Doctor Who: The Androids of Tara

Part One

“Do you mind not standing on my chest? My hat’s on fire.”

We start with the Doctor and K9 playing chess, as in The Sun Makers, and once again the Doctor contrives to leave the game unfinished once he knows he’s losing. It’s a good scene, but in the context of the marathon it’s a little disturbing to see the seemingly oblivious repeating of something so recent. Never mind though- this first episode is a good ‘un.

Arguably it’s more than a little out of character for the Doctor to have a “day off” at a time like this, although the character has been moving more in that direction lately. Still, I can’t dispute that it’s all well scripted and performed. But if looked at as a commentary on the Doctor Who format itself (as pretty much everything about this story is) it definitely works. On a similarly format-subverting note, Romana finds the first segment within just a minute or so.

I have to admit the monster is… unfortunate. In fact, it’s suddenly quite noticeable that there’s been a distinct lack of monsters this season so far, and the only two proper ones we’ve seen- the Shrivenzale and this one- have been notoriously bad. Could this be why the budget seems to be stretching further this season than last, because of a deliberate cutting back on the monsters?

Peter Jeffrey, on top moustache-twirling form, makes a great entrance as our villain (boo! hiss!) Count Grendel as he “escorts” Romana to his castle, while the Doctor becomes acquainted with Zadek and his unnamed swordsman underling in a rather amusing scene. I particularly love the bit where he briefly grabs the sword to examine it and then immediately hands it back.

We’re given a brief précis of the plot so far; Prince Reynart must appear at the appointed time to be crowned king, but Grendel wants him killed first. But he has plans to avoid this, involving an android strangely similar to those in the Android Invasion. Is this originally Kraal technology perhaps?

This is a fascinating world, where everything looks mediaeval on the surface but technology lurks, suitably embarrassed, in all sorts of corners, as this is a society where engineering is the work of peasants. A great concept, and also a great excuse for doing The Prisoner of Zenda as science fiction. I’d better put my hand up here and confess I’ve not read the novel and frankly have no particular intention of doing so, but I love the occasional asides: “Well, it has been done before.”

Part Two

“Don’t be so tediously heroic, my dear fellow!”

Picking up from where we left off, there’s an exchange early in this episode which pretty much sums up how brazen the script is about its debt to Anthony Hope: “There is a secret passage.” “Ah! I thought there might be something like that!” Wonderful tongue-in-cheek self-referential stuff, of course, but let’s take it a bit too literally for a moment- how come the Doctor’s so aware of the rules of the fictional genre he’s in? Is this planet what it seems, or could it be a part of the Land of Fiction or some such place?

We get to meet Princess Strella, played by guest actress Mary Tamm, and get to hear about the rather tragic situation between that cad Grendel and poor Madame Lamia. Apparently she has the hots for him as he once did her “a certain courtesy”, but as he is a noblemen and she a mere peasant she hasn’t a hope. Instantly the audience sympathises with her, even though at no point in the story is she very nice.

We get to see Cyril Shaps again as the Archimandrite, which is nice, and also get a little backstory; two centuries ago a plague decimated the population (I love it when I can use the word “decimated” with complete accuracy) and that’s when androids started to be used to replace people. Not exactly the fullest explanation I’ve ever heard!

Part Three

“It’s funny. They always want you to go alone when you’re walking into a trap. Have you noticed that?”

I love these kinds of episodes; it may be one of those part threes where the plot takes a week off to wait for the conclusion and the time just gets filled up with loads of capture and escape scenes, but frankly who cares when it’s this much fun? I loved the scene where K9 slowly cuts a door in the tent so he and the Doctor can escape- the flip side of so many old Terry Nation Dalek stories!

We get some actual poignancy too here though as Lamia’s story comes to an end. She knows Grendel’s just using her- she’s not stupid- but “That is better than nothing”. And when she’s killed (I think the only character in the story to die), Grendel barely notices.

In other news, most of the episode is taken up with the elaborate springing of Romana from Grendel’s clutches, only for Grendel to restore her to said clutches at the end…

Part Four

“Next time, I shall not be so lenient!”

I love Grendel’s silly and convoluted plan- Romana, posing as Princess Stella, Marries King Reynart. Raynart meets with an unfortunate and tragic accident. Grendel marries the widowed Romana, masquerading as Princess Strella. Romana, that is, not Grendel. Grendel is now prince consort. Romana, still posing as Princess Strella, meets with an unfortunate and tragic accident. Her grieving widower is now king. Phew!

A great conclusion, with all the usual fun, a great exit for Grendel, and even a swordfight. Still, poor K9!

A wonderful story, a very high 5/5. Loads of postmodern humour with almost everything being a commentary on the programme and the genre it’s currently pasticheing. The uber-Graham Williams story. One caveat, though: much as I love this kind of thing, I can understand why some people don’t like the amount of violence that’s getting inflicted on the fourth wall this season. I love it unreservedly, but I can understand how too much of it would threaten the integrity of the programme. Still, we can probably sit back and safely enjoy some more of this sort of thing until that point gets reached. Say, the rest of this season and all of next?

Doctor Who: The Sea Devils

Part One

“Crimea?”

“Gallipolli? El Alamein? Does it really matter?”

Not what I expected to be the first thing I’d comment on, but a car with no doors! That’s weird. Why?

Good episode though, concentrating on the regulars and giving them a nice bit of character development. And that’s great- let the plot start later. We realise this is going to be a fun episode as soon as the Doctor comments on the Master putting on weight. And the Doctor’s exasperation with the nice-but-dim Trenchard is just the sort of Pertwee rudeness I like- fun, light-hearted, and doesn’t cross a line. The Doctor’s character is consistently being better written this season.

