The Mandalorian: Chapter 16- The Rescue

 "You are not a Mandalorian."

"Never said I was."

SPOILERS ABOUND. You have been warned! 

This is the perfect finale, and would have been so even without the fanwank, which itself was nonetheless the cherry on the cake. 

The character of Dr Pershing is used, at the start, to up the ante by blatantly foreshadowing the entire platoon of droid Dark Troopers (whom we have seen before) that await our heroes as they plan their assault on Moff Gideon's "light" Imperial Star Destroyer. There's some nice character stuff as a baddie goads the good Marshal about being on the Death Star when the Grand Moff Tarkin destroyed Alderaan. This is the sort of little touch during an action-packed finale that shows real quality.

Bo-Katan and her sidekick are tagging along for the Darksabre- with a little light racism aimed at Boba Fett for being a clone along the way. But the assault goes to plan... until Mando unexpectedly comes across the Machiavellian Moff Gideon, in a superb performance from Giancarlo Esposito. He has three aces up his sleeve. He's got what he wanted out of Grogu; there are hordes of Dark Troopers about to attack against whom they have no hope; and, in defeating Gid and unwttingly claiming the Darksabre, he is forcing Bo-Katan to fight and kill him for it in order to regain the throne of Mandalore, because it's not the sabre that matters, it's the "story". I love this. Perfect plotting.

And then the mysterious Jedi arrives, slicing through the Dark Troopers with his green lightsabre, although interestingly only through screens within screens. This turns out to be highly appropriate when said figure turns out to be a CGI Luke Skywalker, with Mark Hamill's face rejuvenated by a cheaper version of the process used for Samuel L. Jackson in Captain Marvel. The parting betwen Mando and little Grogu is heartbreaking, as he removes his helmet(!) and allows his baby to touch his face. He's a proper dad.

This is magnificent stuff, even before we get to the post-credits teaser for Boba Fett's forthcoming series, as he and the uber-cool Fennec Shand enter Jabba's old palace, kill Bib Fortuna (my first ever Kenner figure back in '83) ad take over.

This is simply superlative telly.

The Mandalorian: Chapter 15- The Believer

" I never saw your face..."

The penultimare episode... and it's a superbly taut and brilliantly made action thriller in which our heroes brave all sorts of dangers order to find out the location of Grogu next season. Boba Fett and Fennec Shand are now confirmed members of Mando's gang alongside Cara Dune- and our old friend Mayfeld is sprung in order to get inside the Imperial base. It's a nicely rich mix of people with some excellent characterisation on display.

The opening scene, with its CGI-enhanced depiction of a New Republic prison, is amazing. So is Boba Fett's ship Slave-1 (friends of mine had the Kenner toy of this when I was a nipper), which appears rather a lot though the magic of CGI. There's some awesome action with some pirates. There are tense scenes with a total bastard of an Imprerial officer.

But the episode focuses around a fascinating conversation between Mando and Mayfeld in which the later points out that Mando is happy to bend the rules about removing his helmet when something he cares about is at stake- over the course of two seasons we've seen the grizzled, taciturn bounty hunter turn into a devoted father. We see him first bend then break this rule, a rule that means a lot to him. For such an undemonstrative man this shows us that Mando cares a lot for this kid.

And so we see at the end, as Mando sends a threatening message to Moff Gideon. This is simply superb telly.

The Mandalorian: Chapter 14- The Tragedy

 "They're back. The empire. They're back."

It's all go in this very eventful episode: Grogu goes to do that magic Jedi thing on the planet Tython but, awkwardly, Mando is attacked at the worst possible moment by a not dead Fennec (the ageless Ming-Na Wen) and... a hooded Boba Fett. Who claims that Mando's Beskar is his armour. Oh dear.

All this is a side-show, of course, to the clever bit of misdirection with stormtroopers from a more than normally moustache-twirling Moff Gideon who, finally, manages to nab cute little Grogu, who now faces an immediate future as a "donor". Brr. And those "Dark Troopers" are cool.

