"It's a Kafka high. You feel like a bug."
When I was in my late teens and early twenties, I got into the habit of reading novels that were seen as a bit counter-culture, a bit alternative, a bit offbeat. Hunter S. Thompson, Jack Kerouac, that sort of thing. And, for some reason, I ended up reading a lot of William S. Burroughs including, yes, Naked Lunch. And that isn't exactly an experience I can recommend. Let's just say it's a novel you can only read when you're young...!This film, though? Oh, the novel and David Cronenberg were made for each other. So much body horror, and not just the (deliciously realised) Mugwumps. No, we have sentient, spymaster typewriters which are highly sexed, which ejaculate and which, er, stand to attention when excited. Because of course we do. This is the perfect canvas for Cronenberg to do his thing.
The film is visually exquisite, as one might expect. Yet the highlight may be Peter Weller's monologue recounting that surreal anal-related sequence from the novel. He truly carries the film in a suitably deadpan performance, believable as Burroughs himself, the still point beside whom all the gloriously surreal stuff makes a weird kind of sense.
No, this isn't a straight adaptation of a novel that is, straightforwardly, unfilmable, with its complex, bonkers plot and even more complex, bonkers subtext... and written by an author who was a heavy user of certain substances. Yet, albeit with the addition of certain elements from Burroughs' life (the notorious "William Tell" act especially), it comes surprisingly close.
Absolutely peak Cronenberg. A film that achieves the impossible, and does so with aplomb.

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