The Delta Force (1986)

 "You don't need beds. You're gonna die tomorrow..."

I seem to be very much in the mood for cheesy '80s action films and this very much seemed to fit the fill- by Cannon, themasters of the genre, and starring Chuck Norris yet featuring a rather impressive-looking cast.

And it is, indeed, a fun watch, slowly going through the events of a hijack based loosely on one from real life the previous year. While there's plenty of action towards the end, there's plenty of tension throughout and the decision to take us through the mechanics of the hijack is in itself highly engrossing.

It helps, too, that we spend time getting to know and like the passengers and crew, many of whom are played by rather high profile character actors. It's very odd indeed to see a young Robert Forster, who I know from Jackie Brown and Mulholland Drive, as the chief hijacker... but he's very good indeed.

The film is, however, of its time. Very gung-ho, and the main flashpoint of the world is of course Beirut. The presentation of Arab characters- not just the hijackers but air traffic control and so forth- is, let us not mince words, quite shockingly racist. And there's a very prominent pro-Israeli subtext throughout the film. It's not crudely overdone, but it's ever-present.

However, there's no denying that, if you're in the mood to switch your brain off and enjoy a proper '80s action film, this very much does the trick.

Code of Silence (1985)

 "Just like the cops. Just like the Comachos. Nobody talks. Omerta."

This is, surprisingly, the first time I've ever seen or blogged a film starring Chuck Norris, he of all the jokes about how he;s hard as nails... and also of some extremely dodgy political views: bet he voted for the tiny handed orange fascist. I suppose I was expecting some kind of cheesy B movie... but that's not what I got.

Norris' films, this one very much included, tend to be relatively obscure compared to those of his peers Sly and Arnie. Yet Code of Silence is actually a pretty damn good '80s action film. Yes, Norris plays a hard-as-nails character, but not without nuance. He can certainly act. Andrew Davis gives us a stylishly directed thriller with fights, car chases and set pieces before, showing off the Chicago setting superbly.

Yet the plot, character and themes elevate this a little above that,despite the very '80s incidental music and the silly robot,about which the less said than the better. We have a "war" between the local Mafia family and the local Colombian meth lot, both with their own code of silence. Yet into this mix we also have a mildly corrupt police force who protect one of their own who kills a suspect in cold blood, their own code of silence.

Having Norris play a truly incorruptible cop who refuses to goalong with this, therefore meaning he's on his own and his fellow cops won't back him up, is powerful. The plot is clever, satisfying and generally a cut above what one might expect, while the thrills are very much present. An unexpected gem.