Angel: The Girl in Question

"How did she ever fall for a centuries-old guy with a dark past who may or may not be evil?"

This is the last ever fluffy episode of the entire Buffyverse and it’s utterly hilarious, as well as giving us what are probably last flashbacks of Darla and Drew- and also Andrew, and sort of Buffy. It may not get the praise that the serious episodes around it may do, but it’s equally brilliant in its own way.

There are three things going on here. One is the conceit that the Immortal, who is very big in Rome, is constantly seducing and, er, satisfying any woman he wants, frequently including Angel’s and Spike’s desired, both in the present and in flashback, and it’s all comedy gold. I especially loved Darla’s glowing little monologue. (“Oh, darling! It was just fornication. Really great fornication...”)

The second is the surprise arrival of Fred’s parents, and Illyria’s unexpected ability to impersonate Fred perfectly, something which freaks Wesley out deeply, and makes him tell her in no uncertain terms never to do it again- but we can tell, in spite of her defensive arrogance, that Illyria likes him.

But the third thing is essentially to transport the whole concept of the programme to an Italian (and to a limited sense European as a whole) context, complete with Vespas everywhere and an identical Wolfram & Hart office with Angel’s very Italian counterpart, Ilona, with her casual racism against gypsies prefiguring Italy’s current openly Fascist government. There’s a bit of social commentary here- Angel and Spike want to use violence to get the MacGuffin of the week, where their Italian counterparts resort immediately to bribery. “Oh, look,” says an Italian demon, “the Americans are relying on violence to solve their problems. What a surprise!”

There’s a lot going on here, I think. This is 2004, after all, the time of Afghanistan, Iraq, wars on abstract nouns and the re-election of an American president who we all thought at the time would be the worst ever. So there is, I think, an implied self-criticism of American war willingness, but also an implication that violence has integrity, that diplomacy is corrupt and appeasing. It’s not necessarily the self-effacing joke it may first seem.

The ending is perfect- a sulking Angel and Spike hearing words of wisdom from Andrew, who then reveals himself to have been changing into a fix and proceeds to go out with two gorgeous women. It’s a wonderful and fun episode. We shall never see its like again.