The Lord of the Rings- The Rings of Power: The Eye

 "We move at first light."

"What light?"

After last week's triumphant victory, all is lost after an unnatiral volcano which sees Adar and his Orcs claiming the Southlands for themselves, reneming it, inevitably, as Mordor.

And all is entropy and decay. The Queen of Numenor is blinded. Elendil has lost his favourite son, and Isildur his brother. He is bitter and wants no more to do with Middle-Earth. The Dwarven king refuses to dig for Mithril and save the elves, and proudly disinherits his son after a row. The Harfoots are ruined and have sent away the Stranger, who briefly gave new life to their forest before three evil cloaked woman arrive and destroy everything... who are they?

Yet, in the land of Mordor, there is yet hope. Durin plots with his lovely wife. The throne will be his. The Numenoreans will return. The enemies of Sauron have lost, if not the battle, the context. Yet there is time and space to regroup. The war goes on. Again, this is very mythical, very Tolkien.

This episode is not quite so exciting as last week's, but after some shaky early episode the first season seems to have found its stride. The directing is enormously impressive especially the early scenes, which feel like a very orange disaster movie.

The Lord of the Rings- The Rings of Power: Adar

 "The sea is always right..."

Wow. This episode has blown it all wide open. We are suddenly immersed in charactewrs we know from The Lord of the Rings, both the novel(s) and the films. Last episode we had Gil-Galad. Now we find ourselves in Numenor, a name I recognise, a Western island kingdom. Yet Galadriel and Halbrand are introduced to Elendil, the captain of the ship, and his son is a cadet... Isildur. We know these names. My memory is shaky, but will not Aragorn cry into battle crying "Elendil"? Will not Isildur found the Kingdom of Gondor? This is epic stuff. I mean, yes, I read the appendices to Tolkien's masterwork. But that was in another century.

We have conflict. The people of Numenor fought amongst the elves but now hate them. Why? The king was deposed for suppoireting them. Oh, and we have the bombshell that Halbrand is the exiled king of the Southlands... and that Sauron is building a base there. Is this a proto-Mordor?

We have brutal enslavement of elves, including Arandir, by orcs who are certainly shown to be evil, but not stupid. Arandir proves himself to be pretty awesome...but has to face "Adar". Sauron?

Speaking of Sauron, I thought the stranger who appeared to the Hsrfoots was him. I'm now fairly sure he isn't, and another theory is correct. I Shall be discreet, though...

This episode is MUCH better. I'm very pleased.

The Lord of the Rings: The Rings of Power- Adrift

 "The tides of fate are flowing..."

This episode, it has to be said, is a fair bit slower and less gripping than the promising opener. It really does drag, which is worrying. A slow pace is fine if you're having fun or lost in good characterisation, but a serious epic like this can't afford to drag. I hope this doesn't continue.

It's pity, as there's actually a lot going on. That strange tramp, fallen from the sky, being looked after by those Harfoot children... is he Sauron, or is this a bit of misdirection? Then there's this beautiful creation Lord Celebrimbor wishes to do... will this end up being the Nine Rings? The series title may, after all, be a clue.

Orcs, rot and entropy seem to be spreading into human and Harfoot lands, hence great migrations. Galadriel meets someone who finally challenges her in ways she may need. And Elrond learns a lesson in manners for those not so long lived as he, while we get to admire the drwarves of Khazzad-Dun, while secrets are kinted at.

There's a lot of good stuff here. But it all happened far too ponderously.

The Sandman: Playing House

 "I'm sure he's fine..."

This is, once again, rich and textured drama with much to say about dreams, both literal and in terms of ambition- Hal, whose ambitions were thwarted, quite rightly has words on that subject to say to Rose.

Yet drems, even nightmares, have dreams. Dream is too quick to believe all is solved when he "saves" Jed's night-time existence from Gault, who wishes only to give Jed some comfort as he is horribly abused in real life. She is punished by a hasty Dream, yet she has harsh and pointed worfds for him. All of us can change anf grow, even, I'm sure, if we are manifestations of abstract concepts.

Abstract concepts abound here. The nature of home. The temptations of dreams- for Jed, as the Golden Age Sandman, a nice touch, but also for Lyra, tempted into idyllic family life by the dreaming ghost of her dead husband. Drwams and ambitions versus the unambitious yet easy life.

Yet this is really about character- Rose, Jed, Hal, the whole wonderful Florida family. Dream, so kind to Rose and so unthinkingly cruel to Gault. Hal, who I hope comes to realise their dreams.

Loving this. Sadly,there';s not long to go.

The Lord of the Rings: The Rings of Power- A Shadow of the Past

"We thought our light would never dim..."

 Fear not: Netflix problems are now solved and I'll be carrying on with Sandman alongside What If. However, I absolutely had to add this rather exciting little series to my schedule. I'll alternate all three until I reach the point, very soon, where I'm only able to watch one episode a week of this. That's the forseeable future.

