Showing posts with label Alan Gibson. Show all posts
Showing posts with label Alan Gibson. Show all posts

Wednesday, 8 December 2021

Hammer House of Horror: The Two Faces of Evil

 "You're perfectly safe, my dear..."

This episode, while perhaps a little slow, is splendidly and uncannily directed and uses a simple central idea- a family holiday goes wrong when a hitchhiker attacks Martin, but turns out to be his doppelganger- to maximum effect, wringing  huge amounts of tension out of whether the dead man or the survivor is Janet's husband.

It helps that so many of the cast, including the ward sister, are pleasingly sinister, as is the way everything is shot. The slow pace allows the episode to wallow in the uncanny mood and Janet's unease. The hospital itself is creepy, and from the moment Janet wakes everything feels off-kilter.

Anna Calder-Marshall is superb in the central role, but Gary Raymond is equally superb in a necessarily ambiguous part where you are never quite sure whether he's evil or not. Then there's Pauline Delaney, who is far too good here for me never to have heard of.

A quietly excellent episode.

Tuesday, 2 November 2021

Hammer House of Horror: The Silent Scream

 "Prisons without walls, cages without bars..."

This is an interesting episode- clever, imaginative, ingenious, with a strong central concept, and anchored superbly with performances from Brian Cox and none other than Peter Cushing himself, however cheap it must have been to film: this is quite blatantly the season cheapie. Either that or Cushing's slary took half the budget.

It's 1980. The wine is awful. A concentration camp guard could be of an age to be running a pet shop. Fairy liquid bottles look different. And attitudes to keeping big cats captive, forty years before Tiger King, are somewhat different. There's also an element of "this entire building is surrounded by film" in the stock footage sequences. Yet all this period charm, as well as the presence of Cushing and the bizarrely young presence of Cox, keeps us watching.

It's not a bad piece of telly. It certainly holds the attention and is both intriguing and well made. Yet it doesn't manage to be scary, and comes across more as a weird thriller than anything to do with horror. It doesn't quite work, yet it doesn't quite fail. It is, regardless, interesting.