"No money in horror..."
I've seen lots of Amicus portmanteau horror films by now and enjoyed them all to a greater or lesser extent. This is easily the best of the lot.Partly it's that this time around the tales are all splendidly gleeful in their ghoulish bad taste as the five men who enter the lift each receive their magnificently grand guignol comeuppance. A greedy murderer ends up having blood dispensed from his neck like wine from a wine box. An obsessively nagging husband who insists on neatness has his organs neatly displayed in jars after driving his wife to murder. An insurance fraudster is buried alive and meets his death. And so on, all amongst the most '70s clothing and interior decor that has ever been immortalised in film.
It helps that Roy Ward Baker imbues the film with some visually witty touches, such as our insurance fraudster reading a novelisation of Tales from the Crypt, to which this is a semi-sequel. The script, too, is wittier and more gleeful this time round.
Yet what really makes this film shine, well-made as it is, is a superb cast full of the sort of well-known character actors who (Terry-Thomas aside) were not quite stars at the time. Standout performances from Glynis Johns and a splendidly vengeful, bizarrely bearded and deeply charismatic Tom Baker are a huge part of the film's success- and a success it is: I care not for the views po-faced contemporary critics.
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