"Hey, I've got five kids to feed!"
Yes, I know. I'm exactly the age and demographic to have seen this film close to when it came out, but have somehow contrived not to have seen it until I'm tantalisingly close to forty-seven years old. Well, I've seen it now. And, well, it's fascinating.I mean, obvioudsly, it's an Arnie film and does all the Arnie stuff, but it's also fascinatingly conceptual hard science fiction, based on a story by Philip K. Dick. Admittedly, the only novel of Dick's that I've actually read is The Man in the High Castle, but I've seen enough film adaptations to recognise his signature themes of memory, identity and reality in play here- and the film is conceptually fascinating.False memories of great experiences being marketed to the public; false memories of an eight year marriage; the sheer bloody cldeverness of the plot when revealed at the end; a sex worker with three breasts; the question of, if you have amnesia, would you lose your new identity if you had your old memories back?
Arnie is gloriously Arnie, Sharon Stone has a nicely subtle little role, and you can always rely on good old Ronny Cox to play a damn good baddy at this time. And the effects- not CGI but real effects- are a joy to behold. That thing with the eyes when people are exposed to the Martian surace, though... urgh.
The end may be a bit of a cop out- surely Quaid and Melina would have died long before Mars was fully terraformed by the alien magic button? And would the alien device really terraform the planet with the exact amount of oxygen needed by humans? But these things don't stop Total Recall from being an absolute joy.
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