Terminator Genisys (2015)

"Bite me!"

"That is a very immature response."

Ok, I started off resenting this film for its retconning earlier films, some of which I liked, and for Jason Clarke not being great as the future John Connor. And the first ten or fifteen minutes are seemingly just a version of the first film, as amended by its events:the beginning of the film hardly impresses. And yet it wins me over. Hugely.

Why? Simply put, it wears its timey-wimeyness lightly and has fun ith it and, most importantly, it has heart. And that's not something one would necessarily expect of a Terminator film.

The film starts to turn around as soon as the leather jacketed Arnie turns up,,, and kills his naked future doppelganger sent by Skynet. And we get a witty script where Arnie ("Pops") gets to insist that he is "old, not obsolete"- a delightful touch. And I love how Kyle Reese is sent back in  time to a 1984 which has already been changed by a Terminator being sent to kill Sarah Connor eleven years earlier. Interestingly, we never do get told who sent "pops" back.

Wonderfully, there's a constant theme of the helpless fatalism of living on  set path in a future that's already been written versus living in an unwritten future- and we get a happy ending, where Sarah and Kyle get to live and be happy together, and yet Sarah still has a kick-ass metal dad who will literally murder Kyle if he hurts her. As a father of a daughter, I find this the happiest possible ending. plus, we get a (bizarrely) American accented Matt Smith (credited as "Matthew") as Skynet. Best Terminator film since 1991, despite the cheeky recon.

Thor: The Dark World (2013)

"I'd rather been a good man than a great king."

I've pretty much decided that I need to get a move on with watching all Marvel films, especially MCU ones, and probably DC ones too. Without being anal about it I'm going to try and make half of the films I watch Marvel or Disgruntled Competition ones until I'm caught up. After all, I've certainly already blogged a fair proportion of them.

Anyway, let's talk about Thor: The Dark World. I liked it. A lot. It's not one of the most talked-about Marvel films over the five years since its release, but the MCU films never step below a certain level of quality. This being the second film, we already know both all the Asgardians and the whole gang of Jane, Eric and the wonderful Darcy, whom we fall in love with all over again. It's great to enjoy characters we already know rather than having them introduced to us. Highlights are the perfect reunion between Thor and Jane and the scene with Eric in the mental home, complete with Stan cameo. The film has wit, heart and excitement, and lots of each. You can tell it's Marvel. It also has, unexpectedly, Chris O'Dowd of all people in a moderately large part.

The baddie is Malekith, back from  the Walt Simonson days, played by Christopher Eccleston who, despite the unpleasantly snooty things he's since said about the part, does a perfectly good job. We also get Kurse, although with a very different, Beyonder-free backstory. And CGI trolls. Lots of them. Tom Hiddleston playing Loki with an extraordinary range of emotion, Frigga dying, a touching father/son scene in which Thor refuses the throne from Odin on the grounds that the decisions of kingship would mean he can no longer be a good man. It's fun to see London, too, and amusing that the convergence of the Nine Worlds should happen at, of all places, Greenwich. And, as ever, the MCU version of Asgard is great; powerful alien beings with 5,000 year lifespans whose advanced tech is always described in gracefully magical language, the perfect expression of Arthur C. Clarke's adage about sufficiently advanced tech being indistinguishable from magic.

If that wasn't good enough, we get Thor coming back to Jane at the end, and an intriguing post-credits scene involving the Collector and more plot-heavy talk about Infinity Stones. A brilliant film, the perfect blockbuster- well, it's MCU.