I read a rather large number of Agatha Christie novels in my pre-teens and teens, but stopped well before I came of age. My memory of my teenage self's impressions is a feeling of being very impressed with the ingenuity of the plotting, but much less so with the prose and character- and of a certain irritation with what seemed to me to be a rather arrogant sense of class in a world of servants and cap doffing.
So, after reading this, not only Christie's first by my first read as an adult, have my impressions changed? Well... yes. Rather a lot, actually.
The plot is impressive. Not, perhaps, one of Christie's best, but early days. I don't usually correctly predict the villain in a whodunit but I did so here, basically by thinking metatextually. Still, the plot architecture was clever.
More surprising was that I was rather impressed, if anything, by the prose and character. Christie is no Jane Austen, but she is superb at subtle insinuations and characterisation via lean and economical prose. She's great using the first person perspective of Hastings, both narratively and in those nicely humorous moments between him and Poirot which make it clear that the esteemed sleuth is patronising his somewhat thick colleague.
Finally... this is the young Christie, a young lady in her twenties, so she may have changed with age but I detected no class-based arrogance here- or at least not in terms of the authorial voice. Characters, of course, would naturally exhibit attitudes common to people like them in 1916, but we can't blame Christie for that. Indeed, I was rather impressed by the restraint of her authorial voice, allowing characters to define themselves. It's a subtlety of style that my teenage self perhaps failed to appreciate.
Plus, of course, the period of the novel has now receded thirty years further into the past, which may perhaps influence me to be less quick to judge the attitudes of the time but simply accept that this is an increasingly distant past.
Overall, then, a highly impressive novel. I'm left wanting more...
No authorial voice. But young. Also period.

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