I knew very little of this going in except that it was set well before the Third Age- the First Age, presumably?- and based on those appendices to Lord of the Rings that I last read at a very young age. So it was pleasing to see how well made this is, and hoe epic it feels, beginning with a bit of narration from Galadriel herself on the early days of Valinor, the centuries-long war (no doubt Tolkien's allegory for 1914-18), and the slinking away of Sauron and his orcs, leading to Galadriel's obsession. Galadrielis the main focus here, the Cassandra who insists Sauron is still a threat yet seems to be ignored, but we see lots of visual Elven awesomeness. We also get much of a very young Elrond... and finally get to meet the legendary Gil-Galad.

We also have some human villages, with elves still seeing humans as tainted from their erstwhile loyalty to Morgoth. So it's an interesting twist to have an elf- Arondir- in love with a human, Bronwyn, both of them going AWOL to investigate disturbing portents from the East of disease and decay.

Finally, we have the Harfoots, progenitors of Hobbits, recognisable similar but just a little wilder and less technologically advanced, with Lenny Henry excellent as their wise and troubled leader.

There's a lot going on, but the characters are alrewady distinct and clear, and thisall feels very big indeed. I'm already enjoying this.

Bernard and the Genie ( TV Film)

 "If you need anything, you just call and I'll be up there faster than a poker up a pervert."

For those of us who are of a certain age- and yes, it causes me a certain amount of distress to type those words- this excellent TV special is a hilarious memory of that telly Christmas of 1991 after Only Fools and Horses had finished. (Wasn't that the year in Miami?) Yet, in hindsight, this is a fascinating halfway house: a TV film by a recently post-Blackadder Richard Curtis, in a period when Blackadder was a justly worshipped recent memory, that would pave the way for his film career, which would prove to be at once increasingly successful and increasingly successful.

There's some sentiment here too. The bromance between Bernard and Josephus is deeper and more full of feeling than anything which the hilariously cynical Blackadder would have tolerated. Yet the opening scenes, where Bernard Bottle's high-flying life falls apart, are played purely for Blackadder-type laughs. As for Rowan Atkinson's delicious baddie... well, hiss ye, hiss ye. Oh, and nice beard,

Bernard is a sympatheic character- nice, naive, more than a little uncool, and portrayed with real comic charisma by an appallingly young Alan Cumming. And Lenny Henry really steals the show as Josephus, a characyer that could easily have been a stereotype but turns out to be a witty commentator on modern society- modern society being so very, very 1991, with even bloody Leonardo turning up, and I mean the chelonian kind.

But while this is, perhaps, plot-widse, a precursor to the sort of stuff Richard Curtis would go on to do. it's every bit as funny as Blackadder and absolutely the same sort of humour. This is a very, very good thing.

Anyway, Merry Christmas. Unless you're the sort of person who whinges that "we're not allowed to say Merry Christmas these days because of wokery and that", in which case, Happy Holidays.

Doctor Who: Spyfall, Part Two

“By the way, I bring news from home...”

Wow. Ok, this blog post is going to be one of the longer ones.

Obviously, that was brilliant, and Chibnall has far outdone anything he did last season- and this two parter is not only superb but a statement of intent, giving us a new big story arc behind the spy stuff and giving us a story that, structurally, feels very much like a Virgin New Adventure novel in not only its use of cyberspace (or social media, as we call it these days) but the sheer number of elements in the story- alien Cold War type spies from another dimension using multiple time zones and figures from the history of computing, anyone? I don’t care if the plot doesn’t make sense; the sleight of hand works and that’s enough. The random timey-wimeyness and use of Ada Lovelace, Noor Inayat Khan and Charles Babbage.

In fact, the sheer number of elements in the plot felt very Steven Moffat. So did the way the second episode of a two-parter veered into very different territory from the first part, very reminiscent of Silence in the Library. All this shows Chibnall learning from his predecessor, and is a good thing. But I especially liked that it was about something- how we are all happily surrendering our privacy and intimate lives to unaccountable and unregulated tycoons very much like Daniel Barton (and Lenny Henry is utterly, utterly superb)- I’m looking at you, Zuckerberg.

But, of course, there’s the interplay between the Doctor and the Master at the heart of everything- and the chemistry between these incarnations is electric. It seems, pleasingly, that Chibnall is trying to recreate the Pertwee/Delgado dynamic where the Master doesn’t so much want to kill the Doctor as play games with her. We get a shoutout to the sound of drums. And Sacha Dhawan is absolutely a worthy Master, getting to do so many of  the Master’s signature tricks here, with a Wizard of Oz TARDIS to boot.

Incidentally, isn’t this the Master’s first explicit TARDIS of his own since Mark of the Rani?

