Squid Game: Halloween Party

 "Put me back in the game..."

After an exciting first episiode, this one is quite blatantly about putting the pieces into place and getting Gi-hun back in the game as we knew would happen. It does the job, and is still good television, but it's somewhat functional and hardly up there with the last episode. And the way Choi and Jun-ho are recruitred, alongside a massive paramilitary force, feels a bit too awkwardly easy.

Still, there's good stuff here. It's heartbreaking how Jun-ho's mum feels her other son has deliberately cut her out, but Jun-ho can't tell her the truth. There's a little girl with cancer and a reminder, as per last season, and indeed Breaking Bad, that for a country not to have a public healthcare system is as evil as anything Front Man does, if not more so.

Intriguinly, too, we have another North Korean defector, No-eul, homeless and desperate, who is looking for her daughter and agrees to accept the usual card and meet in the usualplace... but the twist is that she's a guard, not a contestant. Nice twist. I assume we'll be following her throughout the season. The guards are as manipulated as the players.

But the heart of the episode, as Gi-hun (and I don't care about the phone call; he's still a terrible father) and Front Man verbally spar, Gi-hun calling out Front Man's right-wing crap about how the players have a free choice. Of course they don't; inequality exists, and people don't beome desperate and out of options because they enjoy it. And that's Squid Game to a tee: at its root, it's deeply political.

Still, I'm hoping for a return to the usual form next time.

What If... the Emergence Destroyed the Earth?

 "He has broken his oath. Again..."

Interesting episode, this. For a start, the baddie (derspite the lack of Jake Gyllenhaal) is Mysterio, our first Spider-Man villain to appear in any non-Sony related MCU thing. Also interesting is that, although the main character is Riri "Ironheart" Williams, a character from well after my time in the comics whom I don't know well, we're leaning heavily into concepts from Shang-Chi and The Eternals. This season does that a lot, which is interesting.It woukd be rather nice if those films woukld turn out to actually lead to something.

The main conceit is that the Dreaming Celestial has destroyed the Earth early, it's split into little inhanbited fragments that somehow survive, and Mysterio has taken over the Earth using illusions, his control of Stark Industries, and the while version of the Vision. Much as I love Valkyrie, Wong and Ying Nan (yes, that obscure)... yeah, the villains here are B listers. The plot is ok, based around Riri's stubborn determination, but despite a sound if bonkers central premise this is pretty average.

That predictable ending, though... yes, I know it's a cliche from the comics that the Watcher does nothing but interfere. But they're really leaning into it here.The final season, then, surely?

Squid Game: Bread and Lottery

 "Let's play a game..."

At last Squid Game is back... and wow. That was quite the first episode, brilliantly shot and fullof perffectly paced tdension and intrigue. This time both Gi-hun and Jun-ho are searching for the island, the game and the invitation, at first fruitlessly and then with deep drama.

Jun-ho, now being a humble trafficcop and not particularly rich, struggles stoically in his quest to painstakingly locate the island. Gi-hun... well, let us pause firstly to observe what a rubbish dad he is: let ius not forget that. Yet, while his search for the mysterious man at the subway stations seems similarly fruitless, Gi-hun now has resources. And blimey, he's changed: determined, basass and, as we later see, with nerves of steel.

The episode is devilishly clever as it intertwines the two linked quests, although admittedly it's an awfully convenient coincidence that the speeding Ji-hun should be stopped by Jun-ho's colleauge.

When we find the man wigth the suit, though.... wow. First, we see his little trick, offering the desperate a choine of bread (sensible: a certain hope of food) and lottery scratchcard, mocking the irrational yet perhaps inspiring hope of the desperate. But when he catches Gi-hun's two underlings, later Ji-hun himself, and plays those riveting games of Russian roulette... this is gripping television, although of the two musical accompaniments I rather preferred Puccini.

The end confrontation is utterly perfect, with the man losing, yes, but in playing by the rules of the game regardless of the consequences he wins a victory of sorts.

The perfect start. More please.

Better Call Saul: Wine and Roses

"Sounds like the day from Hell."

"It was one of the best days of my life."

And so begins the final season. It seems, at the start of episode one of thirteen, that we're a long way from the events of Breaking Bad. But there can't be far to go. And the pre-toitles is a slow, lingering scene with Saul Goodman's opulent and disgustingly tateless office being examined by the Feds. In the present day, with Saul in Nebraska, the net is closing in. And the episode really lingers on that fact.

And we move directly to the contrast with Nacho, also hunted, desperate, and possibly doomed, with a price from Don Eladio on his head. All the scenes with him are impossibly tense, with us feeling fear on his behalf. Yet he's a pawn. Lalo, wanting everyone to think him dead (although Gus suspects) is out to get him, and plotting with Hector. Mike tries to speak up to Gus about him, but Gus is playing his own inscrutable game. And Lalo has seldom been scarier.

Meanwhile, Kim and Jimmy are the usual contrast- Kim doing good work for the vulnerable and loving it while Jimmy remains a "friend of the cartel". Yet they're both tainted, and Kim is the driving force in their fascinating plot to do over Howard. We're not privy to the details, so it's fun to see the early stages of the scheme play out, reminding us of the scams from earlier seasons... but the stakes are higher. The golf club scene is fascinatingly layered. The golf club stands for the snobbery againstwhich Jimmy has alwayds genuinely struggled... yet Kevin is right to blackball him for being the bounder and the cad that he is. And to play the antisemitism card ("only following orders", ouch!) when he's about as Jewish as my cat... wow.

And plot threads abound. Is Jimmy going to get rumbled in court for the stints he played to get Lalo bail? Is Mike suddenly now not the person on the phone to Nacho? What is Lalo planning? What are Jimmy and Kim planning? And what of that sphinx, Gus? This is a superb start.

Death on the Nile (1978)

 "Mon dieu, how she makes enemies of them all!"

I've read the novel, but it would have been around 1990-ish, so I wasn't expecting to remember much of the plot, and surely enough I didn't. So I was genuinely unspoiled for the big reveal. Nevertheless, I'll try and review this as a film rather than as Agatha Christie's original plot.

It's a very cinematic adaptation, shot on location at all the sights in Egypt as well as in rural England. The whole thing is exquisitely shot- particularly impressive is the first tracking shot of the dramatis personae all at dinner for the first time.

This isn't quite an all-star cast, but the star wattage is nevertheless relatively high, with no less a personage as Bette Davis in a middling sized role. David Niven is solid as the Watson figure, with Colonel Race giving some hilariously off colour views on those characters who deign to speak in a language other than English. Maggie Smith excels as a bitter woman in reduced circumstances, while Angela Lansbury is every bit as good as an amusingly sozzled romance novelist.

However... I'm not sure about Peter Ustinov as Poirot. It's not that there's anything wrong with his performance, he just feels miscast. He doesn't visually convince as Poirot, however well he may play the part. However, the overall performances are strong, and the film works superbly, helped by its awesome locations, in letting events play out dramatically, even if we do spend far too long on Poirot's explanation of how pretty much every character could have seen Jacqui shoot Simon through the window.

There are some fascinating moments here- a brief mention is made to a previous case involving a "decapitated clergyman". There's an unfortunate Indian stereotype. But overall this is a fine adaptation which plays the source material with a straight bat.