Yet there's another big reveal going on- Mando's armour is indeed his, and Mando eventually accepts that: honour succeeds where battle failed. It's a nice touch, that the esteemed Mr Fett agrees to help return the child as a quid pro quo. We also get a nifty bit of subtle retconning: Jango Fett was a foundling. This is the Way.

The script from the dependable Favreau, the direction from the Hollywood guest helmer, the performances, the whole damn thing... it's excellent. I'm loving this.

The Mandalorian: Chapter 12- The Siege

"I lost everyone." 

The Mandalorian just keeps getting better. This episode has everything: action, humour, strong characters whom by now we've come to know well, and hints at even more stuff going on arc-wise.

At first it looks as though this is going to be another story of the week as Mando has to stay on Nevarro while his ship is repaired, so we can see how Cara Dune (now the sheriff of this frontier town) and Greef Karga (the mayor) are getting on and Mando has to join them in a mission to fill out the episode. I wouldn't have objected much- the mission is cool, to one remaining Imperial base left on the planet, with lots of action and lots of humour, including Baby Yoda using the Force to steal some sweets from another kid. Nevertheless, it seems at first as though all this is a story of the week in order to kill time entertainingly before we visit the Jedi mentioned last episode.

Except there's a lot more going on than that as the base is more than it seems. Mando discovers that rumours of Moff Gideon's death have been much exaggerated, and we uncover the fact that Baby Yoda's blood was being used in some bizarre blood transfusion experiments. These are big revelations, and there's also a subtle undercurrent of the New Republic trying to push their authority a little closer to the Outer Rim frontier- this Space Western is almost starting to echo Deadwood at times.

The final revelation, though, is that Cara is from Alderaan. Everything and everyone she knew is gone, which seems partly to explain how she has become what she is. Ouch. This is such good telly.

And yes, I blogged a Star Wars related post on May the 4th. Yay me.

The Mandalorian: Chapter 8- Redemption

“He just killed an officer for interrupting him. So this may take a while.“

Wow. Now that’s what I call a bit good. This finale is a thing of beauty and, seeing now how it all fits together, it elevates the previous seven episodes into a cohesive whole. I can see why The Mandalorian has received such acclaim, and I concur wholeheartedly.

So yes, we begin with Mando, Cara and Greef completely surrounded by Imperial troops under new big bad Moff Gideon, and Imperial scout troops have Baby Yoda. It’s a bleak cliffhanger. But I love how things immediately turned into an unexpected direction. So it’s a comedy scene between two scout troopers that tells us what Gideon is like, and his habit of executing subordinates for petty reasons. But his speech to our protagonists is hugely revealing- our Mando has a name (Din Djarin) and is not a native of Mandalor but a foundling, and at last we see the full flashback of how he came to be adopted by his new culture. This adds an awful lot of depth and hints at the ending.

All this dialogue is fun (what is this “Mind Flayer”?), but even more fun is Taika Waititi who, when he’s not brilliantly directing this episode, is perfect as the reprogrammed IG-11, the most badass nanny in the world (eat that, Poppins), who rescues the kid and then the gang, all while being staggeringly cool. It’s neat that a droid that originally tried to kill the Child should be its saviour, and indeed die in a way justifying the episode title- but let’s not get too far ahead.

Mando appears to be the one facing a heroic death, but no- he's saved by IG-11. And, as said awesome droid is not technically alive, we get to see his face, in the same episode we learn his name. And we find the other Mandalorians to have been devastated, the only apparent survivor being the armourer. She shows hersef to be badass when the Imps arrive later, of course, but for now she makes clear what we've probably realised- Baby Yoda is a foundling and, unless Mando can return it to its home (and there was an ancient war with the Jedi?), it's his son, to be raised in the tradition. This is the Way. Cool.

