"This was you, not me!"
SPOILERS
It's the penultimate episode, and we begin with Dale's funeral oration. Dale was the group's heart, and is a true loss. He had a complex relationship with many- Glenn, certainly Andrea, and of course Carl, racked with guilt over his part in Dale's death, but he was in many ways the antithesis of Shane who, of course, shows his true colours and dies this episode. Yay!
Everyone is moving inside the house; at last the two groups are one. Lori has one last heart-to-heart with Shane, revealing that the baby she is carrying could be his; she just doesn't know. In hindsight this conversation could have hinted to me that Shane would die now, and not in the finale, but I remained oblivious.
We have a father and son talk between Rick and Carl that is simultaneously heartwarming and incredibly bleak: what kind of childhood can Carl expect, waiting until his parents probably die, and himself probably unlikely to survive to adulthood? It's symbolic when Rick hands him back the gun; he must put away childish things and be a man.
And so we come to Shane's devious yet probably opportunistic plot to kill Rick, and the final standoff where Shane pulls the gun on Rick and calls him a weak husband and father. And yet it's Rick who finally has the guts to kill, stabbing Shane with a knife. Not coldly, though; it upsets him to have to kill, but he does what he must.
The final scenes feel exactly right; Carl has secretly seen what happened, and pulls a gun, saving Rick from zombie Shane. This is a superb episode in which we wave goodbye to a superb villain, brilliantly portrayed by Jon Bernthal. Roll on the finale...
Welcome to my blog! I do reviews of Doctor Who from 1963 to present, plus spin-offs. As well as this I do non-Doctor Who related reviews of The Prisoner, The Walking Dead, Buffy the Vampire Slayer, Angel, Dollhouse, Blake's 7, The Crown, Marvel's Agents of SHIELD, Sherlock, Firefly, Batman and rather a lot more. There also be reviews of more than 600 films and counting. Oh, and whatever I happen to be reading, or listening to. And Marvel comics in order from 1961 onwards.
Showing posts with label Michael Zegen. Show all posts
Showing posts with label Michael Zegen. Show all posts
Monday, 5 February 2018
Sunday, 24 December 2017
The Walking Dead- Season 2, Episode 11: Judge Jury, Executioner
"They're gonna kill me, right?
Spoilers. You have been warned.
This is one of the best types of episodes of The Walking Dead: all about a big ethical dilemma now that civilisation has ended. Randall is a threat, as Daryl discovers by, er, torturing him. He has thirty well-armed rapist mates. So should the group kill him for the sake of their own safety?
Dale's view is a principled "no". Everyone else's view consists of multiple variations and degrees of "yes" because the group must be protected from the threat. My own view is, perhaps, more nuanced; in any civilised society, Dale would be right. But civilisation has literally ended; humanity is literally now living in small, palaeolithic-type bands, struggling to survive and struggling, beyond that, to pass on any inkling of modern tech, knowledge and philosophy. The aim is therefore not to behave according to a state of civilisation that no longer exists but to survive, and do what you can to contribute to the hopeful rebuilding of a civilisation where such acts are not done. For now, though, the group probably need to kill him, as quickly and humanely as possible. And feel awful about it, because to feel ok about it would be inhuman.
This is also a huge character episode, of course. Dale dies, courtesy of a lone and foreshadowed zombie, thinking the worst of everyone. There's a touching scene where Herschel shows Glen that he accepts him as his daughter's partner. Daryl hints gruffly to Dale that he doesn't much approve of Shane's psycho tendencies. The female characters are all a bit disappointingly passive in this testosterone-fuelled episode. Carl's behaviour is getting to be a bit of a worry. And the subtle joshing between Rick and Shane for the position of alpha male is getting close to a climax. Shane admits to Andrea that he wants to be boss, and Rick has lost face by not going through with shooting Randall.
A definite uptick in quality, then, although next episode could do with a bit more oestrogen.
Spoilers. You have been warned.
This is one of the best types of episodes of The Walking Dead: all about a big ethical dilemma now that civilisation has ended. Randall is a threat, as Daryl discovers by, er, torturing him. He has thirty well-armed rapist mates. So should the group kill him for the sake of their own safety?
