"You seem to have forgotten that the people close to you are the ones who get hurt..."
The strong start continues; I'm enjoying this. Maya is home in Oklahoma, slowly gearing up for a war with the Kingpin about which she seems methodicallyorganised and VERY confident.
Yet it's not all war; there'sa lot of good character stuff here. She's amongst her family... and is she exploiting her naive cousin Biscuits in bringing a war from New York to those she loves? Why is she avoiding her grandmother (Chula) or her childhood companion Bonnie? Is old, delightfully cynical Skully also being drawn into danger? It's a nice bit of moral ambiguity. Is Maya really a hero, or just one side of a gang war bringing chaos and death? Her cousin Henry seems to think so. Then again, it seems he has openly divided loyalties...
But what adds depth here is the thoughtful scenes about Choctaw history and culture, the "first Choctaw"- clearly paralleled with Maya- and the fascinating lacrosse(?) game in 1200 BC at the start that will no doubt resonate later. It's a fascinating reminder to this Englishman that Anglophone North America may superficially seem a culture similar to ours, with a shared language and history... but not really. In truth, it is a faraway land, as old and deeply rooted as anywhere in the "Old World", a patchwork of human cultures all but destroyed by the diseases of we Europeans. I'm not sure of the subtext of all this yet, but I'm certain that one will emerge. I ceertainly loved the scene with the tourists in Skully's shop and their cultural ignorance.
We get an opening titles this time, with the Yeay Yeah Yeahs and an image of Wilson Fisk! I didn't fail to notice the throwaway reference to Madripoor either. But this is pretty continuity-lite, and it's own thing. Good.
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