Showing posts with label Edward Furlong. Show all posts
Showing posts with label Edward Furlong. Show all posts

Saturday, 19 January 2019

Pet Semetary II (1992)

"You bury your own."

This film is supposed to be awful. It is, or so I e found, perfectly adequate as a serviceable sequel to a quite good film which deals well with the fact that no actors recur from the first film by simply depicting further shenanigans with that Native American cemetery. It’s a perfectly ok film, and an interesting early starring role for an immediately post-Terminator 2: Judgement Day Edward Furlong.

If that sounds like faint praise then it sort of is, but the film is genuinely adequate rather than bad. I liked the bait and switch film-within-a-film opening, and the plot works well at least until the point where people start being resurrected, where things go a bit mad and we end up with a full three resurrected people. Still, it’s an entertaining watch, with Gus the sheriff being an entertaining cartoon baddie in a solid performance by character actor Clancy Brown, a familiar face from so many character roles.

It’s solid, but not really scary. There’s a nice little electrocution scene at the start (“Oh yummy, beef jerky” said Mrs Llamastrangler. She’s a somewhat twisted individual, but that’s why I married her.) but not much else in the way of set pieces, and perhaps a lot of that is down to the solid, competent but unexceptional directorial style. It’s a film that neither sparkles nor stinks, the epitome of averageness.

Tuesday, 19 January 2016

Terminator 2: Judgement Day (1991)

"Deep penetration!"

What? It's just a line in the film. What?

I loved this film when I saw it first at the Cannon Cinema in Hinckley, Leicestetshire at the tender age of fourteen, and watched it many times during the course of the '90s. It has a real nostalgic power for me. And yet. X it's still a good film. Very good even. And yet... it's dated a little, hasn't it?

At the time the special effects were amaaaazing. They were what made the film look awesome. Looking at the T-1000 twenty-five years later, though, and it's just... early CGI. And without the wow factor of the special effects the film stands revealed. It isn't really a suspense thriller like The Terminator; it's more a straight-up action film, a film pretty much made up of a series of set-pieces bolted together. It works, don't get me wrong, but the first film was better.

It still works well as an action film, though, and the many set pieces that make up the film are extremely well made. It's even sweet to see Arnie's T-100 as a surrogate father to John. It's interesting, too, that this very testosterone heavy action film gets a fair bit of narration from Sarah Connor, both part of the narrative and it's chorus. This a female predictive gets done degree of apparent control over the narrative. I also like the visual parallels to the first film at the beginning and end. We even get a bit of social commentary on sexual abuse in mental institutions.

Not as interesting as its predecessor, then, and it's dated a bit, but it still needs to be watched every now and again because nostalgia. Always worth a revisit.