The Sarah Jane Adventures: The Curse of Clyde Langer

Part One

“Where were you on the day of the storm?”

This story is wonderful. We live in a tabloid culture where it’s becoming more and more fashionable to just dismiss as “scroungers” those people we don’t want to look at: asylum seekers, the homeless, and these days even the disabled. It’s so fantastic that The Sarah Jane Adventures is showing kids how wrong this is, that the homeless are just people like us. And it’s something which could happen to any of us, especially in times like these.

After an interesting flash forward to Clyde we’re quickly introduced to the gang’s new adventure; fish from the skies and a mysterious totem pole. In an apparently casual scene Clyde gives some money to a homeless people, incoherently telling Sky both that she’s a “scrounger” and that it “isn’t her fault”. His incoherence here is shared by most of us, I suspect.

The scenes where everyone turns against Clyde, while carefully blunted so as not to upset children too much, can hardly not be upsetting. Only Sky, an alien, seems unaffected by the curse. Speaking of which… how on Earth does Sarah explain where Sky has come from so she can start school? She has no past, no previous schooling, presumably she can’t read… we probably shouldn’t ask, just as we didn’t with Luke.

The most interesting scenes of Clyde being rejected are with those people we don’t see every week. Clyde’s mother accuses him of keeping secrets which, of course, he is. There’s a genuine subconscious feeling there, I think. And the terrifying and powerful scenes where Clyde’s mates turn on him is so very tinged with class resentment; Clyde is in the sixth form, and has a future. His friends left school at sixteen, and seem to have a bleak future in times like these.

The episode ends unusually. There’s no cliffhanger, just Clyde realising he’s alone and homeless, breaking down and crying. And then the homeless girl from earlier comes and takes his hand…

Part Two

“People don’t look.”

Clyde wakes up to find that he’s still living his nightmare, and has slept under a bridge. The homeless people he’d previously been able to ignore are now all around him, and he depends on his new homeless friend, Ellie, to guide him around this new and traumatic existence. The message is very clear that any of us could fall this far if we’re unlucky enough. Homeless people are people just like us.  “One day it all falls apart, then you’re here.” It’s a powerful message, and great that it’s being given to kids.

Ellie really likes Clyde, and she’s an innocent much like him. There’s a lot of darkness left unspoken in her story of how she came to live on the streets two years ago (“My Dad died. My Mum remarried…”. We see enough of her to realise that she’s nice, and vulnerable. This adds weight to what comes later.

It’s Sky who gets to be the hero, working out how to free Sarah Jane and Rani from the curse. Yes, it’s a little convenient that she should be quite this clever, but I’ll forgive this story a couple of plot shortcuts for its powerful message.

Our second plot shortcut is Clyde being able to easily defeat the mysterious baddie by just saying his name, but the ending packs a punch. It’s becoming obvious that Ellie really, really likes and trusts Clyde (well, the kiss is a bit of a hint…), and it’s shocking when he abandons her, however understandable his reasons. Of course, Clyde searches high and low for her, but she’s gone, and she can’t be traced. This is harsh, and will be upsetting for the children watching. But Phil Ford has made the right decision; to solve the problem of homelessness with an easy sci-fi ending would be a horrible misjudgement.

The Sarah Jane Adventures: The Empty Planet

Part One

“Your aunt likes rubbish biscuits.”

There’s been a brief hiatus in these Sarah Jane Adventures reviews, as I’m watching them on the hard drive on the communal television downstairs. It’s not so easy to get a clear run at that television with a notebook for fifty minutes, hence the switch to Blake’s 7, which I can easily watch upstairs on DVD. I’m ploughing on, though: after this one there are two more episodes of The Sarah Jane Adventures, plus of course a Christmas special and the current series of Doctor Who. It’s just that I’m watching them when I can, and switching to Blake’s 7 when I can’t.

Anyway… we begin with a shot of the Earth from space, by now an almost disturbingly frequent visual motif, and a normal evening for Clyde and Rani, in both cases with some rather touching encounters with a parent.

Then, it’s the following morning, and we follow both Rani and Clyde as they discover that they seem to be the only people left in the world. This might be cheap television, and several minutes of very little dialogue, but it’s effectively done, with lots of nice touches. Finny, from all those episodes ago, gets another mention. The question of why cars and planes don’t seem to have crashed is raised. Clyde leaves cash on the counter when getting breakfast. But the best thing is the rapport between Rani and Clyde. I love the way that neither of them will admit that they fancy each other, lines about Adam and Eve notwithstanding.

We discover that there’s a third person still around, Gavin, and incidentally get confirmation that Rani and Clyde are both sixth formers. This Gavin bloke is obviously important. But the coolest thing about this bit is, of course, the revelation that Clyde can’t stand Chris Moyles. Sensible chap.

There are some more nice scenes between Rani and Clyde, as first they fall out and then they start to reflect, worrying if perhaps they’re just hangers-on, only kept around by Sarah Jane because they’re nosey. It’s great to see that they love what they do.

Suddenly, though, they’re both attacked by robots which look considerably cooler than the one I saw on Blake’s 7 last night…



Part Two

“Jordan love rat shock. Labour backbencher. Lady Gaga. Aston Villa striker. Partly cloudy.”

