"I had to spank you..."
Wow. Yet again we see how this extraordinary season fits together like clockwork as we follow on from the Gus flashbacks from a few episodes ago and see that pool again, this tim ithout the yellow-tinted camerawork to tell us non-diegetically that we're looking at the past. Plot threads develop, and fascinatingly so, but for once the feud between Gus and Walt must yield to a much older feud of Gus'.
There's so much cleverness in how this is written, scripted, shown and played. A simple sub-plot about Walt missing Walt Jr's birthday becmes the catalyst for so much more, as Walt has to pretend it was a gambling relapse and experiences his son's tender concern... and accidentally calls him Jesse, something which is bound to be referred to again.
But the core of all this is Bryan Cranston's extraordinary monologue about his own childhood memories of his late father, who died of Huntingdon's Disease when he was six. It's an incredible bit of acting, followed in turn by Walt Jr's impression of how his own father has seemed over the last year.
There's also Skyler's plan to save Ted from the IRS- and herself and Walt from prison, of course- in a sharp example of how her plot threads have changed over the last season or so as she's fully embraced criminality, at least in its white collar form. The fictional "bequest" from an "aunt" in Luxembourg is to solve that debt problem... and he's spending it on other things! It's a fascinating sub-plot, especially as it shows how the power has shifted between them.
And power, of course, shifts south of the border too, as Gus serves cold his revenge on Don Eladio in an immaculately planned assassination in which an extraordinarily unflappable Gus takes a calculated yet dangerous risk. There is an air of menace. There is violence. There is Jesse proving himself in a shootout after Mike is wounded. And the sublime Giancarlo Esposito gives us what must surely be the most elegant vomiting scene in television history.
No comments:
Post a Comment