction at its best.

Nabil Shaban as Sil is also superb, the perfect Thatcherite villain for the ‘80s with a great look and played quite brilliantly. And his Yoda-isms I love. His opening scenes with the Governor- Martin Jarvis, also brilliant- is also gloriously satirical in its way, as we learn that the torments of political dissidents and criminals in the Punishment Dome are not only broadcast to the population but are to be sold throughout the galaxy. “Are they really disturbing, these videos you sell?” asks Sil, making explicit the “video nasty” theme said to be behind the script.

If that’s not enough great concepts already, whenever the Governor loses a vote on one of his decisions he’s immediately subjected to a burst of cellular disintegration that can kill him! Already the nightmare of the previous stories feels very different. Oh, this is dark, even cynical, but it’s done with wit and, importantly, purpose.

The Governor survives to this time, to the disappointment of Arak, who reminds me of a number of taxi drivers I’ve known. The Governor needs a crowd-pleasing policy quickly, and an underling called Bax comes up with the answer; a particularly entertaining method of execution for Jondar. “I’m sure the video of his execution would sell” he notes.

We’re introduced to Areta and her oh-so-‘80s hair, as she reveals to us the rather intriguing back-story of the planet; originally a prison colony, it is ruled by a caste descended from the original prison officers. Another brilliant concept.

Meanwhile, after intermittent scenes of moping a\bout in the TARDIS, the Doctor and Peri finally arrive on Varos, in desperate need of the Zeiton 7 it produces. Jondar’s televised execution is being televised and, wonderfully, the TARDIS materialises on camera; the scenes in the punishment dome are being watched by the entire population of Varos, who thus become identified with the viewer. “I like that one, the one in the funny clothes” notes Etta.

I think my love for this episode was finally confirmed by Peri’s line “All these corridors look the same to me” as she and the Doctor run down the exact same set they’ve already run down several times. But even better is the cliffhanger, in which the governor usurps the role of the director: “And cut it… now!”


Part Two

“We’re free!”

“Are we?”

“Yes.”

“What shall we do?”

The acid bath scene is often criticised but personally I see little wrong with it; the Doctor isn’t responsible for anyone’s death and I’m more than prepared to forgive the little quip in the circumstances.

The Doctor, Jondar, and the ex-guard whose name I didn’t catch are to be hanged, and Colin Baker excels in this scene. “Do you always get the priest parts?” he enquires of the man who is to give him the last rites, in a brilliantly witty bit of self-referentialism. Oh, and the deity being appealed to is the “Great Video”. I love this script.

The Doctor, declaring truth on Varos to be a “very flexible commodity” speaks on the gallows of Zeiton 7 and how it is in fact worth a lot more than Sil and his Galatron Corporation masters are telling the Governor. This proves rather fortunate, as it turns out the hanging was a mock execution, and the Governor is now suspicious of what Sil has been telling him.

Peri and Areta are to be transmogrified into a bird and a reptile respectively, so the Doctor and Jondar immediately seize some guns and engineer a hostage situation in order to escape. If there’s one thing this marathon has taught me, it’s that I don’t necessarily have a problem with the Doctor using firepower if it feels right, and this is one of those times.

The Chief, unfortunately, is able to engineer a coup against the Governor and insist upon a compulsory vote, which will inevitably result in his death by cellular disintegration. The Governor’s appeal to the Guard to spare Peri and himself ultimately fails, but shows he has faith in the Doctor.
The ending is neat and satisfying, with the Doctor even getting away with an atrocious pun (“I think he needs more than water, Peri, eh?”

It’s quite a relief, after the worst start of any Doctor’s tenure, to see a Colin Baker story that comes up trumps. Not one of the very best, perhaps, but easily a 5/5.