Metallica- ... And Justice for All (1988)

This album is strangely overlooked, having been released between Master of Puppets and the Black Album, both of which get much more attention. And that's odd, because it contains "One", the only song on the album that truly ranks as one of the band's best known. "One" is, of course, a truly great song about something truly horrific, at one the band's first music video and the reason why Metallica ended up owning the rights to the film version of Johnny Get Your Gun.

Yet, that one song aside... this album is strangely unloved. The first album with the painful absence of Cliff Burton, the first with Jason Newsted desperately trying to fill his shoes... and, by all accounts, being given a rather hard time. And, while remastered versions now abound, the album is rather oddly mixed.

And yet... if we consider the songs themselves, they're as good as any collection of songs that Metallica did in the '80s. "Blackened", the title track, "Harvester of Sorrow". This is the last album the band would make with their trademark long songs with a Sabbath-esque structure and all those superbly done transitions before adapting their style towards shorter and simpler songs. And... it deserves more love!

Metallica- Master of Puppets (1986)

 I suppose this, while not as widely popular as the bestselling Black Album, would be the Metallica album of choice for the cognoscenti. This is partly, of course, because it's the end of an era, being the last album to have been released before the shockingly premature death of Cliff Burton, an absolutely crucial member of the band and songwriter; subsequent bassists would not have anything like his influence. What Metallica would have gone on to do if he'd lived is one of the great "what ifs" of metal. The band would go one to achieve further great things, but there's an obvious discontinuity.

There is, conversely, a continuity from Ride the Lightning to this, not least in the production. But this album shows a real progression. "Call of Ktulu" was a superb piece of musicianship; "Orion" is sublime. And such standout tracks as "Battery" and "The Thing That Should Not Be" are among Metallica's best work. There's no filler here, and throughout we have the perfect blend of deep musicianship and restrained songwriting. The songs are long, often complex, but never over-long or pretentious.

This is, for me, the finest metal album of the '80s.