And yet... there’s something behind this. All throughout the Master is dropping hints about both a massive retcon and what’s happened to Gallifrey- and so, once the Master is defeated in a satisfying and credible way- albeit one that owes a LOT to The Curse of the Fatal Death- we get a coda, as the Doctor visits Gallifrey and finds the Citadel empty and devastated. At first it looks as though Chibnall is doing another RTD, another “Last of the Time Lords”, but he quickly undercuts this with something deeper as the Master appears as a hologram in the TARDIS, just as the Doctor did to Rose in The Parting of the Ways, to admit that it was all his doing- and it was all an act of fury after discovering a massive lie in Gallifreyan history: “They lied to us, the founding fathers of Gallifrey”. And this is the “lie of the Timeless Child”, as mentioned in The Ghost Monument.

It’s also a very nice touch that Yasmin, Graham and Ryan get their own cool little James Bond adventure while all this is happening, complete with cool gadgets, but this is also the episode where they finally resolve to get the Doctor to tell them who she is... and she does. Up to a point. She has so much more to tell them and I’m sure we all have so much more to discover about Gallifrey’s last. I love me a good, epic arc.

A magnificent start to the season, then. Let’s hope Chibnall can keep it up.

Doctor Who: Spyfall, Part One

“The name's Doctor.The Doctor."

About bloody time. Another hiatus is over and Chris Chibnall’s second full season begins. I’ll make no secret of the fact I was somewhat underwhelmed by last season, in spite of a strong cast and generally sound show running decisions: Chibnall has shown good judgement while overseeing the show. But that doesn’t make him a particularly great writer, unfortunately. There’s some decent stuff in his track record but his scripts have never stood out, and he’s certainly not remotely comparable to an RTD or a Moff, and last season’s scripts by him tended to be weak points. Still, Resolution last year was much better; let us hope it was a good sign.

I’m also a little disturbed by a lazy narrative that seems to have emerged over the reaction to last season- that those of us with concerns are objecting to Jodie as a female Doctor or the liberal political leanings of stories like Rosa or Demons of the Punjab. This is, of course, nonsense: most of us are sensible types who are well aware that anyone using the word “snowflake” in a non-meteorological context needs to have their adulting licence revoked. The casting of Jodie as a female Doctor was a hugely positive step- but can we please give the character of the Doctor some actual development? And as for Doctor Who being a bit liberal and having a social conscience- that’s an ancient tradition from the anti-racist message of Remembrance of the Daleks to the environmentalist message of The Green Death or even as far back as Planet of Giants. One wonders how those people who apparently think Doctor Who is too left wing would have made of Malcolm Hulme. I’m afraid that’s how the programme has always been.

No; I don’t think there’s anything wrong with the programme’s style, direction or broad show running approach. It’s just that the scripts have on average been sub-par. Will Season Thirty-Eight show any improvement?

This is the first two-parter of the Chibnall era and, I believe, the first since 1989 to have an overall story title rather than individual ones. It’s the first time in fifty-six years (The Enemy of the World is tenuous) that Doctor Who has done James Bond. It's got our first pre-titles teaser since Chibnall took over. It's also got a rejigged theme tune and title sequence- I like it.

It's also awesome. I'm not sure Chibnall will be able to keep it up but this is his second very, very good script in a row. The James Bond stuff is fun- the ridiculous number of gadgets, the casino party in tuxedos, the constant spying theme, and a brief but scene-stealing role for the great Stephen Fry as "C". We also get a motorbike chase- Pertwee would have loved this. The perilous sat nav scene was awesome, and far better than the similar scene in The Sontaran Stratagem. But the spies are not only alien but seem to be beings made of energy, wanting to invade our universe... perhaps. And Lenny Henry is excellent as a sinister IT tycoon and Bond villain... or is he? He's dodgy in a Mark Zuckerberg, privacy-invading sort of way, probably giving us the real-world subtext of what the story may end up being about, but could he be a red herring?

It's encouraging, too, that all four regulars get decent amounts of stuff to do, although the globe-trotting premise (South Africa is made to stand in for Ivory Coast and Australia, at least) certainly helps. Yaz, in particular, seems to be receiving some development as a character- we begin to see tensions appear between her travels in the TARDIS and her career as a police officer.

But THAT cliffhanger... I never suspected, being completely unspoiled, that Sacha Dhawan, having previously played Waris Hussein, would be the new Master. I punched the air, and again with the extra reveal of the Tissue Compression Eliminator. Even more intriguingly, before the cliffhanger ending with a bomb, a plane, and the Doctor somehow ending up in some other reality, he tells the Doctor that "Everything you think you know is wrong". Is this heralding a major retcon on the Time Lords this season, or the Doctor's past? What about the "Timeless Child" stuff from last season?

Regardless, I'm well and truly hooked. Best season opener since Deep Breath. Possibly.