Westworld (1973)

" Doesn't anything work around here?"#

This surprisingly short film is rather good, unsurprisingly for a film with its reputation. It is, however, both predictable and unpredictable, in a way that works extremely well. This may not be quite up there with the greates, but it's bubbling under.

Michael Crichton writes and directs, and the strength of thefilm lies in his strong premise- realistic robots, "designed by computers", areused to create three realistic theme parks- Westworld, Medievalworld and Romanworld, the latter of which seems to be based on decadence and is therefore barely seen.

Interestingly, the plot needs no great twists as the premise is explored and the threat- the robots going wrong and killing people, is simply allowed to happen wthout too much focus either on why this is happening or the backstory behind it.

The whole thing is pretty much just played out straight. The premise is the premise, and that's that. Even though the technology level is implicitly futuristic the fashions, attitudes and even computers are completely and utterly 1973. Exposition may be obvious- we begin with a TV advert for the resort and we have a room of backroom technicians to act as chorus- but it works. Even our two protagonists are used to do plenty of obvious exposition, with John being a veteran and Peter new. Again, though, this works.

This is an example of a film which works by virtue of a superb premise, and has the confidence to simply let it be itself and play out. There's a certain amount of playing it safe here, but there's no doubt that the premise is bloody brilliant, and the film is very good indeed.

The NeverEnding Story (1984)

"To the winch, wench!"

This isn't a film I have any great nostalgia for- it didn't seem to connect with me the one and only time I saw it on video in the mid-'80s. But I'm happy to say o thoroughly enjoyed this fantastical pawn to storytelling, imagination and puppetry.

It's odd to see this very German tale awkwardly transported to the USA- "Bastian" is not a very American name- but all that vanishes once we arrive safely in Fantasia for a wonderful picaresque tale of no stars but many wonders which knock modern CGI into a cocked hat. Books are dangerous things!

We get a dreamlike quest narrative, with the child hero Atreyu obviously mirroring Bastian, who is reading this in a book. We get Alan Oppenheimer, the voice of Skeletor. And we get Falkor the luck dragon, dangerously close to a kids' show cute puppet but who works. Why doesn't he take Atreyu all the way to the Empress's tower, though? 

A film that has dated in the best possible way, The NeverEnding Story is well worth a rewatch.

Freaky Friday (1976)

"Male chauvinist pig!"

This is one of two back-to-back old Disney films I will be blogging, mainly because we wanted them off our Sky Plus. They're both fascinating artefacts from another era, though, especially this one.

Obviously this is notable for featuring a very young Jodie Foster, but it also displays an instinctive slant towards gender roles that would never be seen again; phrases like the above quote are bandied about as a joke, but this is a world in which women stay at home to cook and clean, unless they are forced to work as secretaries because their husbands are out of work. It's a fascinating artefact of the social mores in 1970s America, perhaps all the more revealing in that this is a Disney film.

It works quite well as a comedy in spite of it's leisurely pace: the central conceit-another and a daughter switching bodies fortresses best left unexplained- is full of potential, and gives us a fascinating peek into what 1970s American high schools were like, with their marching bands and electric typewriters.

Everyone smokes. Annabel's dad reminds me of an American version of Reginald Perrin. This is the most 1970s film I have ever seen.