"IP's and sequels. That is what people want."
See the quote, in which the film's villain summarises Holluwood This is a deceptively clever film. It's full of CGI,which works in the context. It's certainly very funny. Yet behind the well-executesd humour in this deceptively extraordinary film, a philosophical treatise hiding behind a blockbuster, is a bloody bit of brilliance.Guy- a clever name for an NP-is a piece if sentient code devised by Keys and Millie. Yet he is also a genuine incidence of AI, a phemomenon that will, barring my outrageously premature death, be made manifest within my lifetime.
This is a film full of of humour amd witticisms.The tone is light. Yet, at its core, it is very philosophical indeed, being focused on a character (Ryan Reynolds) who is a sentient AI. And the film, with a real lightness of touch, really explores the idea of artificial sentience.
Look, I realise the '20s (yes, i know, none of us can quite believe it;'s the 2020s.), and we can quite be legitimately raise an eyebrow at how the film at the end uses such properies as lightsabres (in a scene where it could, of corse, symbolise,,, ahem) and Captain America's shield. Also, I appreciate the metatextual fun in characers such as Buddy and Dude. but, ultimately, this is a film which cheerdfully disregards and, indeed, freely attacks the fourth wall throughout, right until the romantic ending.
A rather good first film of 2021.
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