I’m a bit of a Guardian reading wishy-washy liberal, me, but even I reckon the Master’s got himself a cushy little prison regime. The screws even call him "sir"! There’s a nice scene between the Master and the Doctor in which Delgado shines- he injects just enough irony into the Master’s request for the occasional chat with the Doctor. Pertwee nicely plays the Doctor’s inability to shake hands with the man with whom it now seems he was “practically at school together.

Of course, something fishy is going on. Nice that our first inkling of it is when the Master asks Trenchard for a second television set for his bedroom- “Colour, of course.” And one of the best things in this episode, and possibly in all of television, is the Master whistling along to the Clangers. Possibly the only thing better than this moment is the look on Delgado’s face when Trenchard explains that they’re “Only puppets, you know. For children.”

There’s nothing quite so Doctorish, and necessarily absent from the UNIT years, as the Doctor quickly getting himself accepted by the supporting cast, and it’s pleasantly nostalgic to see him do this with the navy here. Better still, we get some top namedropping action: “Captain Hart, Horatio Nelson was a personal friend of mine.”



Part Two

“I always find that violent exercise makes me hungry. Don’t you agree?”


By this point the music (I’m a fan!) is getting really noticeable. But it’s good to have something new and different in a season which brings more stuff back from the past than we’ve ever seen up to this point. This episode, with the Doctor briefly recounting the plot of Doctor Who and the Silurians (sorry, Doctor Who and the Eocenes!) to Jo, makes it clear that this story will be no exception.

There’s plenty of good stuff here though- the Doctor’s radio geekery, and especially the banter between him and Jo. They seem to be settling into a relationship nicely not based on him snapping at her like a total arse, as was the case last season. Thought has been given to sorting out the characterisation problems, which is good.

It seems everybody can resist the Master’s hypnotism these days, even petty officers! The doctor’s got captain Hart under control though- we’ve already reached the point where he can just demand some transport (how very Pertwee!) and not even deign to explain. Most entertaining. I’m finally warming to this doctor. I mean, dammit, that golf shot trick is cool, and the swordfighting is well classy.



Part Three

“How very kind of you.”

(Pause)
“How very unkind of you.”


Crikey, that’s a huge reprise. And that bit with the knife- you wouldn’t be able to show it nowadays. In other news, the soundtrack goes from weird to weirder (good!). It’s so very early seventies, sounding a bit like German prog of the time for some reason although I can’t think of any band in particular. Popol Vuh, perhaps?

Good to see Jo’s escapology skills put to use again, and also to hear what the Master’s actually been telling Trenchard all this time. Oh, and a Sea Devil comes out of the sea!


Part Four

“Well, I presume you’re a trained diver, in addition to your other accomplishments then, Doctor.”

“Naturally.”

Sonic Screwdriver mission creep continues unabated; now it seems it can both detect and explode landmines. It works in context for now, so I’ll let it slide, but perhaps long term this sort of thing is not too good an idea.

Another great Doctor / Jo scene, as he steals all her food: “For heaven’s sake, jo! What do you think this is? A picnic?” And the plot is thickening, with loads of Sea Devils emerging and, unexpectedly, Trenchard biting the dust. Pity- he was a nice bloke, but his Achilles heel was his unthinking patriotism, and in a Malcolm Hulke script a patriot stands no chance of survival. Well, except when they do. But you can sense the authorial disapproval, and here it’s clearly Trenchard’s tragic flaw.



Part Five

“Nothing too elaborate, my dear. Just a little eggs, bacon, toast, coffee…”

The story’s starting to drag a bit now. After all the fun with the Master at the start it’s become clear that we’re getting a rerun of Doctor Who and the Silurians without much of the depth. We’re still getting some good characterisation, acting and dialogue, but this stage of the story has been done before. We even get a stupid politician- not a civil servant mind, none of us are at all stupid, of course. And just how many sugars does this man take in his coffee?

The Sea Devil leader is strangely more reasonable in his discussions with the Doctor than even the Old Silurian ever was, perhaps too reasonable to be believable. And it’s interesting how the Doctor freely admits the Sea Devils would ultimately stand no chance in a war against the humans, thus depriving us viewers of a fair chunk of our sense of threat.

Interestingly, the role played by Walker with the humans directly parallels that played by the Master with the Sea Devils, but with the Doctor elsewhere he gets his wish from the start. The scenes in the naval base and with the Sea Devils thus counterpoint each other, with the humans coming off as morally worse.

The cliffhanger’s great, and iconic for a reason.



Part Six

“”Dear oh dear, Doctor. Will you never learn?”

Things get wrapped up nicely plotwise, and there’s some good character stuff too. It makes sense that Walker would be a coward, and Jo gets not only to use her escapology again but also to pilot a hovercraft- by now it’s starting to look like her character’s getting some proper sustained development, but perhaps I speak too soon!

Hmmm, so guns now work on Sea Devils? I seem to recall they didn’t in the submarine a few episodes ago…

More good stuff for the Doctor, as he offers the Sea Devils a chance before he blows them up, and finally gets the chance to reverse the polarity of the neutron flow! And now that he’s not going to be in every story, it’s a good thing that the Master’s on the loose again.


Overall, by the end it became too much of a retread of Doctor Who and the Silurians without the depth, but still had plenty of good characterisation and humopur to redeem it. I’ll be generous: it just scrapes a 4/5.