Showing posts with label Angus MacFayden. Show all posts
Showing posts with label Angus MacFayden. Show all posts

Monday, 13 November 2017

Braveheart (1995)

“The trouble with Scotland is it's full of Scots...”

I’ve seen this film a fair few times but not for many years, and certainly not since, well, Mel Gibson gained a reputation for ultra-conservative religious beliefs and films to match, and somewhat unfortunate comments about Jewish people. So it seems rather pointless for this Englishman to complain about this film being “anti-English”- given the subject matter, which is broadly true even if the chronology is somewhat compressed and William Wallace seems to be both suspiciously older and less upper class than he would have been. But these days it’s far more notable just how pious all the good guys are here.

Still, the film isn’t a bad melodrama and Gibson himself is rather good, and gets some equally good performance out of a cast without a huge amount of star wattage, although I’m kicking myself for not recognising Patrick McGoohan as King Edward I until now. The whole thing looks good and the battle scenes, so often dull and hard to follow, are genuinely dramatic and gripping.

It may play a few tricks with history- Edward I did not die at the same time as William Wallace was hung, drawn and quartered, and Robert the Bruce didn’t have much success until years later- but Braveheart is an entertaining and fun, if rather violent, Hollywood treatment of a somewhat neglected historical saga. Still watchable after all these years.

Sunday, 25 November 2012

Saw III (2006)





“Live or die, Jeff. Make our choice.”

Suddenly, after defending the first two Saw films, I begin to see a justification for the term “torture porn”. This is a much, much nastier film than its two predecessors, and the scene with Timothy Young and the “rack”, in particular, is extremely difficult to watch. This film is as good, as intricate, and as entertaining as its predecessors but the nastiness is starting to become excessive.

There’s a very strong connection to the first two films, as we see what happens to Matthews and the gruesome death of Kerry; the police procedural element has certainly not lessened. But the film centres around Amanda who, lacking Jigsaw’s “ethics”, does not give her victims a chance of escape. I certainly wouldn’t say there’s any moral distinction between them (they’re both sadistic serial killers who get off on power far more than being inspired by their claimed motives), but Jigsaw would. And he, of course, has set the whole thing up to see whether Amanda is worthy to be his successor. She isn’t, of course, but the means by which we discover this are the point.

So, yes, it’s good, as far as plot and intrigue go, and those are the selling points here, not subtext, character or moral profundity. But even in comparison to its predecessors it’s very dark. And the gore has definitely stepped up. We have a trepanning, with a power drill and no anaesthetic. We have, early on, the most sadistic scenarios yet, and that horrible “rack” scene, seen in bloody slow motion. To me this crosses some sort of undefined line. I’m a little nervous about proceeding with the series.

Still- John Kramer dies at the end. How can more films possibly happen?