We’re told this film is an overcrowded mess with too many villains. Well, it isn’t. Both Sandman and Venon are tied in well to Peter Parker’s character development and play important roles, as does Harry Osbourne. Gwen Stacy plays an important role too; the film packs a lot in but doesn’t feel rushed. Instead, it actually justifies its long running time.
The core of the film is, of course, the symbiote as a symbolic representation of Peter’s dark side- the arrogance, the selfishness, the temptations that lurk within us all. From a situation of seeming perfection at the start of the film- things are going well for Peter in his love life, studies, work and Spider-Man is insanely popular- we immediately know that the bubble is bound to burst and, importantly, Peter starts to show some neglect for MJ’s work problems before the symbiote even affects him, but as soon as he puts in the dark costume (it’s a shame they didn’t use the proper version of the costume, as Benom looks pretty similar, but heigh-ho...)
Yes, Venon gets relatively little screen time, but a version of Eddie Brock is well used, Harry (whine, conveniently, we already know) is well used and Flink Marco (Sandman) is given a tragic backstory and an important role into being (rather crudely) retconned into Ben Parker’s killer. He’s well portrayed by Thomas Gaden Church and, while both he and Venom have limited screen time, I liked the way both were used. This isn’t a Joel Schumacher Batman film; all the characters are properly developed, however minor, including May, Jonah and the rest of the supporting cast.
So ignore the criticisms; this is a fine film. It also has a top cameo by Bruce Campbell as a snooty French maitre d’, and the CGI with both Sandman and Venom deserves an awful lot of praise. It’s sad that this is the last of the Sam Raimi films; I wish they had more of a wisecracking Spidey, but the trilogy is excellent on the whole, and ends on a high.
