Stigma

 "It's the old religion. I read about it in a book."

Hmm. It has its moments but... I'm not sure about this one.

It's 1977. The year I was born. Up to now the BBC's Ghost Stories for Christmas strand had focused on adaptations of old ghost stories, chiefly those of M.R. James. This time, we get a contemporary take.

It's eerie that the first contemporary ghost story should showcase the year of my birth so powerfully.The cars, the fashions, the sound of an old rotary phone ringing, news of the Voyager missions on the radio... and, of course, contemporary 1970s horror tropes- folk horror, complete with stone circle, and the poltergeist trope, complete with creepy teenage girl.

It'a very simple, straighforward half hour, with few twists and turns until the very end, and even that could be predicted. Yes, the atmosphere is there- it's Lawrence Gordon Clark, after all- and the relatively unknown case is very good, Kate Binchy in particular. But it's all a bit... by the numbers, if well made.

Oh, and if you're scared of blood... give this one a miss. You couldn't make this today.

The Signalman

 "You! Down below!"

By 1976, it seems, the BBC had decided to move the focus of their Ghost Stories for Christmas annual tradition away from the tales of M.R. James, this time adapting a short story from the later career of Charles Dickens. The visual style and atmosphere, nevertheless, are just as eerie and just as full of foreboding. The change of authorial style is, oddly enough, not strongly felt as the visual tropes of Lawrence Gordon Clark's direction encompass us... eerie silences, creepy yet subtle use of sound, light, voice and facial expressions to evoke unease within these liminal spaces.

I won't repeat the plot, but the whole things is a subtle yet very rreal building up of tension as we are ledft in no doubt, albeit quietly, that dread approaches and that this world, in the depths of the night, is no place for reason. The twist at the end, and the horrifying supernatural sight, are well and truly earned. And the unease has an interestingly philosophical timbre to it- this Victorian signalman is thoughtful and nuanced.

Denholm Elliott, as though it needs saying, is superb. This is as good as any of its immediate predecessors and, indeed, one of the best such stories made by the BBC. M.R. James does not have a monopoly...

The Treasure of Abbot Thomas

 "Christianity isa ratiional system of belief, Peter."

Once again we have one of the BBC's once annual Christmas ghost stories based on various short stories by M.R. James, this one from 1974. And my God, it's superb. This is the BBC, so the early Victorian period with its bonnets and mutton chops is evoked to perfection. The deliberately slow pace gives us tension of a kind that the television of recent decades cannot provide.

And at the centre of it all is a masterfdul performance from Michael Bryant as the calm, rational, scientific Revd Dr. Justin Somerton, an Oxford don of the very old school, dismissive of superstition- he puts short shrift to a couple of seance mongers-

He is, at first, far too rational to be taken in by the enthusiastic young Peter'd enthusiasm for the buried treasure on a 15th century abbot, rumoured to be an alchemist carried away by the Devil. Yet events ptroceed fascinatingly and inexorably to his temptation and doom, the Abbot and all things supernatural seen only in yerrifying glimpses.

Of all the M'R. James adaptations of the '70s... this may well be the best I've seen so far.

The Ash Tree

“Cut it down!”

An obscure little gem, this; a thirty minute BBC drama from 1975 and the first of the legendary screenplays based on the ghost stories of M.R. James (who, alas, I have not read) that I’ve seen, courtesy of BBC 4 on Christmas Eve.

It’s well-made on location, superbly acted with a role by none other than Lalla Ward as the not-to-be Lady Fell, and uses good, economic direction to tell a rather complex, non-linear story very quickly. You have to pay attention and, I suspect intentionally, not everything gets explained- what are the creatures in the tree? What’s the connection of the tree to the witch trials of a century earlier? We get only a general gist of what’s going on, but a bit of mystery is good. It’s refreshing to watch something from a time when the audience wasn’t talked down to, earlier. We aren’t spoon fed; the only clue to Sir Richard’s time period is the clothing and the fact that Tom Jones is a current novel, and the switch between time periods is narrated visually rather than overtly signalled. Edward Petheridge, whom I know best as George III in Jonathan Strange & Mr Norell, is superb both as Sir Richard and the hypocritical Sir Matthew, who directly causes an innocent woman to be hanged as a witch.

This packs an awful lot into thirty-odd minutes and is a nice little curio from the BBC of the ‘70s. I shall certainly try and watch more of these M.R. James Christmas ghost stories.