"Worshipping a god of power, strength, and vengeance..."
We begin with a "previously on"... and then it's straight to a concenttration camp. In England. It's not an extermination camp, but it's bloody grim, a place of brainwashing, indoctrination and mind crushing military style discipline without purpose. We see, too, that Prior Mordrin can only maintain a semblance of order by the ceraseless executions of those who would be free.
It's grim. It's bleak. This 2020 may actually be worse than the one we got, and that's saying something.
We get a bit of exposition- throughout the '90s there was conflict between a rich south and a poor north, an interesting perspectibve from the Thatcherite '80s, leading to civil war. And somehow the Knights of God took over, replacing Christianity with a harsh religion of vengeance. Like the concentration camps, this has certain historical echoes.
Gervase suffers the camps but is slowly falling in love with the rather lovely Julia. Shre has a plan to escape via, er, being put in the cooler. It's a good thing too. Because his dad Owen is rumbled, tipped off by Arthur in another delightful scene between Gareth Edwards and Patrick Troughton. But they'rer on to Owen and, via their incredible futuristic computer power, they're on to Gervase.
This is excellent stuff. But bloody hell it's dark for kids' telly.
No comments:
Post a Comment