The plot thickens; Clyde and Rani realise the robots don’t seem to have any sensors to track them down. They work out that they may be left on Earth only because they’ve been grounded by the Judoon, in which case Gavin needs explaining. They’re showing themselves to be very smart and resourceful. And Clyde kisses Rani on the cheek. Well, well, well!

The robots finally make contact; they don’t want to fight, only to bargain. They want the return of their exiled king, who is of course Gavin. Clyde and Rani duly track him down, and everything works out happily. Gavin’s off to be king of an alien planet with CGI rather similar to that of New Earth- nice work if you can get it. And Clyde and Rani are now “lord” and “lady”. Good job this worked out ok; things could have gone all Shrek the Third.

We end happily; Rani and Clyde are closer together, Sarah Jane is bloody proud of them both, and there’s some more amusing red herring stuff about Haresh finding out what’s going on. Another good ‘un.

The Sarah Jane Adventures: The Mark of the Berserker

Part One

“Guess it’ll be a quiet weekend, then.”

It’s only at the start of this episode that I’m realising that there are actually quite a few regular guest actors playing the same teachers and kids episode to episode. (Although they didn’t have many lines to learn for this particular pre-credits sequence!) Still, I’m a bit slow. Anyway… a big part of why my Marathon went on such a massive hiatus was that I just wasn’t that enthused about another season of The Sarah Jane Adventures. But this story has proved me wrong. This is a cracker of a script from Joseph Lidster, and easily the best story yet.

We establish early on that this is our first Sarah Jane-lite story, which is no bad thing here, as unlike in Doctor Who we have an ensemble cast. All of the other regulars get some nice development here- Clyde, obviously, but also Rani and Luke. Even the little touches- Clyde’s drawings, Rani’s relationship with her not-so-scary-when-off-duty-and-actually-a-nice-bloke dad- all add something. This is a script which gets the nuts and bolts right. And even the story’s MacGuffin, the One Ring… er, pendant, is at root just an excuse for doing character stuff as with Ghost Machine for Torchwood. Which is cool.

We get a nice demonstration of the seductive nastiness of said MacGuffin in the scene where Rani realises she can make Haresh do exactly as she says, which is at first funny but then becomes creepy. Rani, being no Smeagol, immediately does the right thing and takes it to Sarah Jane’s attic where it should be safe. (I love Mr Smith’s answerphone message, incidentally.) Unfortunately, this being an adventure drama and all, that’s not going to happen.

We get to meet Clyde’s mum, Carla. Amusingly, it’s implied that Sarah Jane finds her quite boring to talk to! But we establish quite quickly and economically that she and Clyde have a healthy, normal and very realistic relationship. Which, of course, is very quickly shattered by the arrival of Clyde’s unpleasant father, Paul, played by That Bloke Off Of Eastenders. It’s made clear that Paul simply abandoned his wife and son to run off to Germany with another woman, and that he’s taken no interest in Clyde since, or in the serious consequences of what he’s done. This forms the context for the subtext of pretty much everything that happens from this point onwards, which is very good writing.

The chat between Clyde and Paul on the swings is also brilliant and full of meaning. Clyde simultaneously resents his father for abandoning him but also longs to have his father back, and is driven to show his father about his secret alien-fighting lifestyle. It’s clear things are not going to work out well as soon as Paul, having been shown Sarah Jane’s attic, comments that “You could make a fortune on eBay.” Clyde gets what he wanted: his dad says he’s proud of him. But Paul, a Smeagol if ever there was one, steals the One Ring. And the ending, with what he does to Haresh, and making Clyde forget his own friends, is very, very dark.



Part Two

“You know what to do.”

I like this glimpse we get, Shaun of the Dead style, of this exciting other adventure Sarah Jane is having in the hospital with that cheap-looking alien slug. Of course, phones must always be switched off in hospitals; she’s incommunicado. So what Luke and Rani do, which is really rather cool, is to get in touch with Maria and Alan in Washington DC. Yay! And Alan is almost as good a hacker as Mickey is, which is highly convenient.

Paul has now crossed a line and started doing some Really Morally Dodgy Stuff. He steals- yes, steals- a car and assorted other items, and is clearly metamorphosing from a Smeagol to a Gollum. Plus, Haresh is still doing press-ups. This isn’t very realistic, really; no one is that fit, and the consequences would probably be quite nasty and permanent. Still, dramatically, it works.

The rest of this excellent episode is taken up with a car chase to Mordor- er, the marina- and some nice father and son dialogue. Paul crosses yet another line after this episode’s heart to heart with Clyde as he finds an easy answer to evade the consequences of his actions by just making Clyde forget the things he’s done wrong. Even more unforgivably, he then makes Clyde forget his own mother.

The climax, with Paul in full-on Gollum mode, threatening to order the whole world about, but here’s Sarah Jane to save the day. It’s a nice and satisfying ending, and it’s nice that Sarah Jane just trusts Clyde to do what needs to be done and throw the One Ring into Mount Doom. One thing troubles me, though; he uses the ring to make his mother forget what’s happened. There should really be consequences.

The final scene is lovely; Sarah Jane forgives Clyde as she would have done the same. And we get more mentions of the disappearance of Sarah Jane’s parents back when she was a nipper. Could this be leading to something?

Wonderful stuff. Admittedly, the story suffers from the lovely Gita not being in it (I’ve got a bit of a crush on Mina Anwar), but this is very good indeed. 5/5.