Dale's view is a principled "no". Everyone else's view consists of multiple variations and degrees of "yes" because the group must be protected from the threat. My own view is, perhaps, more nuanced; in any civilised society, Dale would be right. But civilisation has literally ended; humanity is literally now living in small, palaeolithic-type bands, struggling to survive and struggling, beyond that, to pass on any inkling of modern tech, knowledge and philosophy. The aim is therefore not to behave according to a state of civilisation that no longer exists but to survive, and do what you can to contribute to the hopeful rebuilding of a civilisation where such acts are not done. For now, though, the group probably need to kill him, as quickly and humanely as possible. And feel awful about it, because to feel ok about it would be inhuman.
This is also a huge character episode, of course. Dale dies, courtesy of a lone and foreshadowed zombie, thinking the worst of everyone. There's a touching scene where Herschel shows Glen that he accepts him as his daughter's partner. Daryl hints gruffly to Dale that he doesn't much approve of Shane's psycho tendencies. The female characters are all a bit disappointingly passive in this testosterone-fuelled episode. Carl's behaviour is getting to be a bit of a worry. And the subtle joshing between Rick and Shane for the position of alpha male is getting close to a climax. Shane admits to Andrea that he wants to be boss, and Rick has lost face by not going through with shooting Randall.
A definite uptick in quality, then, although next episode could do with a bit more oestrogen.
Sunday, 1 October 2017
The Walking Dead- Season 2, Episode 10: 18 Miles Out
“This is so pointless!"
This may be a quiet episode focusing on character- albeit with lots of exciting zombie action, and may have an unusually limited cast of characters, but that is a strength here, allowing us to focus on the relationships between the characters.
Firstly we have the macho alpha male contest between Rick, giving up perhaps too much ground under pressure on being repeatedly told by the psychopathic Shane that his conscience is a liability. As well as lots of arguing, fighting against zombies and themselves, and of course clearing the air over Lori, they have the dilemma over whether they should kill the kid they caught last episode who, it turns out, knows where Herschel's house is. Rick, arguably, ends up ceding the argument to Shane but he will at least have the decency to sleep on it before killing the boy.
Meanwhile, back at the house, a row between Lori and Andrea pretty much centres on how Andrea, in standing guard against zombies, is getting out of the drudgery of the more traditional woman's work, a feminist subtext if ever there was one. But the main focus is on the hereto background character of Beth, who seems to be set on suicide, seeing no point in living post-zombie apocalypse, and the ethics of suicide and what to do with her are explored well and at length, with the pragmatic Andrea perhaps alienating herself from Maggie permanently. Beth lives, though.
This episode is well-written, compelling, and makes me certain that the main arc of this season is the conflict between Rick and Shane, and will end in Shane's death. We shall see...
This may be a quiet episode focusing on character- albeit with lots of exciting zombie action, and may have an unusually limited cast of characters, but that is a strength here, allowing us to focus on the relationships between the characters.
Firstly we have the macho alpha male contest between Rick, giving up perhaps too much ground under pressure on being repeatedly told by the psychopathic Shane that his conscience is a liability. As well as lots of arguing, fighting against zombies and themselves, and of course clearing the air over Lori, they have the dilemma over whether they should kill the kid they caught last episode who, it turns out, knows where Herschel's house is. Rick, arguably, ends up ceding the argument to Shane but he will at least have the decency to sleep on it before killing the boy.
Meanwhile, back at the house, a row between Lori and Andrea pretty much centres on how Andrea, in standing guard against zombies, is getting out of the drudgery of the more traditional woman's work, a feminist subtext if ever there was one. But the main focus is on the hereto background character of Beth, who seems to be set on suicide, seeing no point in living post-zombie apocalypse, and the ethics of suicide and what to do with her are explored well and at length, with the pragmatic Andrea perhaps alienating herself from Maggie permanently. Beth lives, though.
This episode is well-written, compelling, and makes me certain that the main arc of this season is the conflict between Rick and Shane, and will end in Shane's death. We shall see...
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