"She's taking a man's job."
Some Carry On films I've seen in my slow marathon through the lot of them, in order, have been better than others. But none of them have been actively bad. Until now.The film is notable, I suppose, for the Carry On debut of Jim Dale in a fairly small but very noticeable role. Kenneth Williams is missed, but this isn't the first time he's been absent. No: what's fundamentally wrong is the script or, more fundamentally, the concept.
Sid James' character Charlie is a workaholic who works such long hours he badly neglects his wife Peg, played with aplomb by Hattie Jacques. So she sets up her own all-female cab firm in competition to teach him a lesson. There's comedy here... but there's also a lot of very real emotion. The tone is all over the place and the very real marital tension at the heart of the film both stops this feeling like a Carry On film. The mood just isn't right, however amusing the set pieces may be.
Also, Charles Hawtrey is shown lusting after women and even says "phwoooar" at one point. Er, this just doesn't work.
Some of the social attitudes shown are... interesting. The sexual politics, obviously. An odd undercurrent of almost prudery from the characters at times. The trade union stuff. The attitudes to sexual harassment. And the concluding scenes where Charlie is shown drunk but then gets into his taxi to save the day. Yeah. It was a different time.
The film, however, just isn't any good. Unless you're making a point of watching the whole series, as I am, this one is eminently skippable.
No comments:
Post a Comment