That escape through a river of lava with a ferry droid has no business not being a reference to the River Styx and, sure enough, when they emerge IG-88 blows his way to Hades, along with a load of Imps, to save the others. He is, in spire of everything, a hero. And Mando, in spite of everything, truly mourns this droid. This is cleverly crafted drama.

We end with Greef hiring Cara but, for now, Mando has some Jedi family history to research. I bloody can't wait. I can't praise this series enough.

The Mandalorian: Chapter 7- The Reckoning

"Tea?"

This penultimate episode does nothing to stop me seeing this excellent as pretty much a Western in terms of plot, themes, characters and archetype- you could pretty much take away all the robots and spaceships and tell this whole story, flabby middle episodes and all, in the American West. This is, of course, no bad thing, and is a big part of why this genre series doesn't come across as mere fan fiction- there's lots of fan service here and there, of course, and rightly so, but fan service doesn't drive the plot so much as the notion that a Mandalorian's gotta do what a Mandalorian's gotta do.

So when Mando gets that message from Greef that he can come back and have all forgiven by the Guild if he kills his former employer, an ex-Imperial type who has the place swarming with Stormtroopers. Only here is it made clear that we are not too many years after Return of the Jedi- is this Imperial remnant a harbinger of the First Order?

Our Ugnaught friend gets a name- Kuill- and a backstory- he's moral and dignified, earning his freedom from centuries of slavery by the skill of his hands, and gently repairing IG-11 as a harmless protective and domestic droid in an extended flashback evoking parenthood. This, of course, makes us like him. So they kill him, the bastards.

It's also nice to see Cara- a person Mando respects, and perhaps almost a friend. It's also nice that Greef admits and abandons his proposed double cross after Baby Yoda heals him- this sort of thing gives the characters depth and agency, and makes them feel like people rather than plot functions. Greef May have been an antagonist but he is, in his way, an honourable man. Although I love the fact that the whole load of them are ambushed right after the line “Nothing can go wrong”.

Then things get intense. There are hordes of Stormtroopers, some of them those cool scouts with their speeder bikes, and Werner Herzog is simply superb- I love how he’s a genuinely ideological Imperial, believing the Empire brings order and not chaos (like Rome) and genuinely puzzled as to why Mandalor had to resist.

And, if things weren’t intense enough, we end with our gang all captured as a big TIE fighter lands and out comes the Big Bad, one Moff Gideon. More please. This is awesome.

The Mandalorian: Chapter 4- Sanctuary

“Stop touching things!"

A bit of a change of pace, here: our protagonist has suddenly burned loads of bridges and is looking after a child with a huge bounty on it's head. No wonder that he spends the episode on an out-of-the way episode hiding from what is, in effect, the season arc.

Much of this episode I like, including bounty hunter Cara, the cool red-eyed and menacing AT-ST which is shot like a monster in a horror film, and the doomed romance between our protaonist and the village woman. I like the way there's a third world but chilled and pleasant looking mud hut village in this futuristic world, and the cuteness of Baby Yoda playing with the other kids. But, well, there's a "but" coming.

The opening flashback sequence set in this very village- is this of our Mandalorian himself, showing what happened to him before he was found by Mandalorians, or is it perhaps a less literal parallel? And why, in protecting the village from these baddies with a badass AT-ST, does he not use his ship? He may not want to attract attention, but the agreed upon plan has that effect anyway.

Nonetheless, we get some nice moments, including the revelation that the Mandalorian hasn’t revealed his face to anyone since he was a teenager, and this episode more than any other gives a strong impression of chivalry and the ideals of knightly behaviour in a science fiction context, suggesting a meaning beyond an arty and well-made show which might otherwise nevertheless remain in its geeky ghetto.

But this, of course, is an interlude. Our protagonist and the pointy rated child must move on, and I suspect it’s time for the series arc to return. Again, good stuff, but a more flawed episode than the previous three.